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Asteri Beauty, the Saudi brand inspired by sisterhood

Asteri Beauty, the Saudi brand inspired by sisterhood
Saudi entrepreneur Sara Al-Rashed says Asteri is deeply rooted in the bond she shares with her two older sisters. (Supplied)
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Updated 04 July 2024

Asteri Beauty, the Saudi brand inspired by sisterhood

Asteri Beauty, the Saudi brand inspired by sisterhood

DUBAI: Asteri Beauty is one of the fastest-growing brands in the Middle East. Its founder, Saudi entrepreneur Sara Al-Rashed, says Asteri is deeply rooted in the bond she shares with her two older sisters. When they were growing up, makeup was more than just a way of enhancing beauty — it was a way of expressing individuality.

“Before going to any event, I always passed by their rooms to make sure that I looked good or check if my makeup needed any fixing,” she said. “We always get ready together when we have a big event such as family weddings. We’ll get ready in the same space with a professional team doing our hair and makeup, and whenever any of us is done we ask the others’ opinions and share our input and change or fix the look.” 

Shopping for cosmetics together and experimenting with new products was a cherished activity for the sisters, particularly on their holidays to the south of France. “On our travels, we always dedicated a day to shop for makeup and perfumes,” Al-Rashed told Arab News, adding that one of her fondest makeup memories was being glammed up by a professional team for her sister’s wedding. “It was such a treat,” she recalled.

But it’s not just makeup advice that Al-Rashed looks for from her sisters.

“Our relationship is very close; we’re not just sisters but best friends,” she said. “We spend a lot of time together inside and outside of work environments. Friends always make fun of us because we’re always together. Our favorite getaway is to travel and go to the beach to switch off. 

“I consider my sisters my mentors — I always seek their advice when I feel stuck somewhere. We always push and support each other when things get difficult,” she continued. “We’re all different, so when one of us faces a difficulty, the others always support and give advice.” 

After working in the UK as an interior architect, Al-Rashed returned to Ƶ, where she ran the creative and design team at an events company the sisters had founded. But she had a vision for her own venture, even if that meant taking the tough decision to split up their professional partnership.

Fortunately, though, she says her sisters remained “very supportive” of her decision to pursue her passion.

“They helped me by mentoring me and guiding me through the difficult moments I had,” she said. “It’s crucial to have a support system every step of the way. The most critical step for me was the moment I launched the brand. It was a scary moment to show people what I had been working on for two years.” 

Her sisters are not the only family members to have inspired her, either. Al-Rashed spoke fondly of her father’s influence on her personality.

“He always inspired me with how hard he works and how dedicated he is. His commitment to work, no matter the circumstances, taught us the importance of commitment to our duties,” she said.

It took Al-Rashed three years to bring her idea to market. Asteri Beauty hit the market in May 2023. Its products — made in Italy, Germany and Korea — are billed as vegan and cruelty-free and formulated without potentially harmful ingredients like mineral oils, microplastics, talc, parabens, and sulfates, she said.

But the major selling point of Al-Rashed’s products is that they are “desert-proof” — meaning they are specifically formulated to handle the region’s tricky climate, from high winds and excessive humidity to air-conditioning and ultra-dry heat. 

Al-Rashed launched Asteri with a selection of more than 20 products — an unusual approach for a startup in the cosmetics industry. These initial offerings included bronzer, concealer, highlighter, eyeliner, lip balm, lipstick, lip gloss, lip liner, eyeshadow, mascara, kohl, brow gel, and blush, as well as tools such as eyelash combs and makeup pouches.

In the relatively short time since its launch, Asteri’s products have expanded to include tinted serums, foundations, concealers, color correctors, creamy blushes, blotting papers, tote bags and more.

“We have a great team dedicated to product development. Development takes a lot of time, so launching a product means that we have been working on it for 18 to 24 months beforehand,” Al-Rashed explained.

That time includes an intensive testing period during which Al-Rashed’s sisters, among others, review each new product and help her revise it, before laboratory testing ensures its stability.

“After going through all of that we work on the design and the name, then we start manufacturing,” Al-Rashed explained. “The development process is very complicated; it includes a lot of different stakeholders — from formulators to packaging and manufacturers. We make sure that with each product we give it as much time as possible to make sure the quality is perfect and that we love the product.”

Asteri’s Saudi heritage shines through in the little details. The juicy pomegranate flavor of Sweet Oasis Lip Gloss — a subtle nod to one of the region’s best-loved fruits. Throughout the Asteri Beauty collection, there are also shades and names inspired by the desert’s landscape and wildlife. 

