‘Platonic’ season 2 — bigger laughs and deeper truths about friendship
‘Platonic’ season 2 — bigger laughs and deeper truths about friendship/node/2611888/lifestyle
‘Platonic’ season 2 — bigger laughs and deeper truths about friendship
Rose Byrne and Seth Rogen in 'Platonic.' (Apple Studios)
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Updated 18 sec ago
Shyama Krishna Kumar
‘Platonic’ season 2 — bigger laughs and deeper truths about friendship
Updated 18 sec ago
Shyama Krishna Kumar
DUBAI: Seth Rogen and Rose Byrne are back in “Platonic,” and the first three episodes of season two prove that their non-romantic chemistry remains the show’s not-so-secret weapon. The pair’s easy banter and instinctive comic timing once again anchor a series that takes the madcap energy of season one and parlays it into a more nuanced, heartfelt exploration of adult friendship.
The sophomore season of the Apple TV+ series opens with a major update in Will’s (Rogen) life — an engagement to a woman Sylvia (Byrne) doesn’t have a connection with. It’s an awkward adjustment for both, as their once effortless dynamic is suddenly subject to the gravitational pull of a third party. The early episodes mine this setup for all its comic potential — from misguided attempts at bonding to not-so-subtle turf wars over who knows Will best, and a bachelor party that goes sideways quick. The jokes are bigger, the hijinks just as outrageous, but there’s an added undercurrent of mature self-awareness that keeps the series from depending on laughs alone.
Byrne’s Sylvia continues to be one of TV’s most relatable depictions of mid-life contradictions. She’s a housewife and mother, but still clinging to the “cool girl” identity she once wore so easily. Her adventures with Will allow her to sidestep the mundanity of domestic life, even if they occasionally leave her with more to clean up — figuratively and literally. Byrne plays her with the perfect mix of warmth, femininity and clownery.
Rogen, meanwhile, tempers his trademark goofiness with shades of vulnerability. Will’s excitement over his engagement is genuine, but so is his anxiety over how it might change the friendship that’s been his emotional constant. His scenes with Byrne shimmer with an authenticity that makes their friendship feel lived-in, not manufactured for the camera.
Through it all, “Platonic” remains breezy, smart and devilishly funny. Season two doesn’t just retread the antics of its debut run — it builds on them, delivering sharper humor and a richer look at what it means to keep a friendship alive as life pulls you in different directions. If these first episodes are any indication, Rogen and Byrne’s love story — platonic though it is — might just be one of the best on TV.
Recipes for success: Omar Basiony offers advice and a tasty sea bass recipe
Updated 3 min 24 sec ago
Hams Saleh
DUBAI: For Omar Basiony, eating has always been more than just about meals, it has been a way to connect with culture, family and identity.
“I’ve always loved cooking,” he tells Arab News. “I’ve been passionate about cooking from a very young age.”
Born to Egyptian and Italian parents, Basiony’s culinary journey began when he was just 13. “My mom had sent me to spend the summer with my uncle in Padua, Italy, and he got me a job working in a restaurant,” he says. “I came back like, ‘OK, this is all I ever want to do with my life.’”
Bâoli Dubai. (Supplied)
Basiony grew up in Chicago, which he describes as “a city of neighborhoods drawn on very ethnic lines.” He adds: “It became this gateway for me to explore different cultures through food.”
After honing his skills at renowned kitchens in the US, including a two-Michelin-starred restaurant in Chicago, he moved to Dubai in 2014 to help open La Serre. His current role as executive chef at Bâoli Dubai reflects both his fine-dining background and the wide range of culinary influences he has encountered throughout his career.
When you started out, what was the most common mistake you made?
Probably not tasting the food enough. If there’s any takeaway in my kitchen that I try to instill over and over, it would be that.
What’s your top tip for amateur chefs?
Invest in your tools, because that way they’re going to last a while. And it makes cooking much more enjoyable if you have a decent knife, a decent pan, good scales. Sometimes recipes fail just because you haven’t either measured the ingredients properly or you’ve compromised on the vessel that you’re going to cook it in, or the oven you’re going to cook it in.
Bâoli Dubai. (Supplied)
What’s one ingredient that can instantly improve any dish?
I think improving a dish isn’t so much about ingredients as it is about understanding the different roles they play, and how balance plays such a big role. So, say you’ve over-seasoned something, there’s a role that fat can play in diminishing the salt. That all goes a long way to improving the overall flavor and complexity of the way something tastes.
