������Ƶ

RIYADH: “Two Swords and a Palm: The Saudi Emblem Archive” exhibition opened to the public on Saturday and runs until Nov. 21, providing a visual guide to the emblem of ������Ƶ, archiving its historic significance and use over the years.

The exhibition was curated by Mohammed Alruways and Abdullah Kenani, a Saudi pair whose passion for heritage drove them to painstakingly build this archive.

“This whole project started four years ago,” Alruways told Arab News. “We started to become interested in the changes of the emblem and noticed that it doesn’t have a specific drawing. So, we started to investigate the changes throughout the years, since the unification of Saudi in the ’30s until now.”

Alruways and Kinani began the project together, collecting objects adorned with the emblem and digitizing them.

But their biggest challenge was not collecting pieces for the archive but tracing them back to specific dates and professionally digitizing and archiving them. 

“We were learning as we go … Some of them (the objects) are from the ’40s and ’50s and ’60s, but it was hard to connect them to a specific date or era at that time. So that’s why we mainly focused on documents and books,” Alruways said. 

The exhibition space is organized in three stages. The first room invites the viewer to look through the found objects; the second highlights the emblem in different sizes, including large paintings made for diplomats; and the third demonstrates the archival process, including video footage of the digitization procedure. 

The interactive experience includes visual presentations and animated films, allowing visitors to explore the emblem’s development and its evolving aesthetics, reflecting its ability to adapt to social and cultural changes while maintaining its presence as an icon that represents the Kingdom’s values and unity.

Al-Masmak Palace holds symbolic importance due to its link to the 1902 recapture of Riyadh by King Abdulaziz, a pivotal moment in the Kingdom’s unification. 

“I think it was the right place (for this exhibition) because it’s where Saudi unification started and also has links to the emblem,” Alruways said.

“When we decided to host the exhibition here in Al-Masmak, we noticed that one of the rooms featured the emblem in its original form, so we replicated that as an installation,” he added.

Nestled in the heart of the capital, Al-Masmak Palace bears witness to the early beginnings of the state, preserving features of that era within its walls.

Over recent decades, it has transformed into a national museum that welcomes visitors from within and outside the Kingdom, telling the story of the founding of modern ������Ƶ through its halls and exhibits.

For this exhibition, Alruways and Kenani connected the emblems by the era of the kings that ruled ������Ƶ ever since the unification by King Abdulaziz, finding that each era usually held a standard aesthetic. 

“We noticed that post-2009, most of the emblems look similar and we realized that’s because of the internet, basically, so that’s where everybody starts copying each other,” Alruways said. “But pre-2009, it’s usually hand drawn. You notice there are some similarities, but usually whenever someone draws it by hand … they add their own touch. That was one of our early findings.” 

Some of the rare finds include royal dining plates from the eras of King Abdulaziz and King Fahd, including a 1949 passport among the first to feature the emblem on its cover.

������Ƶ’s Museums Commission emphasized that the exhibition is part of its efforts to preserve cultural heritage and raise public awareness of the importance of national identity. 

It noted that the national emblem, with its symbol of the two swords and the palm tree, is not merely a fixed visual form, but “a living record that reflects the state’s journey and aspirations across generations.”

The exhibition aligns with the goals of Saudi Vision 2030, which seeks to highlight national heritage and enhance its role in the present and the future by transforming major historical sites like Al-Masmak Palace into vibrant cultural spaces that attract visitors and enrich their knowledge.

The program includes workshops and activities for all age groups, to connect generations with the history of their homeland and introduce them to the value and significance of the national emblem in ������Ƶ’s collective memory.

Top US envoy Thomas Barrack arrived in Israel on Sunday and met with Prime Minister Benjamin Netanyahu to discuss Syria and Lebanon, three Israeli officials said.
The meeting was first reported by Axios, citing three Israeli and US sources, and followed discussions between Barrack and Israel’s Minister for Strategic Affairs Ron Dermer and Defense Minister Israel Katz.
Dermer held talks with Syria’s foreign minister Asaad Al-Shibani in Paris on Tuesday on security arrangements in southern Syria, two Syrian sources familiar with the meeting said.
Syrian and Israeli officials have been conducting US-mediated talks on de-escalating conflict in southern Syria. A previous round of talks was held in Paris in late July but ended without a final accord.
On Monday, Barrack said in Lebanon that Israel should comply with a plan under which Lebanese militant group Hezbollah would be disarmed by the end of the year in exchange for a halt to Israel’s military operations in Lebanon.
The plan sets out a phased roadmap for armed groups to hand in their arsenals as Israel’s military halts ground, air and sea operations and withdraws troops from Lebanon’s south.
Lebanon’s cabinet approved the plan’s objectives earlier this month despite Hezbollah’s refusal to disarm, and Barrack said it was now Israel’s turn to cooperate.
There was no immediate comment from Netanyahu’s office.