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LONDON: Award-winning Hollywood actor Chris Tucker, critically acclaimed performer Pete Davidson, and Emmy award-winner Aziz Ansari are among more than 50 top comedians from around the world who will perform at the inaugural Riyadh Comedy Festival.

The lineup for the event, at Boulevard City from Sept. 26 to Oct. 9, also includes: Tom Segura, known for his Netflix specials, including “Ball Hog” and “Sledgehammer,” and the series “Bad Thoughts;” podcast hosts Andrew Santino and Bobby Lee; Emmy-nominated writer and performer Nimesh Patel; late-night favorite Sam Morril; and UK actor and comedian Omid Djalili.

Also on the bill are Chris Distefano, who in February released his latest stand-up special, “It’s Just Unfortunate,” on streaming service Hulu; Mark Normand, whose special “Soup To Nuts” is on Netflix; veteran writer and comedian Hannibal Buress; six-time Emmy and three-time Grammy winner Louis C.K.; and Jimeoin, known for his observational comedy.

They are among the first 26 performers confirmed by Turki Alalshikh, chairperson of ������Ƶ’s General Entertainment Authority, with more to be announced in the coming weeks.

Other comics confirmed to be taking part include Andrew Schulz, Bill Burr, Gabriel “Fluffy” Iglesias, Jessica Kirson, Jimmy Carr, Jo Koy, Kevin Hart, Maz Jobrani, Russell Peters, Sebastian Maniscalco, Whitney Cummings and Zarna Garg.

DUBAI: The sequel to one of indie gaming’s most beloved narrative gems, Citizen Sleeper 2: Starward Vector, proves that lightning can strike twice. Again featuring an imaginative space setting, the dice-driven roleplaying game thrives on subtle storytelling that feels both intimate and epic.

In Citizen Sleeper 2, you step once more into the worn metal frame of a Sleeper — a synthetic body powered by a digitized human consciousness, stripped of its original memories. While the first game saw you fleeing the corporate entity that created you, the sequel shifts gears. This time, you are a Sleeper who has broken free from the chemical leash of Stabilizer only to find yourself bound by another kind of chain — indentured to ruthless gang boss Laine, trading one form of control for another.

What sets Citizen Sleeper 2 apart is its ability to make every choice matter without bombarding the player with flashy moral prompts. Conversations feel organic, decisions ripple outwards with quiet but devastating impact and the characters are drawn with nuance and compassion.

The gameplay remains as relaxing as it is engrossing. The dice mechanic returns, offering a meditative rhythm of planning and risk, but there is added depth in how resources, relationships and time must be balanced.

As the hours pass, the stakes rise. What begins as a personal quest for survival grows into a meditation on community, identity and the cost of freedom. By the time the credits roll, Citizen Sleeper 2 feels less like a game you played and more like a story you lived.

It is narrative-driven gaming at its best.