Al-Rashed’s powder products, including the bronzer and highlighter, incorporate Arabic calligraphy into their designs. The phrase “Sisters under the stars” (in Arabic) is stamped into pressed powders and adorns packaging and accessories. 

“We aim for the best. I’m proud of what we achieved as a team so far, but I aim for more,” Al-Rashed said. “We’re aiming to open more stores and be more available for our customers, building more brand awareness locally and regionally.

“We have received a lot of good reviews, thankfully; customers have expressed a lot of pride that the brand is Saudi. Our customers love our products and enjoy their experience in our stores,” she continued.

Her ultimate goal is for Asteri to be “a global brand and to be the leaders in A-beauty on the global stage,” she said. “We hope to be viewed as on par with the international luxury brands available in stores all over the world.”


Rachel Zegler stands by support for Gaza despite backlash

Rachel Zegler stands by support for Gaza despite backlash
Updated 58 min 5 sec ago

Rachel Zegler stands by support for Gaza despite backlash

Rachel Zegler stands by support for Gaza despite backlash

DUBAI: US actress Rachel Zegler has responded to the backlash she received for speaking out in support of Palestine, saying, “Nothing is worth innocent lives.”

The “West Side Story” star, who played the lead in Disney’s 2025 live-action remake of “Snow White,” came under fire during the film’s press tour for her political posts about the war in Gaza. In a new interview with i-D, she addressed the vitriol she faced — not just for her stance on Palestine, but also the widespread online narrative blaming her for the film’s poor box office performance.

Zegler pushed back against the idea that actors should stay silent on humanitarian issues for fear of professional fallout.

“I can really only echo Hannah Einbinder in saying that a platform becomes a responsibility, and that responsibility is ours to use as we please,” Zegler said, referencing the “Hacks” actor’s powerful remarks at a Human Rights Campaign dinner earlier this year, in which Einbinder criticized Israel’s assault on Gaza and emphasized the need for public figures to speak up.

“My compassion has no boundaries, is really what it is, and my support for one cause does not denounce any others. That’s always been at the core of who I am as a person. It’s the way I was raised,” Zegler continued.

“There are obviously things that are at stake by being outspoken, but nothing is worth innocent lives. My heart doesn’t have a fence around it, and if that is considered my downfall? There are worse things.”

In August 2023, “The Ballad of Songbirds & Snakes” actor expressed support for Palestine when she shared the first official “Snow White” trailer on X. She thanked her fans for their support, before adding in a separate post: “And always remember, free Palestine.”


Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors
Updated 24 June 2025

Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

DUBAI: Pioneering Saudi filmmaker Haifaa Al-Mansour has been appointed to the Academy of Motion Picture Arts and Sciences’ Board of Governors, the Red Sea Film Foundation announced on Instagram.

“As one of three newly named governors-at-large, Al-Mansour will represent the Directors Branch and bring her singular voice, vision, and global perspective to the Academy’s leadership for the 2025–2026 term and beyond,” they captioned the post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“An incredible milestone for one of Ƶ’s most celebrated filmmakers. We’re proud to see her continue shaping the future of cinema on a global stage.”
In 2012, Al-Mansour made history as she released her first feature film “Wadjda.” It was the first feature film shot entirely in the Kingdom and the first feature-length film made by a female Saudi director.

Over the years, Al-Mansour has also become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as Ƶ’s official entry for the International Feature Film Award at the 92nd Academy Awards, but it was not nominated.


Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere
Updated 24 June 2025

Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

DUBAI: US actress Rachel Brosnahan attended the premiere of “Superman” in Rio de Janeiro this week wearing a gown by Lebanese designer Zuhair Murad.

She wore a floor-length dress crafted from sheer navy blue fabric, adorned with geometric beadwork and sequins. The design featured a structured, plunging neckline with wide shoulder straps. The fitted bodice extended into a subtly flared mermaid-style skirt. 

Brosnahan takes on the role of Lois Lane in the upcoming film, directed by James Gunn. 

David Corenswet attended the premiere. (Getty Images) 

The movie follows a young Clark Kent as he navigates his dual identity as Superman and a journalist at the Daily Planet, striving to reconcile his Kryptonian heritage with his human upbringing.

Set to release on July 11, “Superman” stars David Corenswet in the titular role, with Brosnahan portraying the iconic reporter and central figure in Clark Kent’s personal and professional life. 

The eponymous hero has been described by producer Peter Safran as “the embodiment of truth, justice and the American way.”

The premiere was attended by Brosnahan, Corenswet and Gunn. 

