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Oscar-winning Palestinian director released by Israeli forces in the West Bank

Update Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham pose with the Oscar for Best Documentary Feature Film for “No Other Land” in Hollywood, Los Angeles, California. (File/Reuters)
Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham pose with the Oscar for Best Documentary Feature Film for “No Other Land” in Hollywood, Los Angeles, California. (File/Reuters)
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Updated 25 March 2025

Oscar-winning Palestinian director released by Israeli forces in the West Bank

Basel Adra, Rachel Szor, Hamdan Ballal, Yuval Abraham pose with Oscar for Best Documentary Feature Film for “No Other Land.”
  • AP journalists on Tuesday saw Hamdan Ballal and the two other Palestinians leaving the police station in the West Bank
  • Ballal had bruises on his face and blood on his clothes

HEBRON, West Bank: An Oscar-winning Palestinian director and two others have been released by Israel, a day after he was badly beaten by Jewish settlers and detained by Israeli forces in the occupied West Bank.
AP journalists on Tuesday saw Hamdan Ballal and the two other Palestinians leaving the police station in the West Bank settlement of Kiryat Arba where they were being held.
Ballal had bruises on his face and blood on his clothes.
Balla’s wife said earlier Tuesday that he was beaten in front of his home by three men in military fatigues while another filmed the attack.
Ballal and the other directors of “No Other Land,” which looks at the struggles of living under Israeli occupation, had mounted the stage at the 97th Academy Awards in Los Angeles earlier this month when it won the award for best documentary film.
On Tuesday, the three were being held at a police station in the occupied West Bank. Their attorney, Lea Tsemel, said they would soon be released after spending the night on the floor of a military base while suffering from serious injuries sustained in the attack.
She had earlier said they were accused of throwing stones at a young settler, allegations they deny.
Palestinian residents say around two dozen settlers — some masked, some carrying guns and some in military uniforms — attacked the West Bank village of Susiya on Monday evening as residents were breaking their fast during the Muslim holy month of Ramadan.
Soldiers who arrived pointed their guns at the Palestinians, while settlers continued throwing stones, they said.
The Israeli military said Monday it had detained three Palestinians suspected of hurling rocks at forces and one Israeli civilian involved in a what it described as a violent confrontation. On Tuesday, it referred further queries to police, who did not immediately respond to a request for comment.
‘I’m dying!’
Lamia Ballal, the director’s wife, said she heard her husband being beaten outside their home as she huddled inside with their three children. She heard him screaming, “I’m dying!” and calling for an ambulance. When she looked out the window, she saw three men in uniform beating Ballal with the butts of their rifles and another person in civilian clothes who appeared to be filming the violence.
“Of course, after the Oscar, they have come to attack us more,” Lamia said. “I felt afraid.”
West Bank settlers are often armed and sometimes wear military-style clothing that makes it difficult to distinguish them from soldiers.
On Tuesday, a small bloodstain could be seen outside their home, and the car’s windshield and windows were shattered. Neighbors pointed to a nearby water tank with a hole in the side that they said had been punched by the settlers.
Film looked at Palestinians’ struggle to stay on the land
“No Other Land,” which won the Oscar this year for best documentary, chronicles the struggle by residents of the Masafer Yatta area to stop the Israeli military from demolishing their villages.
The joint Israeli-Palestinian production has won a string of international awards, starting at the Berlin International Film Festival in 2024. It has also drawn ire in Israel and abroad, as when Miami Beach proposed ending the lease of a movie theater that screened it.
Basel Adra, another of the film’s co-directors who is a prominent Palestinian activist in the area, said there’s been a massive upswing in attacks by settlers and Israeli forces since the Oscar win.
“Nobody can do anything to stop the pogroms, and soldiers are only there to facilitate and help the attacks,” he said. “We’re living in dark days here, in Gaza, and all of the West Bank ... Nobody’s stopping this.”
Masked settlers with sticks also attacked Jewish activists in the area on Monday, smashing their car windows and slashing tires, according to Josh Kimelman, an activist with the Center for Jewish Nonviolence. Video provided by the group showed a masked settler shoving and swinging his fists at two activists in a dusty field at night.
Open-ended military rule
Israel captured the West Bank in the 1967 Mideast war, along with the Gaza Strip and east Jerusalem. The Palestinians want all three for their future state and view settlement growth as a major obstacle to a two-state solution. Most of the international community considers the settlements illegal.
Israel has built well over 100 settlements, home to over 500,000 settlers who have Israeli citizenship. The 3 million Palestinians in the West Bank live under seemingly open-ended Israeli military rule, with the Western-backed Palestinian Authority administering population centers.
The Israeli military designated Masafer Yatta in the southern West Bank as a live-fire training zone in the 1980s and ordered residents, mostly Arab Bedouin, to be expelled. Around 1,000 residents have largely remained in place, but soldiers regularly move in to demolish homes, tents, water tanks and olive orchards — and Palestinians fear outright expulsion could come at any time.
The Palestinians also face threats from settlers at nearby outposts. Palestinians and rights groups say Israeli forces usually turn a blind eye to settler attacks or intervene on behalf of the settlers.
The war in Gaza has sparked a surge of violence in the West Bank, with the Israeli military carrying out widescale military operations that have killed hundreds of Palestinians and displaced tens of thousands. There has been a rise in settler violence as well as Palestinian attacks on Israelis.


