Ƶ

Sculpting stories: An exhibition of bronze artistry

Special Sculpting stories: An exhibition of bronze artistry
1 / 4
A bronze sculpture by Najm Al-Qaysi is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
Special Sculpting stories: An exhibition of bronze artistry
2 / 4
A bronze sculpture by Najm Al-Qaysi is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
Special Sculpting stories: An exhibition of bronze artistry
3 / 4
A bronze sculpture by Redha Farhan is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
Special Sculpting stories: An exhibition of bronze artistry
4 / 4
A bronze sculpture by Najm Al-Qaysi is displayed at the 7x3 Experiences in Iraqi Sculpture exhibition in Riyadh that ran from Feb. 3 to 12, 2025. (AN Photo)
Short Url
Updated 12 February 2025

Sculpting stories: An exhibition of bronze artistry

Sculpting stories: An exhibition of bronze artistry
  • Exhibit showcased Iraqi culture in Riyadh
  • Art should reflect the myriad experiences of life, says sculptor

RIYADH: Three artists have brought an exhibition of bronze sculptures showcasing the history and culture of Iraq to Riyadh.

From Feb. 3 to 12, the Mahd Alfnon Gallery, located in the Al-Mousa Center in Riyadh and owned by the visual artist and sculptor Mahdia Al-Taleb, hosted the exhibition, titled “7x3 Experiences in Iraqi Sculpture.”

It featured the sculptures of three prominent Iraqi artists — Redha Farhan, Haythem Hassan and Najm Al-Qaysi — who each presented seven bronze sculptures. 

The exhibition showcased the innovative and expressive aspects of contemporary Iraqi sculpture, uncovering the cultural narratives that influence their art.

Each artist brought a distinctive perspective to their work, reflecting both personal and shared experiences. 

Redha Farhan, from Baghdad, combines animal forms with human figures in his striking sculptures. 

His sculptures depict ducks, giraffes and camels, intricately woven into narratives that highlight his meticulous attention to detail. 

“My work is deeply rooted in Iraq’s rich history, inspired by ancient artifacts and the stories they tell,” Farhan told Arab News. 

The textured bronze pieces evoke authenticity and emotional depth, inviting viewers to connect with his homeland. 

The second artist, Haythem Hassan, adds another layer of depth to the exhibition with his playful yet meaningful sculptures. 

Graduating with a diploma in sculpture from the Institute of Fine Arts in Baghdad, Hassan’s work includes elements such as flowers, birds and imaginative figures that highlight a blend of imagination and reality. 

“Art should reflect the myriad experiences of life; it’s a dialogue between the work and the viewer,” he said. “Through my sculptures, I aim to provoke emotions and encourage viewers to reflect on their own journeys.” 

This focus on connection and interpretation is key to Hassan’s artistic philosophy, aimed at sparking conversations about the human experience.

Najm Al-Qaysi, known for his creative use of both bronze and stainless steel, displayed lively sculptures that incorporate balloon-like shapes. 

This playful quality, combined with bronze’s heaviness, results in pieces that feel both solid and light.

“I want my work to challenge perceptions of reality,” Al-Qaysi said. “By blending playful colors and forms, I invite viewers to experience a sense of wonder and introspection.” 

He believes that sculpture should evoke strong feelings, encouraging audiences to engage emotionally with each piece.

Al-Taleb, inspired by the connections among artists in the digital age, said: “The idea emerged through social media channels. 

“Since artists around the world have had constant communication through these mediums, it feels as if the world has become a small village.” 

She emphasized the importance of showcasing Iraqi art in creating new links between cultures.

“This exhibition is about connection,” she said. “It honors the strength of our cultural heritage while fostering dialogue about the challenges and triumphs we navigate as artists.” 

Al-Taleb saw the event as a chance to improve the appreciation of sculpture as a prominent art form in Ƶ and beyond.

The exhibition offered a chance for artists to interact with their audience, improving the understanding of their work.