When you go out to eat, do you find yourself critiquing the food?
I just feel like I’m getting ripped off most of the time. Sometimes I get a plate and I’m, like, “Come on. I know how much money is in this plate.” So yeah, my major critique is: what are people putting on their plates? What are they charging us for? But I can forgive a lot if the food is good and it’s made with heart and soul, and you can feel that someone cares about what they’re doing.
What’s your favorite cuisine to eat?
Asian — something within the scope of either Japanese or Korean. I have an eight-year-old son, and there was a time when I was actually afraid to be alone with him, he was that attached to his mother. The first time we really began to build a bond as father and son was over dim sum. I’d pick him up from nursery and take him out for dumplings and noodles. Since then, I think I’ve essentially hardwired him to enjoy Asian cuisine. I picked him up from school the other day, and brought him to Baoli. I try to offer him pizza, and he says, “No, it’s OK. I can get pizza anywhere. I want the signatures from the restaurant. Don’t try and push the cheap stuff.” But yes, as a family, we’ve really developed a strong appreciation for Asian cuisine overall.
What’s a customer request or behavior most annoys you?
Sometimes we get people who will either pre-order or push for food to arrive at a certain time. And then, you know, you activate this whole apparatus to make sure that happens, which is an undertaking, and then they don’t respect the time. I’m not a punctual person in my personal life, but in my professional life I’m very punctual.
What’s your favorite dish to cook?
I love to work over fire and over charcoal. So anything that’s coming off of the restaurant’s wood burning grill is a lot of fun. That element of dynamism that comes with cooking over live fire is very enjoyable. And it’s very much a craft — being able to harness it and utilize it in different ways.
What’s the most difficult dish for you to get right?
A perfect omelet is something that takes quite a level of mastery.
What are you like as a leader?
When I was a head chef, I was much more of a disciplinarian; there was a lot more yelling and shouting. Now, with a strong management team in place, I want them to feel empowered to run and manage the space themselves. A kitchen can very quickly become a tense, chaotic environment if everyone’s shouting. That’s never the kind of space I want people to work in. There’s only room for one voice of authority in a kitchen and, over time, I’ve learned that you don’t have to shout to earn respect or to maintain discipline. I do believe in the importance of discipline and, yes, at times there needs to be accountability. No one wants to be told they’re underperforming, but it’s worse when that message comes from everyone around them. That doesn’t motivate; it discourages. So, while I believe in maintaining standards, I also think it’s important to create an environment that encourages people to improve rather than fear failure.
Chef Omar’s sea bass Provençale
Provençale sauce
¼ cup olive oil
4 cloves of garlic, crushed
50gm pitted nicoise olives, quartered
1 tbsp capers
500gm cherry tomatoes, quartered
Sprig of thyme
Sprig of fresh oregano
½ cup semi dried tomatoes cut into chunks
Salt to taste
ѱٳǻ: &Բ;
Combine the olive oil and garlic in a wide, flat-bottomed sauté pan on low heat and cook gently until the garlic becomes golden and very fragrant.
Add the olives and capers and continue to cook until aromatic.
Raise the heat to medium and add the quartered cherry tomatoes and herbs. Cook the tomatoes until they begin to break down, releasing their juices and creating a silky sauce.
Off the heat, add the semi-dried tomatoes and mix through the sauce. Adjust the seasoning as needed with salt.
Allow to cool before using.
When you’re ready to prepare the fish, start by preheating your oven to 200°C. You will need parchment paper and a baking tray large enough to fit the fillet or whole fish you will be baking.
Lay a sheet of parchment paper out on the table—the paper should be large enough to enclose your fish like a well-sealed envelope.
Drizzle a layer of oil on the paper and lay the fish on top. Season lightly with salt and add another drizzle of oil. Spread the prepared sauce evenly across the fish.
Close the parchment paper, folding the edges to seal it tightly, ensuring steam will stay trapped inside your parcel.
You may opt to also wrap the parchment in aluminium foil in case you are doubting your sealing skills.
Bake for 20 minutes at 200°C or until cooked through.
You can serve it directly to the table in the parchment paper, cutting the parcel open in front of your guests to many ooohs and aaahs, and a pleasant puff of steam and delicious cooking aromas.
You can garnish with a pinch of fresh chopped herbs and a drizzle of olive oil.
