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MUSE — Life lessons from inspirational women: Talia Lahoud 

MUSE — Life lessons from inspirational women: Talia Lahoud 
Talia Lahoud is a Lebanese singer and songwriter. (Supplied)
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MUSE — Life lessons from inspirational women: Talia Lahoud 

MUSE — Life lessons from inspirational women: Talia Lahoud 

DUBAI: The Lebanese singer-songwriter talks creativity, consistency, and compliments.  

I was obsessed with Disney movies and musicals when I was a kid — just falling in love with the magic of music and storytelling. Since then, I’ve never really stopped singing. Music was always around me growing up, my family has a real love and appreciation for all kinds of music, so it felt natural to dive deeper into it.  

For me, creation comes from the deepest parts of the heart, and being able to share it with people who connect with it is so intimate, real, and powerful. Music is literally all of me, and the fact that I can make others feel what I feel through it is an incomparable experience. It’s the connection and the honesty that I receive that makes me love my work more than anything. 

I’m not the most outgoing person, and I really value quality time with my family. I have a lot of different interests that keep me balanced: I love going to the gym, I’m a total foodie, and I’m obsessed with fashion! I also love spending quiet time watching movies or series, it’s one of my favorite ways to recharge. These hobbies bring me peace, and they give me the rest I need to come back to music with more energy and creativity. 




Talia Lahoud. (Supplied)

I’ve always found myself relating to characters in movies or TV shows. For example, I loved “The Queen’s Gambit,” “Stranger Things,” and “Anne with an E.” They’re very different stories, but what they share in common is a young girl trying to figure out her life in her own way and in her own time. That really resonates with me, because I feel like I’m constantly discovering my own path, learning as I go, and staying truthful to who I am as a person and as an artist. 

I have so many people I really look up to both as artists and as humans. From incredible Arab legends like Fayrouz, Umm Kulthum, Sherine Abdelwahab and Amr Diab, to amazing Western artists like Demi Lovato, Selena Gomez, Coldplay, Ed Sheeran, and Sia. I admire them all so much. What really inspires me is how true they are to their craft. They had struggles and setbacks, yet they managed to create music that touches people and stay authentic. I aspire to follow their footsteps and become like them. 

l give off a very introverted vibe — especially years back when I was only sharing covers and music online. But recently I’ve started showing more of my personality online, and people discovered sides of me they didn’t know about, like my sense of humor, empathy… Music shows a part of me but it’s different when your content reveals the unfiltered side of who you are — the part people can’t see unless they really know you. I do look shy, and I guess I kind of am, but my heart is much more open than it first appears. 

I’m proud of my consistency and dedication; getting up every single day and putting in the same energy and effort as if I’m starting fresh. Whether it’s a little or a lot, I give my all, and knowing that I’m always doing my best gives me peace, both personally and creatively. That daily commitment to myself and my craft is something I’m proud of. 

I can be really critical of myself, even when I’m trying my hardest. Over time, I’ve learned that I need to be easier on myself, to trust that things take time, that plans don’t always go perfectly, and that every detour can actually open a new door in God’s plan. I’ve realized that giving myself a little more love and patience is just as important as working hard, and that lesson has been really powerful for both my personal and creative growth. 

Something I came across on the internet really stuck with me: “If you have God, then you have nothing to worry about.” I’ve always been someone who stresses about almost everything in life. My path hasn’t always been easy or what I planned, and for a long time, I didn’t trust God as much as I should have. Slowly, I’m learning to trust more, to be grateful for what I have, and to take things one step at a time. That advice has really helped me feel patient, faithful, and just trust the process 

I’ll never get tired of being delusional when it comes to dreaming. I’ve heard so many times that I need to “be realistic” about my goals. But I believe that the things we can achieve are endless if we let ourselves dream. Especially when we put in hard work.

I love it when someone tells me that I’m down to earth. I know that I naturally feel close to people and love them with my whole heart, but hearing that makes me feel seen in a special way. Growing up, I often felt a little out of place or like I didn’t fit in, so being recognized as someone genuine really means a lot. It’s one of those compliments that makes me feel appreciated for who I truly am. 