“Art should not exist in a vacuum; it is part of a larger narrative,” Farhan added, emphasizing the exhibition’s goal of community engagement.

Through their creative expressions in bronze, the artists told stories of resilience, creativity and discovery. As the exhibition concluded, it inspired a deeper appreciation of Iraqi sculpture.


Makkah hotels showcase rich Saudi culture for National Day

Makkah hotels showcase rich Saudi culture for National Day
Updated 23 September 2025

Makkah hotels showcase rich Saudi culture for National Day

Makkah hotels showcase rich Saudi culture for National Day
  • Pilgrims call celebrations ‘uplifting’ and ‘joyful’ as traditions take center stage in hotels
  • Hotels across Makkah had programs featuring folk dance troupes and Ardah sword dancers performing to national songs

MAKKAH: International pilgrims in the holy city’s hotels have been treated to several cultural activities as a part of Ƶ’s 95th National Day festivities.

Egyptian visitor Ahmed Abdulrahman told Arab News he was amazed: “I never anticipated discovering such beautiful national spirit.

“The folk performances provided wonderful opportunities to explore Saudi culture within an atmosphere brimming with joy and celebration.”

Hotels across Makkah had programs featuring folk dance troupes and Ardah sword dancers performing to national songs.

Pakistani pilgrim Mohammed Ali praised the organizers: “The celebration was impeccably organized and genuinely uplifting. We felt completely integrated into this momentous day.

“The traditional Saudi folklore and national Ardah performances added extraordinary richness to our spiritual journey.”

For Indonesian pilgrim Fatima Nour, the celebrations underscored Ƶ’s generosity.

“Witnessing guests from so many different countries participate in these festivities demonstrated the generosity of Saudi people and their deep love for their homeland,” she told Arab News.

“It created a truly distinctive spiritual and cultural experience for all of us.”

Abdulaziz Al-Abbadi, assistant director of public relations and marketing for the Accor Hotels Clock Tower group, said National Day embodies deep pride, belonging, and unity.

“The hotel sector in the holy capital is experiencing extraordinary momentum during these celebrations, perfectly aligned with the spirit of this beloved occasion that touches the hearts of Saudi citizens, residents, and pilgrims,” Al-Abbadi told Arab News.

“We continuously work to ensure our distinguished services meet the diverse expectations of visitors, pilgrims, and Umrah performers from every corner of the earth,” he said.

Makkah holds nearly two-thirds of the Kingdom’s hotel infrastructure, with more than 250,000 rooms available, he explained.

He said there has been expansion across central districts near the Grand Mosque and beyond, reinforcing the city’s position as a premier hospitality destination.

He credited Makkah’s service culture to centuries-old traditions of generosity.

“This has always been a land defined by hospitality and historical significance, qualities that shine through in every aspect of service we provide to visitors from around the world,” he said.

“We pledge to remain a model of excellence in the hospitality sector, fully aligned with the Kingdom’s vision that positions Makkah at the absolute forefront of global destinations for religious and humanitarian tourism.”


Hail’s iconic Quraishyyat coffee pot is symbol of hospitality

Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
Updated 23 September 2025

Hail’s iconic Quraishyyat coffee pot is symbol of hospitality

Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
  • Distinctive design crafted in the northern city for hundreds of years
  • Item traditionally used for special occasions remains popular today

RIYADH: The northern city of Hail in Ƶ has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years.

This distinctive vessel features a longer neck and a slimmer body than the typical receptacle, and was traditionally reserved only for special occasions.

“Al-Quraishyyat is a coffee pot made of green and yellow copper and has several names such as the palace coffee pot, the khateeb coffee pot, or Hail’s Quraishyyat,” Hamid Al-Dhuwaili, owner of Al-Dhuwaili Heritage Museum in Hail, told Arab News.

