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UK comedian Russell Brand appears in court on rape charges

UK comedian Russell Brand appears in court on rape charges
Actor--comedian Russell Brand arrives at Westminster Magistrates’ court in London, May 2, 2025, to face charges of rape and sexual assault involving four women. (AP)
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Updated 02 May 2025

UK comedian Russell Brand appears in court on rape charges

UK comedian Russell Brand appears in court on rape charges
  • He faces two counts of rape, two of sexual assault and one of indecent assault
  • Arriving for the first court hearing in the case, Brand made his way slowly through a crush of media and onlookers gathered outside the court

LONDON: British comedian and actor Russell Brand appeared in a London court on Friday to face five charges of rape and other sexual offenses and said.
Brand, 49, who became known internationally as the husband of pop star Katy Perry after forging a career in Britain with his risque comedy routines, was charged last month.
He faces two counts of rape, two of sexual assault and one of indecent assault.
Arriving for the first court hearing in the case, Brand made his way slowly through a crush of media and onlookers gathered outside the court.
The celebrity, dressed casually in a dark colored open-necked shirt and jeans, spoke only to confirm his details before being granted bail and ordered to appear in court again on May 30.
In a video response on X after he was charged, Brand denied all the alleged offenses and said he was “grateful” for the “opportunity” to defend himself.
“I was a fool before I lived in the light of the Lord. I was a drug addict, a sex addict and an imbecile, but what I never was a rapist. I’ve never engaged in non-consensual activity,” he said in the video.
The charges relate to offenses alleged to have taken place between 1999 and 2005 involving four women.
Prosecutors charged him after a police investigation into allegations following a broadcast of a Channel 4 documentary in September 2023.
London’s Metropolitan Police have said the investigation remains open and urged “anyone who has been affected by this case, or anyone who has any information” to contact officers.
Brand is charged with the rape of a woman in 1999 in the Bournemouth area on England’s south coast, as well as the abuse and sexual assault of a woman in 2004 in the Westminster area of central London.
He has also been charged with indecently assaulting a woman in 2001 and sexually assaulting another woman between 2004 and 2005 — both incidents alleged to have taken place in Westminster.
The court confirmed that he lives part of the time in the United States, but Brand also gave an address in the southern English county of Buckinghamshire.
Born in 1975 to working-class parents in Essex, east of London, Brand began his stand-up career as a teenager.
He burst onto the scene as a provocative, often lewd comedian before transforming into a Hollywood star, then an anti-establishment guru and conspiracy theorist who has millions of fans online.
He has almost seven million subscribers on YouTube, 11.3 million on X and 4.8 million on Instagram.
He presented a show on the BBC’s Radio 2 station between 2006 and 2008 but left after an on-air prank when he left a sexually explicit voicemail for “Fawlty Towers” actor Andrew Sachs about his granddaughter.
He also presented a “Big Brother” spin-off show for several years and wrote columns for the left-wing Guardian newspaper and penned two autobiographies.
Brand was married to US star Perry for 14 months between 2010 and 2012.
He is now married to the author and illustrator Laura Gallacher, with whom he has three children.


REVIEW: Guy Ritchie’s ‘Fountain of Youth’ — ‘Indiana Jones’ wannabe fails miserably

REVIEW: Guy Ritchie’s ‘Fountain of Youth’ — ‘Indiana Jones’ wannabe fails miserably
Updated 23 sec ago

REVIEW: Guy Ritchie’s ‘Fountain of Youth’ — ‘Indiana Jones’ wannabe fails miserably

REVIEW: Guy Ritchie’s ‘Fountain of Youth’ — ‘Indiana Jones’ wannabe fails miserably

DUBAI: You know those fake films you see in TV shows like “30 Rock” or, more recently, “The Studio”?  Guy Ritchie’s latest misfire, “Fountain of Youth,” captures that vibe perfectly.

A chaotic, charmless attempt at action-adventure, “Fountain of Youth” clearly takes its inspiration from “Indiana Jones,” but ends up as a muddled mess of clichés, clunky dialogue, and a lead who never quite convinces.