After uproar, documentary on Hamas 2023 attack will screen at Toronto Film Festival
Earlier this week, TIFF withdrew its invitation to the film “The Road Between Us: The Ultimate Rescue,” citing legal clearance for footage used in the documentary
The film chronicles the story of retired Israeli Gen. Noam Tibon, whose efforts to save his family and others during the Oct. 7, 2023 attack was profiled in a “60 Minutes” segment
Updated 15 August 2025
AP
NEW YORK: The Toronto International Film Festival will screen a documentary on the 2023 Hamas attack, after all, following an uproar over the film’s disinvitation from the upcoming festival.
Earlier this week, TIFF withdrew its invitation to the film “The Road Between Us: The Ultimate Rescue.” The festival said the decision was based in part on legal clearance for footage used in the documentary. Deadline, which first reported the news, said a sticking point was the identification and legal clearance of Hamas militants’ own livestreaming of the attack.
On Thursday evening, TIFF chief executive Cameron Bailey and “The Road Between Us” filmmaker Barry Avrich issued a joint statement announcing the film’s selection.
“Both TIFF and the filmmakers have heard the pain and frustration expressed by the public and we want to address this together,” said Bailey and Avrich. “We have worked together to find a resolution to satisfy important safety, legal, and programming concerns.”
“In this case, TIFF’s communication around its requirements did not clearly articulate the concerns and roadblocks that arose and for that, we are sorry,” they continued.
The film chronicles the story of retired Israeli Gen. Noam Tibon, whose efforts to save his family and others during the Oct. 7, 2023 attack was profiled in a “60 Minutes” segment.
After being informed that the film wouldn’t screen at the festival, the “Road Between Us” filmmakers issued a statement claiming TIFF “censored its own programming by refusing the film.”
Bailey disputed that allegation, and pleaded that the situation demanded sensitivity.
“The events of October 7, 2023, and the ongoing suffering in Gaza weigh heavily on us, underscoring the urgent need for compassion amid rising antisemitism and Islamophobia,” Bailey said on Wednesday.
The Toronto International Film Festival, North America’s largest film festival, runs Sept. 4–14.
Where We Are Going Today: Taqado Mexican Kitchen in Riyadh
Updated 15 August 2025
Ghadi Joudah
Taqado Mexican Kitchen in Riyadh serves up vibrant flavors in a fast-casual setting that immediately captures one’s attention.
The space has a bold counter adorned with colorful patterned tiles, where staff in crisp white, red, and yellow shirts assemble orders beneath illuminated menu boards in Arabic and English.
The open kitchen buzzes with efficiency, offering a lively backdrop for quick lunches or relaxed dinners.
Standout dishes include the Chili Cheese Fries — a generous pile of crispy fries smothered in rich chili con carne, spicy jalapeno cheese sauce, cool sour cream, and fresh coriander.
The Chicken Quesadilla features well-seasoned grilled chicken and fajita vegetables but would be brighter with more toasting for optimal texture.
Meanwhile, the Asian crispy chicken burrito delivers a satisfying crunch, expertly balanced by tangy soy pickles, cabbage slaw, and creamy guacamole. To be frank, the burritos are a mouthful, but the flavors make the experience worth it.
The Asian crispy chicken burrito delivered a satisfying crunch, expertly balancing crispy chicken, tangy soy pickles, cabbage slaw, and creamy guacamole. (Instagram: @Taqadomexicankitchen.ksa)
Less successful are the birria tacos, where the beef lacks depth despite fresh garnishes, and the accompanying broth felt underwhelming. The steak and shrimp bowl also falls short, its promising quinoa base and pineapple salsa undermined by rubbery shrimp and under-seasoned components.
Health-conscious diners can opt for the spinach quesadilla, the protein-rich steak and shrimp bowl, or the fresh Mexicali salad.
Taqado has mastered customizable Mexican comfort food, especially its loaded fries and fusion burrito, in a spirited atmosphere.
While some textures and seasonings need refinement, its efficient service and vivid setting make it ideal for casual meals.
URX: The cultural movement amplifying underrated DJs in Ƶ
Group is dedicated to promoting and supporting overlooked artists in Kingdom
URX works to develop its artists, offering mentorship, production support and publicity
Updated 14 August 2025
Rahaf Jambi
Underrated X Community — URX — is a cultural movement that was born in Ƶ with a mission to redefine how the region sees electronic music and underground talent.
Founded in late 2023 in Riyadh, URX was established to spotlight the often-overlooked DJs, producers and visual artists in the Kingdom and wider region.
Founders DJ Frozen (Sohaib Al-Borno) and DJ Mazo (Mohannad Reziqat) envisioned a homegrown ecosystem that supports emerging artists through events, collaborations and mentorship.
