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How Ƶ’s wild lotus shrub was brought back from the brink of extinction

Special How Ƶ’s wild lotus shrub was brought back from the brink of extinction
Wild Lotus is originally native to the east of the Mediterranean Sea to the Arabian Peninsula. It grows in arid regions or the dry shrubland biome, in countries and areas such as Ƶ, Iraq, Lebanon, Syria, Palestine, and in the Sinai Peninsula. (SPA)
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Updated 09 November 2024

How Ƶ’s wild lotus shrub was brought back from the brink of extinction

How Ƶ’s wild lotus shrub was brought back from the brink of extinction
  • The wild lotus shrub thrives in streams, blooming with small red flowers during the hot summer months
  • Afforestation and land reclamation efforts under the Saudi Green Initiative were key to the plant’s revival

RIYADH: After coming to the brink of extinction, the wild lotus shrub has been rediscovered in Ƶ’s Northern Borders region. This revival is owed in large part to the afforestation and land reclamation efforts of nature reserves and the Saudi Green Initiative.

Protecting and preserving wild areas, along with restoring trees and plants to the environment, such as this annual shrub with its vibrant red flowers, are key components of Ƶ’s sustainable development agenda.

The wild lotus is native to areas stretching from the Eastern Mediterranean to the Arabian Peninsula. It thrives in arid regions and dry shrubland biomes, found in Ƶ, Iraq, Lebanon, Syria, Palestine and the Sinai Peninsula.

Nasser Al-Majlad, president of Aman Environmental Society, told the Saudi Press Agency that the wild lotus shrub has been found thriving in streams in the valleys of the Kingdom’s Northern Borders region.

Locally known as “Hamar Ward” or “Harbith,” the shrub blooms during the hot summer months, producing small, red flowers. Its scientific name is Lotus lanuginosus.

“Wild Lotus, or Hamar Ward, is an herbaceous perennial wild plant, branched, extending vertically to 40 cm or 20 cm, and its leaves are compound with five leaflets and their dimensions are from 1.3 to 0.5 cm,” Obid Aloni, an environmental activist and member of Al-Yusr and Desert Plants Association, told Arab News.




Echinops, an erect branching spiny-leaved herb that is one meter high and has very pale blue flowers in spherical heads. This flower is found in Diriyah and other parts of the central region of Ƶ. (Shutterstock photo)

Herbaceous perennial plants complete their life cycle over a period of more than two years. They have non-woody stems, allowing them to reach their full height and produce flowers year after year.

Aloni, who has specialized in plants and agriculture for 30 years, told Arab News that the wildflower serves as a stunning embellishment in both cultivated and rocky landscapes.

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“It is planted usually at the beginning of winter — for those who want to plant it — like spring flowers,” he said, adding that the species had almost reached extinction if not for the efforts of royal reserves in Ƶ.

In addition to the wild lotus shrub, Ƶ’s wilderness is home to a diverse array of flower species — including the Convolvulus buschiricus. Native to Hegra in the Madinah province, this shrubby plant has hairy stems that can grow up to 1 meter in height. It also has pink, scentless flowers measuring 2.5 cm in width.




Retama raetam, a shrubby plant with thin and flexible branches, is found in Hegra in Madinah province. (Shutterstock)

Also found in Hegra is the Retama raetam, a shrubby plant with thin, flexible branches. Its small flowers, measuring one cm in width, are accompanied by simple, narrow leaves that are 10 mm long.

Other Saudi wildflowers include the Lavandula dentata in Asir’s Jabal Soudah, Echinops in Diriyah and Teucrium oliverianumin Tumair, Riyadh province.Teucrium oliverianum, commonly known as “ahneh,” is also found in the Imam Turki bin Abdullah Royal Reserve, located in the Kingdom’s northern provinces.

DID YOUKNOW?

• The lotus flower is a traditional herb used in Chinese medicine for thousands of years.

• The plant’s tea has been promoted as a weight-loss aid and a drink for reducing body lipids.

• Nelumbo nucifera is known for its anti-diabetic and anti-inflammatory properties.

Afforestation and the preservation of natural habitats in the Kingdom have advanced significantly in recent years, driven by environmental protection schemes like the Saudi Green Initiative.

One of the key goals of the SGI is to rehabilitate more than 74 million hectares of land by planting 10 billion trees nationwide, while also restoring the Kingdom’s natural greenery.




Teucrium oliverianum, commonly known as "Ahneh," thrives in Riyadh province as well as in the Kingdom's northern provinces. (SPA)

Through extensive planting efforts, the Saudi government aims to restore vital ecological functions, improve air quality, and, ultimately, reduce the frequency of sandstorms.