The latter is John Krasinski as Luke Purdue, an archaeologist-turned-art thief racing to uncover the location of the legendary Fountain of Youth — believed to be capable of bestowing eternal life — with the help of rich benefactor Owen Carver (Domhnall Gleeson), a billionaire with a fatal illness who’s ready to throw all his money into the quest.

When things go awry, Luke reaches out to his younger sister Charlotte (a resplendent Natalie Portman) for help. The squabbling siblings then set off on a globetrotting adventure, while being chased by shadowy organizations and Interpol.

The problem? Krasinski brings all the gravitas of a put-upon history teacher on a school field trip. There’s a stiffness to him that means you never quite shake off the sense that he’s just playing dress-up.

Portman and Gleeson fare better. Portman, playing a sharp-tongued art curator and a mother on the brink of divorce, injects moments of tension and vulnerability that almost make you care about the story. Gleeson, meanwhile, steals every scene he’s in as he descends into villainy. But even their combined charisma fails to inject life into the limp script.

Other noteworthy performances come from Eiza Gonzales, who plays Esme, just one of the many people trying to stop the siblings from uncovering the Fountain of Youth; and Arian Moayed, who plays Interpol’s Inspector Abbas.

Ritchie’s signature snappy style is drowned under a deluge of poorly choreographed chase sequences, same-y set pieces and exposition-heavy dialogue. The film looks expensive but feels lazy, with international locations reduced to postcard backgrounds.

“Fountain of Youth” wants to be thrilling, funny and smart. Instead, it’s repetitive, cringey and talks down to its viewers.


Recipes for success: Chef Georges Ikhtiar offers advice and a tasty beef recipe 

Recipes for success: Chef Georges Ikhtiar offers advice and a tasty beef recipe 
Updated 12 min 40 sec ago

Recipes for success: Chef Georges Ikhtiar offers advice and a tasty beef recipe 

Recipes for success: Chef Georges Ikhtiar offers advice and a tasty beef recipe 

DUBAI: Georges Ikhtiar, head chef at Amelia Dubai, grew up in Beirut, where he remembers watching his mother cook “by instinct, without recipes or rules.”  

That early exposure sparked a curiosity not just for flavors, but for the process of cooking — how ingredients transform, how timing and technique matter. This eventually led him to Lebanon’s Ecole Hôtelière. 

A pivotal career moment came during his time in Peru, where he was introduced to the country’s bold, acidic and layered flavors. This now shapes his approach at Amelia, where he blends Peruvian ingredients with Japanese methods. 

Amelia Dubai. (Supplied)

Here, Ikhtiar reflects on how mistakes can lead to creative breakthroughs, and gives his thoughts on simplicity in cooking.  

When you started out, what was the most common mistake you made? 

Like many young chefs, I believed that more was more — that adding extra ingredients or steps would somehow elevate a dish. I loved experimenting, and while that spirit of curiosity still drives me today, I’ve learned that simplicity is key. The most powerful flavors often come from restraint and letting the ingredients speak for themselves. 

What’s your top tip for amateur chefs? 

Taste constantly. It’s the most important tool you have. And don’t let mistakes throw you off — every error is a lesson. Some of the best ideas I’ve had started as accidents. Cooking at home should be fun, not stressful. 

What’s one ingredient that can instantly improve any dish? 

In Peruvian cuisine, it’s definitely lime. It brings brightness, aroma and a sense of freshness that can completely transform a dish. Just a few drops can awaken the palate and sharpen and enhance every other flavor. 

What’s your go-to dish if you have to cook something quickly at home? 

A simple truffle pasta. I soak the pasta to speed up the cooking time, then toss it with a creamy truffle sauce, fresh shaved truffles and parmesan. It’s rich, comforting and comes together fast, but still feels luxurious. 

Amelia Dubai. (Supplied)

When you go out to eat, do you find yourself critiquing the food?  

Always. It’s part of the job. I’m always observing, analyzing, and seeing what I like or don’t like. But I keep it to myself; dining out is also about experiencing what other chefs are creating. 