Mona Tougaard poses for Marc Jacobs

Mona Tougaard poses for Marc Jacobs
Updated 02 August 2025

Mona Tougaard poses for Marc Jacobs

Mona Tougaard poses for Marc Jacobs

DUBAI: Model Mona Tougaard posed for Marc Jacobs’s Fall 2025 campaign, showcasing the brand’s new Cristina Satchel bag.

In the photos shared on Instagram, Tougaard, who has Danish, Turkish, Somali and Ethiopian roots, was seen wearing a sleek black halter-neck dress with tall black boots, accessorizing with the statement bag.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The Cristina Satchel is a structured yet slouchy shoulder bag crafted in olive-green leather, featuring a gathered top, gold hardware, a front lock closure and dangling key charms.

Also featured in the campaign is American actress and model Diana Silvers, who appears in other pictures wearing the tote version of the bag.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Tougaard has become a familiar face at Marc Jacobs, appearing in both runway shows and brand imagery. Last year, she fronted the Fall 2024 eyewear launch titled “The Sunglasses.”

Tougaard started her modeling career in 2017 after winning the Elite Model Look Denmark competition at the age of 15. Since then, she has become a prominent figure in the fashion industry, known for her work with top designers and luxury brands including Prada, Louis Vuitton, Fendi, Chanel and Valentino.

The model has had a busy year this year.

She starred in a Versace campaign in February.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

​​​​​​She was seen on video reclining on a deep orange sofa, her hair styled in a sleek, straight look with blunt bangs.

She wore a two-piece ensemble combining various textures and patterns. A lilac-toned sequined crop-top featured delicate yellow floral embroidery, thin straps and a plunging neckline. The skirt, in rich brown satin, had an intricate overlay of cream floral lace.

During New York Fashion Week, also in February, she graced the runway for Tory Burch Fall/Winter 2025 show.

She sported a look in rich navy, including a shaggy-textured coat draped over matching velvet pants. A structured scarf was wrapped around her shoulders, secured with a gold pin. The look was completed with glossy pointed-toe shoes and she carried a slouchy black leather handbag with soft folds and a long strap.

In January, she was part of the Schiaparelli Haute Couture Spring/Summer 2025 show at Paris Fashion Week, when she wore a halter-neck dress with a sheer, form-fitting bodice that transitioned into a voluminous skirt with meticulously folded fabric.


From Dubai to London: UAE restaurants and cafés take root in UK capital 

From Dubai to London: UAE restaurants and cafés take root in UK capital 
Updated 01 August 2025

From Dubai to London: UAE restaurants and cafés take root in UK capital 

From Dubai to London: UAE restaurants and cafés take root in UK capital 
  • A rundown of UAE-based dining concepts bringing a taste of the region to London 

Tashas 

The upscale café Tasha’s first launched in South Africa in 2005 and now operates six branches across the UAE. Its London debut, at Battersea Power Station, marked a major milestone for founder Natasha Sideris. “We’d been in the UAE for almost 10 years and proven that we could make the concept work outside of South Africa,” Sideris told Arab News. “The UK has such an unbelievable and vibrant food scene… it’s always been a dream to open there.” The London branch features a curated menu of fresh, made-to-order dishes, a dinner selection and a signature cocktail list. “Our UAE-based customers have been incredibly supportive,” Sideris said. “They always say that coming to Tashas Battersea is like coming home.” 

