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PARIS/DUBAI: Paris Fashion Week kicked off with a bang — a Louis Vuitton show unveiling the French brand’s Menswear Spring/Summer 2026 collection.

The front row was packed with A-list stars, including Beyonce, Jay-Z, Steve Harvey, Bradley Cooper, J-Hope, Karol G, PinkPantheress, Future, Pusha T, Jackson Wang, Bambam, Mason Thames, Miles Caton, D’Pharaoh Woon-A-Tai, Malcolm Washington, Jalen Ramsey, and A$AP Nast.

Part-Arab guests also made an appearance, including Moroccan Canadian singer, actress and model Nora Fatehi, as well as Romanian Jordanian designer Amina Muaddi.

Fatehi attended the show in a taupe double-breasted suit featuring a structured blazer with wide lapels, metallic buttons and flap pockets. She paired the blazer with loose, pleated wide-leg trousers in a matching fabric. She layered the suit over a white shirt and a white tie.

Meanwhile, Muaddi opted for a structured brown jacket with oversized flap pockets and a contrasting dark collar. Underneath, she wore a black knee-length leather skirt and a white top.

In this collection Pharrell Williams — half showman, half pop impresario — staged a cultural passage from Paris to Mumbai, fusing Indian tradition and modern dandyism into a punchy, sunstruck vision of the Vuitton man in 2026.

The Pompidou’s iconic colored pipes served as a sci-fi backdrop for a set dreamed up with Studio Mumbai architect Bijoy Jain: a life size “Snakes and Ladders” board, alluding to both the child’s game and the adult risks of fashion’s global game. 

The models walked the runway in Indian-style chunky sandals, striped boxy shorts and blue preppy shirts with sleeves billowing like monsoon sails. Silken cargo pants shimmered in the sun; pin-striped puffers added a louche, almost Bollywood-kitsch edge. 

Cricket jerseys appeared with jeweled collars or, in some cases, a puffy hood covered in rhinestones. Blue pearlescent leather bombers flirted with the bling of Mumbai’s film sets, while pin-striped tailoring riffed on both the British Raj and Parisian boulevardiers.

Of course, with Vuitton, accessories make the man — and this season’s bags, jeweled sandals, and bold, hardware-heavy necklaces delivered Instagram bait. It’s maximalist, yes, but not just for the TikTok crowd. The craftsmanship — from sun-faded fabrics to hand-loomed stripes — rewards anyone who takes a closer look.

DUBAI: Pioneering Saudi filmmaker Haifaa Al-Mansour has been appointed to the Academy of Motion Picture Arts and Sciences’ Board of Governors, the Red Sea Film Foundation announced on Instagram.

“As one of three newly named governors-at-large, Al-Mansour will represent the Directors Branch and bring her singular voice, vision, and global perspective to the Academy’s leadership for the 2025–2026 term and beyond,” they captioned the post.

“An incredible milestone for one of ������Ƶ’s most celebrated filmmakers. We’re proud to see her continue shaping the future of cinema on a global stage.”
In 2012, Al-Mansour made history as she released her first feature film “Wadjda.” It was the first feature film shot entirely in the Kingdom and the first feature-length film made by a female Saudi director.

Over the years, Al-Mansour has also become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as ������Ƶ’s official entry for the International Feature Film Award at the 92nd Academy Awards, but it was not nominated.