What’s the most common mistake you notice in other restaurants? 

It’s usually to do with balance or execution, like undercooked elements, seasoning that is off, or dishes that feel overcomplicated. 

What’s your favorite cuisine? 

I gravitate toward Japanese and Peruvian food, naturally, but I’m always curious to explore. I like to see how others approach flavor, presentation and structure. Inspiration can come from the most unexpected places. 

What request or behavior by customers most annoys you? 

Honestly, nothing. I believe taste is subjective and the customer is always right. We’re here to create an experience that works for them, not just for us. 

Georges Ikhtiar grew up in Beirut. (Supplied)

What’s your favorite dish to cook? 

It is a dish called Adas be Hamid, which means lentils with lemon. My grandmother used to make it when I was growing up in Beirut. It’s incredibly simple but full of flavor and warmth. Cooking it always takes me back to my roots, and I love how food has the power to do that. 

What’s the most difficult dish for you to get right? 

Risotto. It’s a very delicate dish that reacts to everything — temperature, timing, movement, even the humidity. You have to be fully present when making it. One misstep and the whole texture is off. 

As a head chef, what are you like? Are you a disciplinarian? Or are you more laidback? 

I’m direct and hands-on, but not someone who shouts. I believe in open communication, mutual respect and building trust. My team and I have worked together for a long time, so we understand each other without needing to say much. There’s a flow in the kitchen when everyone is aligned, and that’s what I strive for. 

Chef Georges Ikhtiar’s hokkaido machu picchu recipe 

Ingredients: 

For the beef: 

250g beef tenderloin 

Salt and black pepper, to taste 

Cooked over a robata grill (or any hot grill pan) 

For the teppanyaki vegetables: 

2 tbsp vegetable oil 

20g Chinese cabbage, chopped 

3 rainbow baby carrots, sliced 

20g mange tout (snow peas) 

10g shiitake mushrooms, sliced 

20g baby corn, halved 

1 spring onion, thickly sliced 

2 tbsp soy sauce 

2 tbsp kimchi sauce 

2 tbsp sake sauce (optional for extra depth) 

For the shiitake sauce: 

300g fresh shiitake mushrooms, sliced 

1L fresh cream 

200ml milk 

Salt and black pepper, to taste 

1 small onion, chopped 

1 tbsp butter 

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1. Grill the beef: 
Season beef with salt and pepper. Grill on a robata grill until cooked to your liking. Let it rest before slicing. 

2. Sauté the vegetables: 

Heat oil in a pan. Add the vegetables and stir-fry for a few minutes. 
Add soy sauce, kimchi sauce, and sake sauce (if using). Stir well and cook until just tender. Season with pepper. 

3. Make the shiitake sauce: 
In a saucepan, sauté onions and mushrooms in butter until soft. 
Add cream, milk, salt, and pepper. Bring to a boil, reduce heat, and let simmer. Boil twice to bring out full flavor, then remove from heat. 

To plate: 

Slice the grilled beef. 

Place the sautéed vegetables on a serving plate. 

Lay the beef slices on top. 

Spoon the warm shiitake sauce to the side or over the top. 

Optional: If using a hot stone for serving, you can lightly reheat the meat on it just before eating for a fun finishing touch. 


Where We Are Going Today: Iris Cafe in Riyadh: diverse menu, inviting atmosphere. What’s not to like?

Where We Are Going Today: Iris Cafe in Riyadh: diverse menu, inviting atmosphere. What’s not to like?
Updated 29 May 2025

Where We Are Going Today: Iris Cafe in Riyadh: diverse menu, inviting atmosphere. What’s not to like?

Where We Are Going Today: Iris Cafe in Riyadh: diverse menu, inviting atmosphere. What’s not to like?

Iris Cafe is an elegant dining destination nestled within the new Ramla Terraza complex, offering a delightful blend of food and ambiance. Located on King Fahd Road in the Sahafah district of Riyadh, this cafe and restaurant boasts a beautiful interior, complemented by both indoor and outdoor seating options. The upper floor features a stunning garden with an open seating area and a mocktail bar, perfect for enjoying a refreshing drink in a serene environment. 