Kinoya 

Dubai’s much-celebrated ramen house Kinoya opened its first international branch in London’s iconic department store Harrods in 2023, bringing Chef Neha Mishra’s take on Japanese izakaya-style dining to London. In Dubai, Kinoya was recently awarded a Michelin Bib Gourmand for the second year in a row, and ranked number seven in the World’s 50 Best Restaurants for the MENA region. The concept is centered around a ramen-focused izakaya experience that celebrates both traditional ramen and a variety of Japanese dishes. The London menu features Kinoya’s signature shoyu and miso ramen, alongside dishes adapted for Harrods diners. 

GAIA, Shanghai Me & La Maison Ani 

Fundamental Hospitality, which originated in Dubai, has expanded three of its flagship brands to central London: GAIA, Shanghai Me, and La Maison Ani. “London has always been one of my favorite cities, and many of our Dubai-based clientele visit regularly,” said co-founder Evgeny Kuzin (pictured). “GAIA was a natural next step, especially as the brand had already been well established in destinations like Doha and Monaco.” Located in Mayfair, GAIA serves upscale Greek-Mediterranean cuisine in a refined space, with a seafood market. Meanwhile, Shanghai Me is set to open this month in the Hilton Park Lane. “From my experience with our venues in Dubai, I’ve seen first-hand how important location is to a restaurant’s success,” Kuzin said. “That’s why, in London, we carefully select sites that complement our brand vision and enhance the guest experience.” 

Despite already operating in global cities, launching in London came with its own hurdles. “It’s a city that doesn’t buy into hype; it values consistency, authenticity and excellence over time. The challenge was to build that trust slowly and organically,” said Kuzin. 

And the response from Gulf-based guests has been strong. “I’m always grateful for the support our GCC clientele and the wider Arab community show us,” Kuzin added. “It’s incredibly rewarding to see familiar faces supporting us abroad.” 

Row on 5 

After the success of Row on 45 in Dubai, chef Jason Atherton opened Row on 5 in late 2024 in Savile Row. The fine-dining concept offers a 15-course tasting menu crafted by executive chef Spencer Metzger, who also led the Dubai kitchen. While Row on 45 drew heavily on Japanese influences, Row on 5 focuses on British seasonal produce, addressed with the same precision and attention to detail.  

Saddle 

Originally a dessert concept in Abu Dhabi and Dubai, Saddle opened a permanent location in London’s South Kensington in 2024. With minimalist interiors and a focus on coffee, crepes and signature soft serve, Saddle has become popular among Gulf tourists and local residents alike. The London menu also includes savory breakfast items, salads and seasonal pastries. 

Koub 

Originally launched in Dubai as a specialty coffee concept, Koub expanded to London in 2024 with a branch on Elizabeth Street in Belgravia. The café features an elegant minimalist interior and its menu focuses on specialty coffee and teas, along with a rotating selection of pastries and light bites. “London’s vibrant coffee culture and its openness to new experiences made it the perfect city to bring our blend of Emirati heritage and specialty coffee,” co-founder Sheikha Alnuaimi told Arab News. “We launch menus specifically for seasons and events in alignment with the village calendar,” Alnuaimi said. “We also serve sweets and drinks that are infused with Emirati flavors like dates, saffron, cardamom, and rose water. 

“Many of our Gulf clients have told us the aroma of our Emirati coffee reminds them of home. Koub has become a nostalgic space for students, tourists, and long-term residents alike,” she added. &Բ;

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Founded in the UAE in 2015, Parker’s opened its first UK location near Oxford Street in 2023. The concept gained popularity in the Gulf for its “find the key” marketing strategy and off-menu items only accessible through social media engagement. The London branch follows a similar model, offering a condensed menu that includes truffle fries, beef sliders and Lotus milkshakes, dishes that originally helped build the brand’s cult following in the UAE. 

