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Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event

Novak Djokovic, one of the greatest tennis players of all-time, took a break from the competitive action at the Six Kings Slam in the Saudi capital this weekend to capture some iconicphotos in Diriyah.(Instagram/@DjokerNole)
Novak Djokovic, one of the greatest tennis players of all-time, took a break from the competitive action at the Six Kings Slam in the Saudi capital this weekend to capture some iconicphotos in Diriyah.(Instagram/@DjokerNole)
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Updated 19 October 2024

Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event

Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event
  • Djokovic, long-time Lacoste collaborator and ambassador, posted series of shots in heart of Saudi capital to his Instagram

DIRIYAH: Novak Djokovic, one of the greatest tennis players of all-time, took a break from the competitive action at the Six Kings Slam in the Saudi capital this weekend to capture some iconicphotos in Diriyah.

Djokovic, a long-time Lacoste collaborator and ambassador, posteda series of shots with some Saudisandsolo photos on his Instagram in a striking jacket from the French brandagainst the historic backdrop of Diriyah, with the caption “Kingdom Style.”

On Saturday, General Entertainment Authority supremo Turki Alalshikh posted a photo of himself with Djokovic and the five other players taking part in the Riyadh Season marquee tennis event — Rafael Nadal, Carlos Alcaraz, Jannik Sinner, Holger Rune and Daniil Medvedev.

A video posted to TikTok on Saturday showed Djokovic and his Six Kings Slam rivals being taught and taking part in atraditional Saudi dance in Diriyah.

World No. 1 Sinner secured a significant victory overDjokovic on Friday of the Six Kings Slam in Riyadh, triumphing 6-2, 6-7, 6-4.

As the Six Kings Slam continues,Sinner remains the man to beat as he looks to build on this momentum, while Djokovic’s future remains a question as he navigates the ever-growing physical demands of an increasingly younger field.

The Serbian faced old rival Nadal in a third-place match on Saturday, ahead of the final between Sinner and Alcaraz, and came out on top 6-2, 7-6.


REVIEW: ‘Wayward’ — Toni Collette shines in Mae Martin’s Netflix thriller

REVIEW: ‘Wayward’ — Toni Collette shines in Mae Martin’s Netflix thriller
Updated 03 October 2025

REVIEW: ‘Wayward’ — Toni Collette shines in Mae Martin’s Netflix thriller

REVIEW: ‘Wayward’ — Toni Collette shines in Mae Martin’s Netflix thriller

DUBAI: Don’t be misled by the fact that “Wayward” is the creation of Canadian comedian and actor Mae Martin. This is not a comedy, but an eerie thriller set in the early Noughties in a creepily off-kilter, verdant small town in Vermont called Tall Pines — a name whose echoes of David Lynch’s early-Nineties cult classic “Twin Peaks” seems unlikely to be a coincidence.

Martin plays Alex, a cop who has moved from Detroit to Tall Pines with pregnant partner, Laura (Sarah Gadon), who is herself a graduate of the town’s central focus, an academy for “troubled” teens run — and founded — by Evelyn Wade (Toni Collette), an unsettlingly weird woman whose life goal of enabling kids to bypass the intergenerational trauma passed down by their parents involves techniques that are unlikely to be sanctioned by any sane society. But Tall Pines isn’t a sane society, populated as it mainly is by graduates of Tall Pines Academy.

A parallel plotline follows two teenage best friends from Toronto: Laura (Alyvia Alyn Lind) — a wrong-side-of-the-tracks kinda gal who dabbles in drugs and is dealing with the death of her sister, and Abbie (Sydney Topliffe) the more strait-laced of the two, whose friendship with Laura has scared her strict parents enough for them to have her sent to the academy. When she discovers this, Laura sets out to rescue her, but ends up incarcerated too.

The atmosphere of general not-quite-rightness is set up early on — a slight over-eagerness on the part of the natives to welcome Alex; the cult-y décor, hierarchy and activities of the academy; Evelyn’s assumption of a mother’s role with Laura… But Laura seems happy to be back, and, at first, there’s nothing quite concrete enough for Alex to be able to fully justify jumping in the car with Laura and getting out of there. That soon changes. But by then, it’s already too late.