He explained that making such coffee pots had been part of the culture in Hail for hundreds of years, and added: “People have practiced this craft since ancient times, before the founding of the First Saudi State. There are well-known craftsmen in Hail who excel in this industry. Currently Hail is home to a coffee pot factory considered one of the best in the Middle East.”

While other handicrafts, including carving, tent making and weaving, are also native to Hail, it is its coffee pots that most visitors and tourists find attractive.

Thanks to its cool weather, rocky landscape and groundwater resources, Hail was one of the main stopping points for traveling merchants and migrants.

It was a resting point for travelers to feed their cattle, which fostered a culture of hospitality among the people of Hail. Coffee has been a significant part of that culture for centuries.

Along with the Quraishyyat, there are other kinds of coffee pots that are also prominent in the city, including the Baghdadiyyat, which is believed to have been introduced by travelers from the Iraqi capital.

Another variation is the Raslan, which consists of pots of different sizes. The Raslan is believed to have been brought to Hail through merchants from the Levant region.

The crafting of coffee pots in Hail has been significant throughout its history as a trading post, and remains so today as the tradition welcomes visitors from near and far.


Taymour Grahne brings ‘agile, experimental’ project space to Dubai

Taymour Grahne brings ‘agile, experimental’ project space to Dubai
Updated 22 September 2025

Taymour Grahne brings ‘agile, experimental’ project space to Dubai

Taymour Grahne brings ‘agile, experimental’ project space to Dubai

DUBAI: Lebanese-Finnish gallerist Taymour Grahne has inaugurated a new project space and art advisory in Dubai, offering a location for exhibitions alongside the firm’s office in London.

The inaugural show in Dubai is titled “Arranging Flowers” by US painter Gail Spaien. It presents a new body of work that reimagines domestic interiors through flattened perspectives and vibrant patterning.

Lebanese-Finnish gallerist Taymour Grahne. (Supplied)

Grahne told Arab News: “I wanted to start my Dubai program with an artist who has not shown in the region previously, in keeping with Taymour Grahne Projects’ ethos of introducing new artists to the region.

“And for audiences in the city to discover artistic voices they might not otherwise encounter.”

He added: “Gail’s practice explores the idea of home and domestic space as a site of meaning, while also weaving in inspirations from nature, landscape, ritual textiles, and pattern.

“These themes are universal, and they also connect strongly with life in Dubai, where ideas of belonging and home are important to many.”

The outpost is billed as a project space, rather than as a traditional gallery.

“Rather than focusing on exclusivity or long-term representation, the ‘project space’ model keeps things agile and experimental,” Grahne explained.

He added that “by not having a fixed roster, I can continually bring fresh perspectives from around the globe to the project space.”

Just a few of the artists whom Grahne has exhibited in the past — he previously ran a project space in New York — include contemporary creatives Francesca Mollett, Dominique Fung, Lamia Joreige, and Faycal Baghriche.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, Grahne and his team have placed artworks in major museum collections, including at The Metropolitan Museum of Art, New York; The Guggenheim Museum, New York; The Barjeel Art Foundation, Sharjah; The Dalloul Art Foundation, Beirut; and The British Museum, London.

“My expertise spans both modern and contemporary art from the Middle East as well as international contemporary art, with a strong focus on the art scenes of New York, London, and Los Angeles.

“That allows me to tailor collections that are globally relevant while also being deeply connected to the region’s own artistic heritage,” Grahne explained.

He added that his Middle Eastern and European background, as well as a childhood spent between London, Beirut and New York, has helped him “connect with collectors across geographies.”

As for why he chose Dubai for the first Taymour Grahne Projects in the region, he points to the city’s unique role as a connective hub.

“Dubai sits at the crossroads of Abu Dhabi, Doha, Riyadh, and beyond, with each of these cities making huge investments in culture … while my immediate focus is on Dubai, I see the region as deeply interconnected,” he said.