“We aim to support local talents and bring underrated DJs and electronic musicians into the spotlight,” Al-Borno told Arab News. “There’s a wealth of creativity in Ƶ, but what’s missing is visibility and access. That’s where URX comes in.
“URX stands for Underrated X. The ‘X’ symbolizes the unknown, the future and the collaboration between disciplines,” Reziqat said.
The two founders have spent years embedded in the Kingdom’s evolving creative scene.
Their collaborative mindset is reflected in the spaces they use; from Riyadh’s The Warehouse and Merwas Studios to regional hotspots in Bahrain and Jordan, URX prefers to use what they see as authentic, immersive venues.
“We believe in opening doors,” Reziqat said. URX’s events are “about the story, the energy, and the people who show up. It’s about creating a space where talent meets opportunity.
“Every URX edition is a platform to experiment,” he said. “We work closely with filmmakers, designers and visual artists to elevate every event beyond music.
“We started with URX. The video they made for us, the attention to detail, the quality, the filming … that’s what helped us rise in the scene. I truly want to thank them,” said a Riyadh-based DJ who goes by the name Immortal.
Since its debut event in 2024, URX’s influence has grown steadily, supported by a loyal following of artists and music lovers.
They recently collaborated with PUBLIC restaurant in Riyadh, on July 27.
“The PUBLIC x URX night was electric,” Al-Borno said. “It was one of those rare moments where everything clicked — the crowd, the music, the space. It confirmed that there’s a real hunger for this kind of experience.”
URX also works to develop its artists, offering mentorship, production support and publicity.
“It’s about who has something to say and giving them the tools to say it,” Al-Borno said.
“We’re laying the foundation for the next decade of Saudi creativity,” Reziqat said. “And that means investing in artists early, guiding them, and celebrating their uniqueness.”
URX is part of a larger cultural awakening in the Kingdom, aligned with Ƶ’s Vision 2030, which promotes creative industries and youth empowerment.
But while policy is top-down, URX is proudly grassroots, born from a genuine passion for local culture and artistic freedom.
“We’re building what we want to see,” Al-Borno said.
“There’s power in being underestimated,” Reziqat said. “That’s the spirit of URX. We take what’s overlooked and make it unforgettable.”
As they prepare for future events, regional tours and international collaborations, URX remains committed to its mission — uplifting the underrated, creating unforgettable experiences and connecting Ƶ’s artistic energy with the world.
REVIEW: ‘Wednesday’ season 2 is too crowded for its own good
Updated 14 August 2025
Shyama Krishna Kumar
DUBAI: Jenna Ortega once again knocks it out of the mausoleum in “Wednesday” season two, but the first four episodes suggest her scene-stealing brilliance will have to fight harder for attention this time around. The macabre Netflix hit returns with Ortega once again in razor-sharp form as the morbidly deadpan Wednesday Addams, but a crowded ensemble keeps her from shining the way she did in season one.
After saving Nevermore Academy last time out, Wednesday returns to the school as an unlikely hero. The spotlight is, understandably, a curse in her book, and Ortega leans into that discomfort with precision, delivering barbed quips and withering looks a mile a minute. But this time, she’s not the only one taking up valuable screen space.
Her younger brother Pugsley (now a Nevermore student too) arrives with his own chaotic subplots, including grisly pranks, dubious alliances, and a knack for attracting trouble. To make matters worse, Wednesday’s mother Morticia (Catherine Zeta-Jones, chewing every gothic inch of the scenery) takes up residence at the school, resulting in some frosty mother-daughter showdowns.
As if familial entanglements weren’t enough, a fresh murder-mystery unravels, this time involving a spate of killings carried out by murderous crows. It’s a case tailor-made for Wednesday, but some trouble with her powers means she’s not at 100 percent.
Wait, it doesn’t end there. Wednesday also has a new stalker on campus. And whoever they might be, they also control the murderous crows.
If all this weren’t enough, Wednesday also has a vision about her best friend Enid’s (Emma Myers) impending death, a vision she’s now fighting to prove wrong with everything she has.
All in all, the narrative feels more scattered than in the first season. The introduction of new side characters and expanded arcs for returning ones make the Nevermore halls feel crowded, occasionally slowing the pace. Ortega is still magnetic, but in episodes with multiple competing storylines, the show loses some of its bite.
However, if the latter half of the season narrows its focus, season two could yet match season one’s haunting charm.