“Wayward” has plenty of faults: The characterization, especially of the teenagers, is often clunky and the plot twists don’t always work — sometimes confusing rather than propelling the story. But the show’s ambition should be lauded — it’s tackling “big” topics in an entertaining, engaging way. And Collette gives a performance that’s compelling, charismatic and repellent all at once, making Evelyn such a great creation (credit to Martin too, for that) that she saves the show from mediocrity.


dzٳ’s brings Safeya Binzagr work to Riyadh for Cultural Investment Conference

dzٳ’s brings Safeya Binzagr work to Riyadh for Cultural Investment Conference
Updated 03 October 2025

dzٳ’s brings Safeya Binzagr work to Riyadh for Cultural Investment Conference

dzٳ’s brings Safeya Binzagr work to Riyadh for Cultural Investment Conference

RIYADH: At the Kingdom’s inaugural Cultural Investment Conference, which opened in Riyadh on Sept. 29, auction house dzٳ’s presented a rare and significant acquisition from the Arab world: a piece by the late Safeya Binzagr, a seminal figure in the Saudi modern-art scene.  

“Coffee Shop in Madina Road” was painted in 1968, the same year in which Binzagr held her first exhibition with her peer, and fellow art pioneer, Mounirah Mosly in Jeddah.  

“(That exhibition) marked an early, visible moment for women artists in the Kingdom’s modern scene, shaping expectations for subsequent generations,” Alexandra Roy, dzٳ’s head of sale, Modern and Contemporary Middle East, told Arab News.  

Binzagr’s influence stretched well beyond her work. Perhaps even more significant is the eponymous cultural center she opened in Jeddah, which, Roy said, “cemented her role in preserving and presenting Saudi cultural narratives to the public.” 

It also helped bring through a new generation of Saudi women artists. One of the center’s former students, Daniah Alsaleh, told Arab News soon after Binzagr’s death last year: “Safeya was a true pioneer, dedicated to both art and education, and her contributions will continue to inspire many. I am incredibly grateful for the impact she had on my artistic journey.” 

“Safeya also collected traditional costumes and rarely sold or gifted unique painted works and actually stopped selling in the mid-1970s — a stance that placed artistic and cultural preservation above commercial circulation, while intensifying institutional interest and long-term esteem for her oeuvre,” Roy noted. 

That stance also means that Binzagr’s works rarely feature at auction.  

“Works like this are exceptionally scarce — making any appearance on the market a notable event — and very few are in private hands,” Roy said. “It’s from 1968, placing it at the very start of her public career and within the formative phase in which her visual language and cultural preoccupations were taking shape. 

“Seen against the backdrop of her later museum recognition, the work speaks to an artist whose practice is now preserved institutionally,” she continued. “So this early example carries both historical and documentary weight in the narrative of Saudi modern art.” 


Recipes for success: Chef Mevish Appadoooffers advice and a tasty Greek salad recipe

Recipes for success: Chef Mevish Appadoooffers advice and a tasty Greek salad recipe
Updated 03 October 2025

Recipes for success: Chef Mevish Appadoooffers advice and a tasty Greek salad recipe

Recipes for success: Chef Mevish Appadoooffers advice and a tasty Greek salad recipe

DUBAI: Long before he led professional kitchens or perfected complex stocks, Mevish Appadoo, now head chef at Twine — a Mediterranean restaurant in Dubai — was just a teenager in Mauritius captivated by the aromas coming from his grandfather’s stove.  

“I was always telling my parents and my grandmother, ‘One day I will cook like Grandpa,’” Appadoo told Arab News. “This stayed in my head.” 

At 17, after dropping out of school, he made the leap into the culinary world. What began as a boy’s dream quickly turned into a career path marked by discipline, patience and an enduring passion for process. Now aged 32, with years of experience behind him, including time spent as a ramen chef, he has developed a leadership style shaped by old-school mentorship and modern sensibilities.  

Mevish Appadoo is the head chef at Twine. (Supplied)

When you started out, what was the most common mistake you made? 

You know, in the kitchen, we always need to wash our hands, but I wasn’t drying my hands properly before seasoning. I’d get shouted at a lot by the chef. When your hands are wet, the seasoning gets stuck to your fingers, so you don’t have control (over it). 

What’s your top tip for amateur chefs?  

You need to have patience. You can’t just cook very fast. The food will never be good if you don’t give it the time it’s supposed to take to cook. Anyone can cook pasta in five minutes, but it’s not going to be the same as pasta that takes 15 minutes. 

What one ingredient can instantly improve any dish? 

Salt. It’s so important, and there are lots of people who don’t know when or how to use it. If it’s a stock or soup, you can put the salt in at the last minute. But if you’re cooking a meat dish, you need the salt at the beginning to help it penetrate the meat and make it more flavorful. 

When you go out to eat, do you find yourself critiquing the food? 