 


Canada bans Irish rap group Kneecap from entering country

Canada bans Irish rap group Kneecap from entering country
Updated 20 September 2025

Canada bans Irish rap group Kneecap from entering country

Canada bans Irish rap group Kneecap from entering country

TORONTO: Irish rap group Kneecap was banned from entering Canada this week, with the country’s government saying the band “publicly displayed support for terrorist organizations such as Hezbollah and Hamas.”

The group has faced criticism for political statements seeming to glorify militant groups and has previously been banned from Hungary.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Liberal lawmaker Vince Gasparro, parliamentary secretary for combating crime, said in a social media video: “Canada stands firmly against hate speech, incitement to violence and the glorification of terrorism. Political debate and free speech are vital to our democracy, but open endorsements of terrorist groups are not free speech.”

Kneecap has accused critics of trying to silence the band because of its support for the Palestinian cause. Its members say they do not support Hezbollah or Hamas, and nor do they condone violence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In an Instagram post, Kneecap said Gasparro’s comments were “wholly untrue and deeply malicious.”

“We have today instructed our lawyers to initiate legal action against you,” said the band’s statement. “We will be relentless in defending ourselves against baseless accusation to silence our opposition to a genocide being committed by Israel.”

Kneecap was scheduled to perform in Toronto and Vancouver next month. The group performed at Coachella in April when members accused Israel and the US of genocide against Palestinians, prompting calls to revoke their visas and leading to several canceled shows.


Jessica Chastain showcases Elie Saab designs

Jessica Chastain showcases Elie Saab designs
Updated 20 September 2025

Jessica Chastain showcases Elie Saab designs

Jessica Chastain showcases Elie Saab designs
  • Chastain appears on the show ‘Late Night with Seth Meyers’
  • Star has also worn outfits by fellow couturier Zuhair Murad

DUBAI: US actress and film producer Jessica Chastain made a statement this week in designs by Lebanese couturier Elie Saab.

During her appearance on “Late Night with Seth Meyers,” Chastain wore the designer’s Appliqued Cape-Effect Cady Jumpsuit.

The sleeveless red design featured a fitted bodice and wide-leg trousers. She opted to forgo the matching cape, keeping the look streamlined and modern, with her long hair worn loose and minimal accessories.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Saab also shared images on Instagram of Chastain’s appearance on “LIVE with Kelly and Mark,” where she chose a bold red tailored suit.

The look included a long double-breasted blazer with structured lapels and flap pockets, styled with high-waisted, wide-leg trousers for a sharp monochrome finish.

Chastain has long shown her appreciation for Saab’s creations.

In 2024, she wore a purple jumpsuit by the designer to the Annual Breakthrough Prize Ceremony at the Academy Museum of Motion Pictures in Los Angeles.

She has also championed fellow Lebanese couturier Zuhair Murad on multiple occasions.

In 2022, she chose a red off-shoulder embroidered gown from his Spring/Summer 2020 collection for the 13th Annual Governors Awards.

At the time, she shared on Instagram: “I’ve had my eye on this @zuhairmuradofficial for quite some time. Thank you for letting me wear this beautiful piece.”

In 2023, she opted for a black sequined gown adorned with glittering embellishments and a plunging neckline at the 48th Chaplin Award Gala in New York City. The look was from Murad’s Fall/Winter 2022 couture collection.

The latest celebrity to champion Saab is US actress Danielle Deadwyler.

Earlier this week, she showed off a bubblegum pink cocktail dress at a screening of “The Piano Lesson” in New York.

The outfit hailed from Saab’s Spring/Summer 2024 ready-to-wear collection and featured a belted waist with a slightly flowing skirt.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Saab also shared an image on Instagram this week of British actress Emilia Jones wearing a set from his Resort 2026 collection to HBO’s “Task” New York premiere.

Saab is known for his intricate embroidery, flowing gowns and red-carpet glamour. His designs have been worn by stars including Beyonce, Angelina Jolie, Halle Berry, Jennifer Lopez and Taylor Swift.