The menu at Iris Cafe is a culinary journey, showcasing gourmet dishes inspired by international cuisines, including Mediterranean, Japanese, and Latin American flavors. Guests can indulge in a variety of offerings, from sandwiches and pasta to vibrant salads. The drink selection is equally impressive, featuring specialty coffees and a creative array of mocktails alongside delicious desserts. 

Visitors may begin with the Iris Oriental Dips, which include creamy black hummus, spicy roasted chickpeas, and special muhammara seasoned with parmesan cheese and fresh basil, all served with homemade crackers. This appetizer sets a high standard for the meal to follow and does not disappoint. 

However, the chicken tacos, featuring buttermilk-fried chicken topped with Asian slaw in a soft tortilla, are less memorable. On the other hand, the crispy chicken and shrimp wontons served with sweet chili and lime sauce are a highlight and a must-try. 

For the main course, you may try the glazed chicken, marinated and grilled with pomegranate sauce. The beef cheek, slow-cooked for 12 hours and served with caramelized onion cream, is absolutely delicious. This dish is a standout and sure to impress anyone looking for tender, flavorful meat. 

The San Sebastian cheesecake is rich and incredibly satisfying. Overall, Iris Cafe offers a wonderful dining experience with its diverse menu and inviting atmosphere, making it a must-visit spot in Riyadh. 


5 bodies appearing to be missing musicians of Mexican regional music band found near Texas border

5 bodies appearing to be missing musicians of Mexican regional music band found near Texas border
Updated 29 May 2025

5 bodies appearing to be missing musicians of Mexican regional music band found near Texas border

5 bodies appearing to be missing musicians of Mexican regional music band found near Texas border
  • The musicians from the band Grupo Fugitivo had been reported missing since Sunday
  • The genre they played – Mexican regional music, which encapsulates a wide range of styles including corridos and cumbia

CIUDAD VICTORIA, Mexico: Five bodies that appeared to be members of a Mexican regional music group who had gone missing were found in the northern city of Reynosa, along the Texas border, authorities said on Thursday.

The musicians from the band Grupo Fugitivo, which played at parties and local dances in the region, had been reported missing since Sunday.

The genre they played – Mexican regional music, which encapsulates a wide range of styles including corridos and cumbia – has in recent years gained a spotlight as it’s entered a sort of international musical renaissance. Young artists have mixed the classic genre with trap and sometimes pay homage to leaders of drug cartels, often portrayed as Robin Hood-type figures.

While it was not immediately clear if the group played such songs, other artists have faced death threats by cartels, while others have had their visas stripped by the United States under accusations by the Trump administration that they were glorifying criminal violence.

Few details were released about where the bodies were found and in what conditions, but Tamaulipas state prosecutors had been investigating the case, according to a statement by state security officials. The last time they had communicated with their families was Sunday night, when they said they were going to a venue where they were hired to play.

After that, nothing else was heard of them. Officials said the bodies shared characteristics of artists, though did not provide further detail.

Their disappearance caused an uproar in Tamaulipas, a state long eclipsed by cartel warfare. Their families reported the disappearances, called on the public for support and people took to the streets in protest.

On Wednesday, protesters blocked the international bridge connecting Reynosa and Pharr, Texas, later going to a local cathedral to pray and make offerings to the disappeared.

As of midday Thursday, the state prosecutor’s office had not released further details on the case.

Reynosa is a Mexican border city adjacent to the United States and has been plagued by escalating violence since 2017 due to internal disputes among groups vying for control of drug trafficking, human smuggling and fuel theft.

This case follows another that occurred in 2018, when armed men kidnapped two members of the musical group “Los Norteños de Río Bravo,” whose bodies were later found on the federal highway connecting Reynosa to Río Bravo, Tamaulipas.