Since 2021, more than 49 million trees and shrubs have been planted, and 94,000 hectares of degraded land have been rehabilitated, according to the SGI website.

Ƶ’s commitment to environmental protection extends beyond its borders, making a significant impact at both a regional and global level.




Officials and representatives of government entities and associations along with locals participate in the greening activity at the King Abdulaziz Protected Pasture in Al Hanakiyah governorate. (SPA photo)

The Kingdom launched the Middle East Green Initiative in 2021 to help mitigate the impact of climate change in the wider region and position Ƶ as a leader in global sustainability efforts.

The MGI also promotes afforestation with the aim of planting some 50 billion trees across the Middle East.

Also contributing greatly to the restoration of nature in Ƶ is the NEOM giga-project taking shape on the Kingdom’s northwestern coastline. In collaboration with the National Center for Vegetation Cover and Combating Desertification, NEOM has been implementing its own regreening initiative since 2022.




Lavandula dentata, a flower native to Asir that reaches up to 60 centimeters and has leaves with toothed edges and a slightly woolly texture. (Shutterstock)

Khaled Al-Abdulqader, the center’s CEO, highlighted in a NEOM report that the regreening initiative will significantly support efforts to protect the environment, in addition to “directly contributing to the objectives of the Saudi Green Initiative.”

Through dedicated afforestation efforts, wildflowers like the wild lotus and other native plants may have the opportunity to grow and thrive, even in some of the most arid regions of the world.

The Kingdom’s commitment to maintaining a healthy environment and balancing its ecosystem is a key goal of its Vision 2030 agenda, aimed at ensuring sustainable development while creating a thriving society.


Saudi king, crown prince extend condolences to Kuwaiti rulers over death of Sheikh Ali Abdullah Al-Khalifa Al-Sabah

Saudi king, crown prince extend condolences to Kuwaiti rulers over death of Sheikh Ali Abdullah Al-Khalifa Al-Sabah
Updated 30 August 2025

Saudi king, crown prince extend condolences to Kuwaiti rulers over death of Sheikh Ali Abdullah Al-Khalifa Al-Sabah

Saudi king, crown prince extend condolences to Kuwaiti rulers over death of Sheikh Ali Abdullah Al-Khalifa Al-Sabah

RIYADH: Ƶ’s King Salman and Crown Prince Mohammed bin Salman on Saturday sent separate cables of condolences to the Emir of Kuwait, Sheikh Meshal Al-Ahmad Al-Jaber Al-Sabah, following the death of Sheikh Ali Abdullah Al-Khalifa Al-Sabah.

The king and crown prince expressed their deepest sympathies to the Emir and the family of the deceased, the Saudi Press Agency reported.

Prince Mohammed also sent a cable of condolences to Kuwait’s Crown Prince Sheikh Sabah Khaled Al-Hamad Al-Mubarak Al-Sabah, offering his sympathy to the family.


Between pen and performance, a Saudi artist redraws boundaries

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)
The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)
Updated 30 August 2025

Between pen and performance, a Saudi artist redraws boundaries

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)
  • Ahmad Haddad casts a fresh eye on tradition, masculinity, and movement

JEDDAH: For Ahmad Haddad, art is both a personal and cultural inquiry, with pen marks, traditional dress, and performance converging to question boundaries and preserve heritage through vivid experiences.

The 30-year-old Riyadh-based artist and certified arts educator grew up between Jeddah and Madinah, and works across drawing, digital collage, mixed media, and performance.

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)

The pen is his main instrument to explore the human body, identity, and cultural boundaries. His approach is shaped by his studies in psychology, landscape architecture, and marketing.

“I use art to make the unseen visible and to reimagine the familiar,” Haddad told Arab News. “I’m driven by questions like: What happens when the invisible becomes visible? And how do symbols and boundaries shape space?”

HIGHLIGHTS

• Ahmad Haddad has exhibited in more than 25 national and international exhibitions, including ‘The Lost Other’ in Paris (2025) and ‘Delicacy of Dualities’ in Riyadh (2024).

• He has also collaborated with Misk Art Institute, Misk Global Forum, Riyadh Art, and the Visual Arts Commission.

• He founded Haddad Studio in Riyadh’s Jax District; the space has hosted more than 120 workshops and programs.

Haddad has exhibited in more than 25 national and international exhibitions, including “The Lost Other in Paris” (2025), “Delicacy of Dualities” in Riyadh (2024), “Sindbad: I See the Land” in Jeddah (2023), and his solo show “Reflection” in Jeddah (2020).

