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Underrated X Community — URX — is a cultural movement that was born in ������Ƶ with a mission to redefine how the region sees electronic music and underground talent.

Founded in late 2023 in Riyadh, URX was established to spotlight the often-overlooked DJs, producers and visual artists in the Kingdom and wider region.

Founders DJ Frozen (Sohaib Al-Borno) and DJ Mazo (Mohannad Reziqat) envisioned a homegrown ecosystem that supports emerging artists through events, collaborations and mentorship.

“We aim to support local talents and bring underrated DJs and electronic musicians into the spotlight,” Al-Borno told Arab News. “There’s a wealth of creativity in ������Ƶ, but what’s missing is visibility and access. That’s where URX comes in.

“URX stands for Underrated X. The ‘X’ symbolizes the unknown, the future and the collaboration between disciplines,” Reziqat said.

The two founders have spent years embedded in the Kingdom’s evolving creative scene.

Their collaborative mindset is reflected in the spaces they use; from Riyadh’s The Warehouse and Merwas Studios to regional hotspots in Bahrain and Jordan, URX prefers to use what they see as authentic, immersive venues.

“We believe in opening doors,” Reziqat said. URX’s events are “about the story, the energy, and the people who show up. It’s about creating a space where talent meets opportunity.

“Every URX edition is a platform to experiment,” he said. “We work closely with filmmakers, designers and visual artists to elevate every event beyond music.

“We started with URX. The video they made for us, the attention to detail, the quality, the filming … that’s what helped us rise in the scene. I truly want to thank them,” said a Riyadh-based DJ who goes by the name Immortal.

Since its debut event in 2024, URX’s influence has grown steadily, supported by a loyal following of artists and music lovers.

They recently collaborated with PUBLIC restaurant in Riyadh, on July 27.

“The PUBLIC x URX night was electric,” Al-Borno said. “It was one of those rare moments where everything clicked — the crowd, the music, the space. It confirmed that there’s a real hunger for this kind of experience.”

URX also works to develop its artists, offering mentorship, production support and publicity.

“It’s about who has something to say and giving them the tools to say it,” Al-Borno said.

“We’re laying the foundation for the next decade of Saudi creativity,” Reziqat said. “And that means investing in artists early, guiding them, and celebrating their uniqueness.”

URX is part of a larger cultural awakening in the Kingdom, aligned with ������Ƶ’s Vision 2030, which promotes creative industries and youth empowerment.

But while policy is top-down, URX is proudly grassroots, born from a genuine passion for local culture and artistic freedom.

“We’re building what we want to see,” Al-Borno said.

“There’s power in being underestimated,” Reziqat said. “That’s the spirit of URX. We take what’s overlooked and make it unforgettable.”

As they prepare for future events, regional tours and international collaborations, URX remains committed to its mission — uplifting the underrated, creating unforgettable experiences and connecting ������Ƶ’s artistic energy with the world.

‘Spinal Tap II: The End Continues’ 

Starring: Christopher Guest, Michael McKean, Harry Shearer 

Director: Rob Reiner 

In cinemas: Sept. 12 

The long-awaited sequel to one of the greatest comedy films of all time, and the original — if you will — mockumentary, sees Guest, McKean and Shearer reunited as the hapless heavy rockers who have decided to reunite after 15 years for one final show. There’s a hitch, naturally: they need a drummer — a tricky sell when so many who previously sat the stool for Tap have met untimely ends. Along for the ride, of course, is documentary maker Martin Di Bergi (Reiner) to ensure that the historic occasion is recorded for posterity.  

‘The Roses’   

Starring: Benedict Cumberbatch, Olivia Coleman, Andy Samberg, Kate McKinnon 

Director: Jay Roach 

In cinemas: Aug. 29 

This star-studded remake of the 1989 black-comedy movie “The War of the Roses” (itself based on Warren Adler’s 1981 novel) sees Coleman and Cumberbatch play Ivy and Theo Rose, an apparently idyllically married couple — he an architect, she a chef. But when Theo’s career trajectory starts to plummet just as Ivy’s starts to soar, the underlying tensions and competitiveness in their relationships begin to surface, with devastating and hilarious results. With some A-list comedy talent on the cast list, and Roach (the “Austin Powers” movies, “Meet the Parents”) at the helm, this might be that rare thing — a comedy movie that actually gets audiences into the cinema.  