Balad Al-Fann brings Saudi art to life

Balad Al-Fann brings Saudi art to life
Updated 29 May 2025

Balad Al-Fann brings Saudi art to life

Balad Al-Fann brings Saudi art to life
  • Exhibition blends art and memories through archival materials, selected artworks, personal possessions and rare voice recordings

JEDDAH: The second edition of the Balad Al-Fann art program has opened in Jeddah Historic District and runs until June 15.

The initiative this time presents a captivating series of art exhibitions, held under the theme “Our Storied Walls,” which celebrate memory, culture and place.

It boasts a renewed focus on local narratives with each exhibition looking at the tangible and human heritage of the city.

Held at Nassif Boutique, the exhibition is a tribute to the late artist Hisham Binjabi, a foundational figure in Ƶ’s modern art movement.

Curated by Ayman Yossri Daydban, a former student of Binjabi, the exhibition blends art and memories through archival materials, selected artworks, personal possessions and rare voice recordings.

Arab News spoke to Daydban, who is one of the most prominent contemporary artists in Ƶ, with his works featuring in major museums and biennials.

He said: “This is a personal exhibition. My journey with Hisham Binjabi began over 35 years ago when he discovered my work, admired it, and encouraged me.

“For a whole year his name echoed in my mind, until I held my first solo exhibition in 1991. It was his encouragement and appreciation of my boldness — he said I thought outside the box — that pushed me forward. I found myself naturally drawn to contemporary art.”

Daydban’s art is conceptual, and rooted in ideas and meaning. Binjabi, on the other hand, remained faithful to classical and realist styles.

Daydban said: “For years we observed each other’s work from afar, and every time we met I felt like a student reuniting with his mentor.

“But Hisham was more than an artist — he was a social figure, a cultural activist who managed and promoted art within the community, bringing art into social and human contexts.

“His greatest influence was not just in his paintings, but in his presence, personality, and wisdom.”

The exhibition does not merely display Binjabi’s artworks — it narrates his life story through them.

His wife played a part by telling their story through her lens and, for the first time, her works are featured in a dedicated section alongside audio recordings of her and their daughters, reflecting on their lives together as a creative family.

An audio room on the upper floor features testimonials from contemporary artists who were his students or peers, and more recordings are added daily.

The exhibition unfolds across three levels: a deeply emotional audiovisual experience, a debut showcase of his wife’s personal works, and a collective sonic space for shared memory and reflection.

Daydban added: “Hisham was, above all, a socially engaged artist, and this exhibit is aimed primarily at the community of Al-Balad, where he lived and left his mark.”

The program also honors the late Safeya Binzagr, one of the first female visual artists in the Kingdom.

Curated by Effat Fadag, the exhibition weaves together the visual and literary in a journey filled with nostalgia, history and cultural memory.

The exhibition presents rare paintings, handwritten letters, and personal belongings that reflect Binzagr’s unique lens on Hejazi life. Her deeply human portrayals of women, homes, attire and rituals offer not only artistic beauty but also historic insight.

Titled “Revealing What Was Hidden,” the exhibition shows how Binzagr used her art to bring the past to life. Her work helps keep Saudi culture and history alive.

The event honors her role as an artist and historian, and Fadag said: “I asked myself: What can I say that hasn’t already been said? I wanted to highlight aspects of her journey that aren’t widely known.”

Binzagr was the first woman to publicly showcase her family and community life, giving a voice to the private lives of Saudi women — a society that was largely hidden at the time.

Fadag said: “I tried to reflect this (voice) through the layout of the exhibition, using the historic Nassif House, starting from the main building to the external annex, with three symbolic doors that narrate her story.”

This journey begins with Binzagr’s birth and upbringing, moves through her education, the exhibitions she held, and finally her artistic projects on Saudi traditional attire, which are featured on the second floor.

Fadag said: “In the clothing room you see very personal images — she even modeled for her work so she could better understand and express the exact details she wanted to paint. She knew exactly how to translate her vision.”

The final section focuses on giving back to the community, and how Binzagr impacted learning, the broader culture and society at large.

The initiative also puts the spotlight on a curated selection of winning works from a national photography competition, while Balad Al-Fann also hosts a competition showcasing traditional calligraphy, ceramics, ornamentation, and engraving.