Since founding his brand in 1997, Murad has gained international attention. His creations have been worn by celebrities such as Jennifer Lopez, Beyonce, Priyanka Chopra Jonas, Taylor Swift, Celine Dion, Sofia Vergara, Kristen Stewart and Scarlett Johansson on major red carpets.

He is one of a handful of Arab designers on the official Paris Fashion Week and Paris Haute Couture Week calendars.

Murad was recently championed by British Lebanese actress Razane Jammal, who wore a black ruched gown featuring a plunging neckline and tie detail at the waist from the designer’s ready-to-wear Pre-Fall 2025 collection to the launch of the Panthère de Cartier collection in Istanbul this week. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In April, American actress Blake Lively and singer songwriter Nicole Scherzinger both wore Zuhair Murad designs to the 2025 Time 100 Gala.

Lively opted for a pink taffeta off-the-shoulder gown with a corseted bodice and train detail from Murad’s Spring 2025 ready-to-wear collection. Scherzinger chose a black off-the-shoulder sequined gown from the designer’s Pre-Fall 2025 ready-to-wear collection.


Lebanese dance troupe Mayyas take to the stage with Beyonce

Lebanese dance troupe Mayyas take to the stage with Beyonce
Updated 24 June 2025

Lebanese dance troupe Mayyas take to the stage with Beyonce

Lebanese dance troupe Mayyas take to the stage with Beyonce

DUBAI: Lebanese dance group Mayyas, winners of Season 17 of “America’s Got Talent,” once again shared the stage with US singing sensation Beyonce for her Paris show of the “Cowboy Carter Tour.” The troupe performed alongside her during “Protector,” stepping in for her usual dancers.

“Honored to share the stage for the second time with the Queen,” posted the group on Instagram after the show on the weekend.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Choreographer Nadim Cherfan also took to Instagram to talk about the significance of the show.

“Proud to witness my choreographies come to life on the world tour of the biggest star of the century - @Beyonce - a dream turned reality on the global stage. During the darkest days of war in Lebanon, when everything around us felt like it was falling apart, we turned to creation. In silence and uncertainty, I poured my soul into these choreographies — never knowing they would one day shine on the biggest stage in the world.

“To the incredible dancers @mayyasofficial who stood by me through the chaos, your dedication and strength are etched into every step. This is our victory,” he added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The Mayyas previously performed alongside Beyonce at the opening of Atlantis The Royal in Dubai in 2023.

“Beyonce has been my dream since I was a child,” Cherfan said in an earlier interview with Arab News. “She is the artist of my life, and working with her made my dream come true. Since then, it has been really hard to work with any other artist because, as we all know, the queen has set the standard really high. It was an experience I will never forget.”


Review: Toronto Arab Film Festival screens searing ‘Arze’

Review: Toronto Arab Film Festival screens searing ‘Arze’
Updated 24 June 2025

Review: Toronto Arab Film Festival screens searing ‘Arze’

Review: Toronto Arab Film Festival screens searing ‘Arze’

DUBAI: The Toronto Arab Film Festival, running from June 20- 29, screened the scathing yet poignant Lebanese film “Arze,” directed by Mira Shabib.

The ambitious “Arze” — which means "cedar" in Arabic — follows the story of Arze, a single mother supporting her teenage son and love-struck sister through a homemade pie delivery business. In an effort to improve their lives, she steals and sells her sister’s jewelry to buy a scooter for her son to use for deliveries. But when the scooter is stolen, mother and son embark on a frantic journey across Beirut to recover it.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

On the surface, “Arze” tells a story that resonates deeply with many Lebanese families caught in financial limbo. It explores the emotional toll of such hardship, with questions arising as to whether one should leave the country or give up remnants of a once-comfortable life to survive Lebanon’s shifting socio-economic landscape.

Beneath the family drama lies sharp satire. Even the film’s title that references the cedar tree, a national symbol of Lebanese identity, carries layered meaning. Like the character herself, that identity appears fragmented, constantly lost amid the country’s sectarian divides. This is where the film truly shines: Arze, portrayed with emotional depth by Diamand Abou Abboud, dons various religious symbols and disguises to navigate Beirut’s fractured neighborhoods.

 

 

Shabib excels in exposing the farce of sectarianism, insinuating that Lebanon’s religious divisions are not deeply rooted but socially constructed and performative. Arze’s ability to blend into different communities simply by changing her appearance highlights how fragile and superficial these boundaries truly are.

In this sense, the film excels in its portrayal of a fourth main character: Beirut itself. Through Shabib’s lens, we are taken on a tour of a city so diverse it borders on overwhelming. Yet this diversity, rather than being a source of division, becomes a stage for a pointed critique, one that targets society’s fixation on appearances and its preference for the performative over lived reality.