To be honest, I did that when I first started as a chef, because I thought I knew more than everyone. But over time, especially when I became a sous-chef at that level, I stopped doing it. Now what I do is I go, eat, pay my bill, and if I have any complaints, or even compliments, I try to go directly to the chef. I never go to the manager or the waiter because I don’t want it to look like a complaint. I just go to the chef and tell him, “I liked this.” Or “Maybe you should try this.” Things like that. 

What’s the most common issue you find in other restaurants? 

I would say it starts with the service. If they don’t treat you well at the beginning, it affects everything. If they take 15 minutes to bring you the menu, or they don’t smile, or you order still water and they bring sparkling, your mood starts to drop. That’s how guests start to complain. Sometimes, even if you give them good food, everything that happened before has already spoiled the experience. 

What’s your favorite cuisine or dish to eat? 

I’m not a fan of big restaurants or big culinary spaces, even though that’s where I work. I prefer to eat in small cafeterias. My favorite dish in Dubai is omelet, paratha with cheese, and Oman chips. I could eat that every day. 

Twine is a Mediterranean restaurant in Dubai. (Supplied)

What’s your go-to dish to cook quickly at home? 

I always prefer simple food. So, noodles — but Mauritian noodles. They’re very different. They’re kind of like ramen, but everything is different, the stock, the noodles themselves, and the garnish.  

What’s your favorite dish to cook? 

At work, I love to make stocks — chicken stock, beef stock… — to use as a base for sauces. It requires a lot of steps. If I’m at home, I love to cook biryani. That also requires many steps. Everything that has stages excites me… there’s something about following that process. The steps are what make it pleasurable to cook. 

What’s the most difficult dish for you to get right? 

Before, I was a chef at a Japanese restaurant where we made ramen. It was very challenging to get the taste of the soup right. Ramen broth has to cook for six to eight hours. You can’t miss a step. You can’t put it on a high flame, it needs to be controlled very, very delicately. When people eat ramen, they think it’s about the meat or the egg or the noodle. No, it’s about the soup. The soup is what makes it what it should be. 

As a head chef, what are you like? 

I would say I’m a mix of generations. Because I started very young, I never trained with people my age; all the chefs who trained me were old — in their sixties. I don’t know how to describe them, but they really made me strong. Without them, I wouldn’t be the person I am today. So many people tell me, “You’re very young. How can you do this? How can you do that?” I hope (those chefs) can hear me when I say this is all because of them. Now I try to bring that experience to the new generation and adapt how I guide them, because they are not like the generation before. You can’t just shout at them. They understand things differently now. 

Chef Mevish’s Greek watermelon and feta salad with honey zaatar dressing  

Chef Mevish’s Greek watermelon and feta salad with honey zaatar dressing. (Supplied)

Ingredients for 1 portion: 

Salad 

25g Watermelon  

25g feta  

10g roasted almonds 

15g cucumber 

5g kalamata olives 

Fresh herb salad 

2g mint leaves 

2g zaatar 

2g dill leaves 

2g parsley 

2g rucola 

Dressing 

6ml olive oil 

2ml lemon juice 

4ml honey 

3g chopped fresh zaatar 

Salt and pepper for tasting 

Directions: 

Cut the watermelon and feta into cubes. 

Roast the almonds and slice. 

Shave the cucumber and form it into rolls. 

Dehydrate the kalamata olives in a food dehydrator or oven at 50-60°C for one hour. 

Once the kalamata olives are dehydrated, blend them into a powder using a blender. 

In a separate bowl, prepare the honey zaatar dressing by combining olive oil, lemon juice, honey, chopped fresh zaatar and salt and pepper to taste. 

Then make the Fresh Herb Salad by mixing mint leaves, zaatar, dill leaves, parsley and rucola, then add a little bit of the dressing.  


Where We Are Going Today: Jareesh Chocolate in Riyadh

Where We Are Going Today: Jareesh Chocolate in Riyadh
Updated 03 October 2025

Where We Are Going Today: Jareesh Chocolate in Riyadh

Where We Are Going Today: Jareesh Chocolate in Riyadh

RIYADH: If you are in Riyadh and want to try something completely different, visit Jareesh Chocolate.

This new creation is the result of a collaboration between food artist Omar Sartawi and Diplomat Sweets, and it will immediately catch your attention — Jareesh, one of Ƶ’s oldest and most traditional dishes, combined with chocolate? 

The first bite will honestly surprise you. The chocolate itself is smooth and sweet but then comes the twist: little bursts of texture from the jareesh that creates a playful, crackling sensation in your mouth. It is both strange and exciting, a mix of familiar flavors with a completely new texture. That “pop” is what makes the whole experience memorable, giving it a unique character.