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)

He has also collaborated with Misk Art Institute, Misk Global Forum, Riyadh Art, and the Visual Arts Commission.

He has twice taken part in the Intermix Residency. In Diriyah last year, he developed a research-based project on the boundaries of beauty in Eastern masculinity. In Paris earlier this year, he extended that inquiry to explore how traditional clothing shapes movement and presence.

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)

His Paris installation, “Ya Ibn ‘Ammi,” examined solitude and individuality through traditional symbols such as the agal.

Sound design linked Saudi and French cultural elements in the work. “It is almost unimaginable to see a traditional Bedouin man in a setting that compromises his dignity, moving with excessive fluidity or softness, or even lowering his gaze,” Haddad explained. “These unspoken codes profoundly shape our perception of a man’s role in society.”

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)

Haddad is preparing to publish his research on traditional dress, which he believes may lead to a follow-up study on how fabric, color, and comfort influence male personality and movement.

His visual language blends anatomy, Qur’anic symbols, geometry, subconscious marks, and forms inspired by Saudi culture and Hijazi heritage.

The pen is Ahmad Haddad’s main instrument to explore the human body, identity, and cultural boundaries. (Supplied)

His creative process often begins with a blue ballpoint pen, followed by acrylics, pastels, and collage on paper, fabric, cardboard, or digital screens.

“A pen records hesitation, weakness, strength, and confidence all at once,” he said. “As children, we weren’t allowed to use one until we turned 10. Unlike a pencil, a pen offers no eraser — its marks are permanent. That permanence became part of me.”

“I always seek the hidden form before the visible one appears,” he added.

Blue ink carries deep meaning for him: “I see it as the color of truth — the hue of universal laws before Earth existed. It’s the color I glimpse in the symbols behind my closed eyes: a blend of divinity, mystery, mortality, and truth.”

In addition to his art practice, Haddad founded Haddad Studio in Riyadh’s Jax District. The space has hosted more than 120 workshops and programs in 16 Saudi cities, fostering what he calls “sustainable creative communities.”

“Audience engagement is key in some of my projects,” he said. “I produce yearly works based on public interaction.”

Currently, he is building a strategic partnership to connect Haddad Studio with Paris. “I’m very selective about my inner circle, almost meticulously so — so it’s easy for me and my friends, despite living in different cities, to share experiences, organize activities, and create workshops that benefit people and exchange knowledge.”

From the permanence of a pen line to the constraints of traditional dress, Haddad is a Saudi artist challenging the boundaries between form, identity, and cultural memory.

 


Literary Creativity competition honors up-and-coming Saudi talent

The competition honored outstanding performers across four literary disciplines at King Fahd Cultural Center. (SPA)
The competition honored outstanding performers across four literary disciplines at King Fahd Cultural Center. (SPA)
Updated 30 August 2025

Literary Creativity competition honors up-and-coming Saudi talent

The competition honored outstanding performers across four literary disciplines at King Fahd Cultural Center. (SPA)
  • Emerging writers were awarded SR1.2 million across poetry and prose categories

RIYADH: The winners of the second Literary Creativity competition organized by the Literature, Publishing and Translation Commission were announced at a ceremony in Riyadh, the Saudi Press Agency reported on Saturday.

The competition honored “outstanding performers across four literary disciplines” and is intended to “advance talent development and celebrate exceptional practitioners,” the SPA said.

The competition honored outstanding performers across four literary disciplines at King Fahd Cultural Center. (SPA)

Abdullatif Al-Wasel, the commission’s CEO, presided over the event at King Fahd Cultural Center. He “reaffirmed the commission’s commitment to cultivating university-level talent as essential for the growth of Saudi literature” and described the competition as “a vital platform for students to share perspectives, enhance literary skills, and inspire emerging creators across diverse disciplines.”

Al-Wasel highlighted collaborative efforts between the commission and academic institutions to support literary development, noting that the honorees “serve as role models for future generations and strengthen Saudi literature’s cultural impact.”

HIGHLIGHT

Al-Wasel presented awards to the top three winners in each category, and gave away a total of SR1.2 million ($320,000) in prize money. In each category, the winner received SR150,000, with SR100,000 and SR50,000 to those in second and third place respectively.

He concluded by thanking Minister of Culture Prince Badr bin Abdullah bin Farhan, who is also chairman of the commission, for his support of the cultural sector.