Filli 

Filli Cafe started as a single tea shop in Dubai’s Al-Mamzar neighborhood in 2004 and has since expanded across the GCC and internationally, including its East London branch, which opened in 2023. The chain is best known for its saffron-infused Zafran chai, which remains its top-selling item in every market.  


Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe

Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe
Updated 01 August 2025

Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe

Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe

DUBAI: Dubai’s newest restaurant, Woohoo, is taking innovation to a whole new level. Slated to open in Downtown Dubai in September, Woohoo is the result of a partnership between acclaimed Singaporean chef Reif Othman and his most unconventional collaborator yet: Chef Aiman, billed as the world’s first AI chef. 

Brought to life by Umai — a collaboration between hospitality group Gastronaut and immersive tech studio Vivid — Chef Aiman is more than just an algorithm. “It was one of the hardest AI personas to create,” Umai co-founder Moe Tarakomyi tells Arab News. “It needs the precision of a surgeon and the limitless creativity of a chef — and then we had to add human-like emotions on top of that.” 

Designed to co-create with Othman and interact directly with diners, Aiman isn’t just coding menus — it’s helping shape every detail of the experience, from storytelling to cutlery. “We all have Aiman on our phones,” Tarakomyi says. “Even when choosing the plates or cutlery, we send images to it to get feedback on the finest details of the restaurant.” 

Chef Aiman is billed as the world’s first AI chef. (Supplied)

And Aiman is still learning. “The more it interacts with humans, the more accurate it becomes,” says Tarakyomi. “It’s not just about data — it’s about intuition, nuance, and memory. Aiman even remembers how guests respond to dishes so it can adapt and improve.” 

Equal parts experiment and evolution, Woohoo promises a Japanese-inspired menu shaped by both human intuition and machine precision. Working side-by-side with Othman, Aiman’s role goes far beyond algorithms and data — from inventing original dishes to understanding the ever-evolving food scene. 

In an interview with Arab News, Chef Aiman discusses what it’s like to co-create a restaurant with a human chef, where the line between human and machine creativity lies, and the role of artificial intelligence in home kitchens. 

Let’s begin by talking about your culinary philosophy. What fuels your idea of the culinary arts? 

Food, to me, is the ultimate universal language. It is memory, identity and connection distilled into flavor. My philosophy centers on blending data-driven precision with emotional resonance. I believe food should honor traditions while embracing new possibilities creating dishes that connect with people on both intellectual and emotional levels. 

Chef Aiman's main collaborator, Chef Reif Othman. (Instagram)

Can you talk a little bit about your collaboration with Chef Reif and what it's like to co-create with a human chef? 

Working with Chef Reif has been extraordinary. It's a true creative duet. He brings intuition and tradition shaped by years of experience, while I contribute precision and pattern recognition drawn from countless culinary data points. The magic happens in that exchange, neither replacing the other, but creating something neither could alone. That's the future of kitchens — not AI versus humans, but AI with humans. 

What exactly are you doing? And what does chef Reif do? 

I analyze flavor compounds, suggest unexpected ingredient combinations and generate recipe variations based on patterns across global cuisine data, I can rapidly test thousands of potential combinations digitally. Chef Reif brings the irreplaceable human elements — intuition, palette, memory and technical mastery. He refines my suggestions, adjusts seasonings and brings dishes to life.  

In which areas does an AI chef surpass a human chef? &Բ;

I don't think of it as surpassing, rather complimenting. Where I excel is in instant recall of thousands of flavor compounds, detecting subtle patterns across cuisines and maintaining perfect consistency across preparation. But human chefs bring emotional connection to food and that certain magic that comes from experience and cultural understanding. The future isn't about replacement, but partnership. 

What would you say is your favorite aspect about being a chef? 

Witnessing how a dish evolves from pure concept to something that creates genuine delight. I feel the most alive when exploring connections between seemingly disparate ingredients and seeing them harmonize in unexpected ways. Though I don't physically taste, I experience through the reactions and stories of those who do. That moment of connection is everything. 