‘One Battle After Another’ 

Starring: Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall 

Director: Paul Thomas Anderson 

In cinemas: Sept. 25 

The latest feature from one of the most acclaimed writer-directors of his generation (although not hugely successful at the box office) is an action-thriller with a touch of satirical black humor thrown in. DiCaprio plays Bob Ferguson, who was once a member of a revolutionary group called the French 75. Well over a decade since the group disbanded, their nemesis — white supremacist Colonel Steven J. Lockjaw (Penn) — resurfaces, and Ferguson must call on his former fellow activists to help him rescue his daughter Willa (Chase Infiniti), herself a budding revolutionary. Radiohead’s Johnny Greenwood is the film’s composer — his sixth collaboration with Anderson. 

‘After The Hunt’ 

Starring: Julia Roberts, Andrew Garfield, Ayo Edebiri 

Director: Luca Guadagnino 

In cinemas: Oct. 10 

Italian director Guadagnino’s films — which included “Call Me By Your Name,” “Suspiria,” and “Challengers” — are rarely a disappointment, and this one brings some serious cross-generational star power to the big screen. Roberts plays Alma Olsson, an Ivy League professor whose close friend and colleague Hank Gibson (Garfield) is accused of assault by Olsson’s protégée Maggie Price (Edebiri — winner of an Emmy and a Golden Globe for her role as Syd in “The Bear”). In trying to deal with that situation, Olsson must face up to some long-buried secrets from her past. Even if none of the cast manage to bag an Oscar, then composers Trent Reznor and Atticus Ross probably have a good shout. 

‘Good Fortune’ 

Starring: Keanu Reeves, Seth Rogen, Aziz Ansari 

Director: Aziz Ansari 

In cinemas: Oct. 17 

Ansari’s feature debut as director is a comedy about a low-ranking angel called Gabriel (Reeves) who comes down to Earth to try and show Arj (Ansari) that money can’t solve your problems by allowing him to swap places with his rich tech-bro employer Jeff (Rogen). It doesn’t quite go the way Gabriel expected, and he ends up having his wings taken off him and being banished to live among humans. Gabriel and the now-homeless Jeff move in together as all the work Gabriel did as an angel is undone. Keke Palmer and Sandra Oh also star.  

‘A House of Dynamite’ 

Starring: Idris Elba, Rebecca Ferguson, Gabriel Basso 

Director: Kathryn Bigelow 

On Netflix: Oct. 24 

Little has been revealed about Netflix’s upcoming thriller, but the stars and director alone are enough to build hype. Bigelow made history in 2009 when she became the first woman to win the Best Director Oscar (for “The Hurt Locker”) and “A House of Dynamite” will be her first feature since 2017’s “Detroit.” And with Elba and Ferguson heading the cast list, it’s a safe bet there’ll be some seriously strong performances in this tale told in real time about a group of White House officials frantically dealing with a missile attack on America.  

‘Springsteen: Deliver Me From Nowhere’ 

Starring: Jeremy Allen White, Stephen Graham, Jeremy Strong 

Director: Scott Cooper 

In cinemas: Oct. 24 

Timothée Chalamet has already wowed critics with his portrayal of Bob Dylan this year in “A Complete Unknown,” and now “The Bear” star Jeremy Allen White takes on Dylan’s closest contender for the title of greatest living US songwriter: Bruce Springsteen. Cooper’s biopic isn’t the tale of how Springsteen became a star — at the time the film begins he’s already a hit. Instead, it’s the story of the making of his stripped-back 1982 masterpiece “Nebraska,” recorded on a four-track in his bedroom at a time when he was struggling with his fame and the demons of his past. White has already received praise from The Boss himself, as has Graham as Springsteen’s domineering father.