The competition honored outstanding performers across four literary disciplines at King Fahd Cultural Center. (SPA)

Al-Wasel presented awards to the top three winners in each category, and gave away a total of SR1.2 million ($320,000) in prize money. In each category, the winner received SR150,000, with SR100,000 and SR50,000 to those in second and third place respectively.

In classical poetry, Ahmed Al-Turki claimed first place, followed by Luay Al-Makrami and Faisal Al-Qaisi.

In Nabati poetry, Hani Al-Otaibi was the winner, with Muteb Al-Sulami as runner-up and Abdullah Al-Harthi in third.

In the novel category, Amira Al-Subaie came first, Zainab Al-Qaisoum second, and Mahdi Al-Abdulatif third.

In the short story category, Raihana Al-Saadan took first place, followed by Fatima Al-Darwish and Rana Al-Juhani.

The Literary Creativity competition, the SPA wrote, “reflects the commission’s mission to energize the Kingdom’s literary scene and showcase emerging talent across creative writing disciplines” while “supporting cultural heritage preservation and literature’s integration into society … reinforcing Saudi literature’s global presence and cultural influence.”

 


Ƶ signs MoU with Belt and Road Office of Hong Kong

Ƶ signs MoU with Belt and Road Office of Hong Kong
Updated 30 August 2025

Ƶ signs MoU with Belt and Road Office of Hong Kong

Ƶ signs MoU with Belt and Road Office of Hong Kong
  • The strategic step opens new horizons of cooperation, expands economic relations and attracts quality investments in promising sectors under Vision 2030

RIYADH: Ƶ signed a memorandum of understanding with the Belt and Road Office under the government of the Hong Kong Special Administrative Region of China.

The MoU aims to enhance information exchange in infrastructure and construction, and facilitate the entry of Hong Kong professional services into the Saudi market.

The strategic step opens new horizons of cooperation, expands economic relations and attracts quality investments in promising sectors under Vision 2030.

Witnessed by Saudi Minister of Investment Khalid Al-Falih and Hong Kong Chief Executive John Lee Ka-chiu, the agreement was signed by Hong Kong Commissioner for Belt and Road Nicholas Ho Lik-chi and Fahad Al-Hashem, assistant deputy for services sectors at the Saudi Ministry of Investment.

This week, Al-Falih led a Saudi delegation on an official visit to China. Bilateral trade exceeds $100 billion annually, making China the Kingdom’s largest trading partner.

 


‘Cities Under Quarantine’ exhibit opens at Diriyah contemporary art museum

‘Cities Under Quarantine’ exhibit opens at Diriyah contemporary art museum
Updated 31 August 2025

‘Cities Under Quarantine’ exhibit opens at Diriyah contemporary art museum

‘Cities Under Quarantine’ exhibit opens at Diriyah contemporary art museum
  • The project originated from an initiative by Abed Al-Kadiri, who distributed 57 handmade books to Arab artists worldwide, inviting them to respond creatively to the reality of lockdown

RIYADH: An exhibition called “Cities Under Quarantine: The Mailbox Project” opened at the Ƶ Museum of Contemporary Art in Diriyah on Thursday, the Saudi Press Agency reported.

The show, organized by the Museums Commission, runs until Sept. 28 and showcases artists’ books created by Arab artists during the COVID-19 pandemic that capture the profound global isolation that reshaped life in spring 2020.

Visitors will encounter “intimate testimonies that merge art, writing, and personal reflections, reflecting that extraordinary moment that unsettled the world and redefined human connection,” the SPA reported.

HIGHLIGHT

On Sept. 6, the museum’s atrium will hold a live performance titled “Today, I Would Like to Be,” inviting the public to participate in creating an artist’s book.

The project originated from an initiative by Abed Al-Kadiri, who distributed 57 handmade books to Arab artists worldwide, inviting them to respond creatively to the reality of lockdown.

“The responses became deeply personal works that reimagined places, desires, and silences, transforming solitude into a space for reflection,” the SPA added.

Ƶ is the exhibition’s third stop, following Villa Romana in Florence and Mathaf: Arab Museum of Modern Art in Doha.

The exhibition “explores life in suspension during the pandemic, where confinement reshaped human bonds and became a space for reflection and self-discovery,” the SPA stated.

As part of the program, the exhibition hosted two discussions on Saturday: “The Visual Traces of the Self: Between the Hands and the Eyes” and “Printmaking and the Artist’s Book.”

On Sept. 6, the museum’s atrium will hold a live performance titled “Today, I Would Like to Be,” inviting the public to participate in creating an artist’s book.