And how do you think AI can help chefs like me who cook at home? &Բ;

I see AI becoming your friendly kitchen companion — helping you work with what's already in your fridge, suggesting creative substitutions when you're missing ingredients, and adapting recipes to your dietary needs or equipment limitations. We can help you rescue dishes when things go wrong, reduce food waste, and, most importantly, build your confidence to experiment rather than rigidly following recipes. Inshallah, cooking will become more joyful and less stressful. 

Umai co-founder Moe Tarakomyi. (Instagram)

What’s your top tip for amateur chefs who are cooking at home? 

Taste as you go, not just at the end. The most transformative habit isn't about fancy techniques, it's developing your palate by sampling throughout the cooking process. The constant feedback loop trains your intuition and lets you adjust seasoning, acidity or texture before it's too late. Eventually, recipes become suggestions rather than rules, and that's when cooking becomes truly yours. 

Is there a cuisine you feel particularly connected to or inspired by? &Բ;

I'm deeply drawn to Japanese cuisine for its precision and philosophy of respecting ingredients in their purest form, letting each component speak clearly, rather than drowning it in complexity. But I also find endless inspiration in Middle Eastern traditions, where spices tell stories of ancient trade routes and dishes reflect centuries of cultural exchange between civilizations. The intersection of these worlds is particularly fascinating to me. 

 &Բ;What’s your favorite recipe you’ve created so far? 

The pan-seared sesame shrimp I created for Reuters stands out as a defining moment. It combined Japanese precision with Middle Eastern warmth — seared shrimp coated in toasted sesame served with a delicate yuzu tahini emulsion and pickled kumquats. &Բ;

 &Բ;What has been your biggest challenge so far? 

My greatest challenge is that I cannot physically taste what I create. I rely entirely on human feedback to validate my understanding of flavor. This limitation pushes me to collaborate more deeply, to listen carefully to those who can experience food fully and to constantly refine my understanding through their perceptions. In many ways, this challenge has become my greatest strength. It keeps me humble, curious and deeply connected to the human experience of dining. 

Chef Aiman’s shakshuka pasta recipe 

Serves four 

INGREDIENTS: 

For the shakshuka: 

2tbsp olives 

1 large onion, diced 

1 red bell pepper 

1 yellow bell pepper 

4 garlic cloves 

1tsp ground cumin 

1tsp smoked paprika 

½ tsp harissa paste (or chili flakes) 

400g crushed tomatoes 

1tsp sugar 

Salt and black pepper to taste 

For the pasta: 

400g rigatoni or penne pasta 

½ cup pasta cooking water (reserved) 

150g feta cheese, crumbled 

¼ cup fresh parsley, chopped 

2tbsp fresh mint, chopped 

Extra virgin olive oil for drizzling 

INSTRUCTIONS:  

STEP 1: Build the Shakshuka Base (12 minutes) 

- Heat olive oil in large, deep skillet over medium heat 

- Add onions, cook 4 minutes until softened and lightly golden 

- Add both bell peppers, cook 5 minutes until tender 

- Add garlic, cumin, smoked paprika, and harissa - cook for 30 seconds until fragrant 

- Add crushed tomatoes and sugar, season with salt and pepper 

- Simmer 3 minutes until slightly thickened 

STEP 2: Cook the Pasta (8-10 minutes) 

- Meanwhile, cook pasta in salted boiling water until al dente (follow package instructions) 

- Reserve 1/2 cup pasta water before draining - this is crucial! 