The jareesh adds a nutty, earthy undertone that balances nicely with the richness of the white chocolate. It is not overwhelming or gimmicky; instead, it feels like a respectful blend of heritage and modern taste. This will appeal to people who enjoy trying something bold and different but still want it to be enjoyable rather than experimental for the sake of it.

Overall, Jareesh Chocolate is a successful attempt at reimagining tradition through something as simple as a chocolate bar. It is unusual, playful, and definitely worth trying at least once.

The price is 55 Saudi riyals (about $14.50), which feels slightly pricey for its size, but considering the concept and craftsmanship, it is justified because of its specialty appeal.

You can find it at all Diplomat Sweets stores in Riyadh, but you can also order it online. For more information check their Instagram: @diplomat_sweets


 


Spotify launches first ‘Loud & Clear’ report in Ƶ, spotlighting royalties and artist growth

Spotify launches first ‘Loud & Clear’ report in Ƶ, spotlighting royalties and artist growth
Updated 02 October 2025

Spotify launches first ‘Loud & Clear’ report in Ƶ, spotlighting royalties and artist growth

Spotify launches first ‘Loud & Clear’ report in Ƶ, spotlighting royalties and artist growth

RIYADH: Spotify has released its first Saudi “Loud & Clear report, highlighting the rise of the Kingdom’s music industry, where local artists are leveraging global discovery into sustainable careers.

According to the report, Saudi artists generated more than SR13 million ($3.5 million) in royalties on Spotify in 2024 — a 76 percent increase from the previous year and more than double the total in 2022. At the same time, Saudi artists were discovered by first-time listeners more than 220 million times. According to Spotify, more than 90 percent of royalties came from audiences outside the Kingdom.

Saudi musicians perform live at Spotify’s Loud & Clear Ƶ edition, highlighting the diversity and creativity shaping the Kingdom’s sound. (Supplied)

“Ƶ is one of the most exciting music markets in the Middle East today. If you look back just a decade, much of the scene was underground. Fast-forward to now, and the story is very different: Artists are reaching audiences at scale, royalties are growing fast, and the ecosystem is buzzing with possibility,” said Akshat Harbola, managing director for Spotify MENAP.

He added that the momentum was “undeniable,” noting that Ƶ’s Music Commission projects the industry could become a half-billion-dollar market within the next decade. “To realize that vision, every stakeholder needs to come together, and the time to start that conversation is now,” he said.

The Loud & Clear event in Riyadh on Thursday was designed as a conversation-starter, bringing together artists, industry leaders and fans to examine how streaming revenues are shaping careers. Harbola described the milestone as proof that music is becoming a viable profession in the Kingdom. “We celebrated some powerful wins, more than SR13 million in royalties generated, with many Saudi artists now generating over SR100,000 last year. This is proof that music can become a sustainable career,” he said.

⁠Spotify MENAP Managing Director Akshat Harbola and Saudi Music Commission CEO Paul Pacifico discuss the Kingdom’s fast-growing music industry during the first Loud & Clear event in Riyadh. (Supplied)

Spotify’s report also showed that Saudi music consumption on the platform has grown by nearly 200 percent since 2020, fueled by local pride and younger audiences. Harbola emphasized that the goal is not only growth but transparency: “By breaking down how royalties flow, how rights are protected, and how artists can truly earn from their work, we can build a more transparent and sustainable system from day one.”

What stood out most, he said, was the diversity of the Saudi music scene. “Of course, Tarab remains a powerful genre, but alongside it you now have electronic producers filling global arenas, and singer-songwriters blending Arabic and English in ways that feel fresh and original,” Harbola said, citing acoustic performances that showcased the mix of languages and styles now defining the Kingdom’s sound.

Audience at Beast House, JAX District, Riyadh, attending the launch of Spotify’s first Loud & Clear report in Ƶ, which revealed over SAR 13 million in royalties generated by Saudi artists in 2024. (Supplied)

Spotify has already launched initiatives such as RADAR Arabia, EQUAL Arabia, and Fresh Finds Saudi to support emerging talent. Harbola underlined that discovery remains at the heart of the platform. “In 2024 alone, Spotify helped drive more than 220 million discoveries of Saudi artists worldwide,” he said.

Looking ahead, Spotify announced a new Saudi campaign, The GM of Vibes, celebrating the creativity and energy of the Kingdom’s listeners. “We’re incredibly focused on our mission to support artists and to educate music fans about streaming music legally. The more they stream, the more their favorite artists can sustain a living from their art,” Harbola said.

As Ƶ’s music ecosystem accelerates under Vision 2030, Spotify’s data-driven push for transparency signals a new era where artists are not only being heard but increasingly rewarded.