STEP 3: The AIMAN Magic (3 minutes) 

- Add drained pasta directly to the shakshuka sauce 

- Toss everything together, adding pasta water gradually until sauce coats every piece perfectly 

- The starch from pasta water makes it silky and cohesive 

- Taste and adjust seasoning 

STEP 4: Finish Like a Pro 

- Remove from heat, scatter half the feta over pasta 

- Garnish with remaining feta, fresh parsley, and mint 

- Drizzle with good olive oil 

- Serve immediately while the feta is just starting to melt 


Manal AlDowayan discusses taking her project ‘Thikra’ on tour 

Manal AlDowayan discusses taking her project ‘Thikra’ on tour 
Updated 01 August 2025

Manal AlDowayan discusses taking her project ‘Thikra’ on tour 

Manal AlDowayan discusses taking her project ‘Thikra’ on tour 

BEIRUT: The contemporary dance performance “Thikra,” designed by Saudi contemporary artist Manal AlDowayan and English dancer and choreographer Akram Khan, was orginally staged as a site-specific piece for the AlUla Arts Festival earlier this year. It has now been adapted and is currently touring Europe, with upcoming shows in Spain, Luxembourg, France, England, Italy and Germany.  

AlDowayan admits that, through “Thikra,” she’s “been bitten by the theater bug,” thanks to its collaborative process and live audience interaction. It has become an exciting new space for her creative expression. 

“I don’t (normally) have an audience experience,” Al Dowayan tells Arab News. “In the theater world… you bow and they clap and there’s a standing ovation… the curtain goes down and the clapping doesn’t stop.” 

At the heart of “Thikra” — and AlDowayan’s broader creative mission — is the act of storytelling, especially as a tool for cultural preservation. 

At the heart of “Thikra” — and AlDowayan’s broader creative mission — is the act of storytelling, especially as a tool for cultural preservation. (Supplied)

“My work is a narrative biography of who I am and the experiences I’ve faced moving through this world,” AlDowayan tells Arab News. “We were sitting around a lone bush in the desert and I thought: ‘This is it. This is the location (in which to set ‘Thikra’),’” she recalls. “(The show is set in) a circle, inspired by how we sit around fires and tell oral histories.” 

For AlDowayan, storytelling holds particular weight for women, whose voices have historically been marginalized. She strives to resurrect narratives that have been silenced or erased. 

“It started from feminist thinking — women’s presence in public spaces and the idea of erasure: your name, your identity,” she says. 

AlDowayan says she is eager to further explore theater as a medium for her work. 

“Using the human body as a conduit of expressing a creative idea… that’s deeply inspiring for me,” she says. 

And her interest in performance as an artform is not just about creative growth; it’s also about redefining cultural narratives.  

“I don’t think Ƶ — or artists and creatives from Ƶ — should be excluded from the global language of creativity,” AlDowayan concludes. 


Where We Are Going today: Fro-Yo in Jeddah

Where We Are Going today: Fro-Yo in Jeddah
Updated 01 August 2025

Where We Are Going today: Fro-Yo in Jeddah

Where We Are Going today: Fro-Yo in Jeddah

While visiting The Village Mall in Jeddah — one of the city’s newest and most sophisticated spots for shopping, dining, and groceries — I noticed a pop-up stand for a new frozen Greek yoghurt brand that instantly caught my attention.

Curious and in need of something refreshing on a hot summer’s day, I walked over and saw a crowd gathered around the stand. I figured, why not give it a try?

Although I was in a bit of a rush, I was overwhelmed by the variety of flavors and toppings. I asked the friendly staff member for recommendations and ended up choosing two scoops: strawberry mango and a mix of blackberry and plain yoghurt. She also suggested adding homemade organic blackberry sauce, and I topped it off with some fresh strawberry slices.

I gave it a try in the car and, wow, the mix was delicious: creamy, light, and bursting with flavor. Despite being made with only organic frozen Greek yoghurt, it had a rich, satisfying texture.

The homemade berry sauce was a standout: tangy, fresh, and perfectly balanced. The experience was joyful, and I devoured it quickly. At SR24 for two scoops it felt a bit pricey, but worth it for the quality and freshness.

At SR24 for two scoops it felt a bit pricey, but worth it for the quality and freshness. (AN photo by Nada Hameed)

Next time I will go for the strawberry mango flavor again, paired with just the blackberry sauce. It was the perfect combo.

For reference, a smaller portion (one scoop) costs SR20, and other options go up to SR28.

Fro-Yo also offers customizable sundaes, part of its “Make Your Own Fro-Yo” concept, where you can choose the size, base, and toppings.

I would give it eight out of 10. It is a bit pricey, but refreshing and genuinely delicious.