One of the worst things I’ve heard came from a classmate years ago: “Music won’t bring you bread.” That line stuck with me for a long time, but it fueled my determination to prove people wrong. I’ve faced lots of people who didn’t believe in me, but I focused on the voices of those who did. Their support kept me going, and honestly, the doubt and hate only made me more unstoppable. It taught me that believing in yourself is far more powerful than anyone else’s opinions. 

When someone genuinely recognizes a mistake and takes the step to apologize, it’s such a green flag for me. It shows that they’re coming from a good place in their heart. No one is perfect, but being willing to admit when we’re wrong and try to do better really matters to me, and it’s something I deeply value in people.   

The biggest challenge I’ve faced when dealing with men in the industry is not being taken seriously. For example, when I’m in the studio, there’s often this assumption that a man must have written the song, even when I’m the writer. It’s frustrating how quickly women’s capabilities are underestimated, especially creatively. But I truly believe women are powerhouses, and I plan to prove that through my artistry, showing that we can do everything just as well, if not better. 

I don’t waste my energy trying to convince anyone in the moment. Instead, I focus on showing exactly what I’m capable of through my work. The results will speak for themselves. I won’t try to force anyone into seeing what they cannot see now, they eventually will later. 

I think men can learn so many things from women: the art of balancing many things in life, patience, dealing with problems with calm energy, tapping into their feelings more… Men are born to be great leaders, but when a woman is a leader yet she is still empathetic, creative, and loving? Well, that’s a combination they should be a little scared of. 


Qasr Al-Saqqaf stands tall in heart of Makkah

Qasr Al-Saqqaf stands tall in heart of Makkah
Updated 24 September 2025

Qasr Al-Saqqaf stands tall in heart of Makkah

Qasr Al-Saqqaf stands tall in heart of Makkah
  • Palace’s interior spaces are designed for privacy, with spacious guest halls, residential wings and courtyards that provide natural ventilation
  • Decorative stucco and geometric patterns adorn the walls, adding an aesthetic touch that aligns with Makkah’s spiritual identity

RIYADH: In the heart of Al-Maabdah, northeast of Makkah, Qasr Al-Saqqaf stands tall as more than a historic building. The palace has witnessed decades of social, administrative and diplomatic change. 

Built in about 1880, the building initially served as headquarters for administrative and official activities, hosting numerous meetings with prominent social figures, the Saudi Press Agency reported.

It later became a center for managing state affairs and receiving high-ranking guests and official delegations, where key agreements and resolutions were signed during the early years of Third Saudi State.

Between 1980 and 2019, as officials moved to more modern buildings, the palace’s administrative role declined. 

Yet it remains a landmark in Makkah’s architectural and cultural landscape. Its proximity to the Grand Mosque makes it a natural gathering place for visitors and delegations. 

Dr. Oumr Adnan Osra, chairman of the department of architecture at Umm Al-Qura University, said that visitors could easily recognize the palace’s architectural features.

Its foundations were built with locally sourced stone, while the windows, doors and mashrabiya-style balconies were made from wood imported from India and East Africa, highlighting Makkah’s historic commercial and cultural ties with the world. 

The palace’s interior spaces are designed for privacy, with spacious guest halls, residential wings and courtyards that provide natural ventilation. 

Decorative stucco and geometric patterns adorn the walls, adding an aesthetic touch that aligns with Makkah’s spiritual identity.

Osra said that Qasr Al-Saqqaf reflected Makkah’s core values of hospitality, privacy and the harmony between simplicity and beauty. Its halls illustrate the city’s readiness to welcome guests from around the world, while its Islamic decorations underscore its deep-rooted identity and the sacred surroundings.

The university has documented the palace extensively, conducting urban and architectural surveys and maintaining photographic records for posterity. Its work supports restoration and conservation projects and demonstrates how academic partnerships enrich understanding of national heritage. 

According to Osra, the palace is not just a historic landmark but a living knowledge and cultural project co-created by researchers and students.

The Royal Commission for Makkah City and Holy Sites has launched programs to restore and rehabilitate Qasr Al-Saqqaf, ensuring its history remains vivid for residents and visitors alike. 

Today the palace continues to host events that celebrate Makkah’s architectural, social and cultural heritage, reaffirming the Kingdom’s commitment to preserving its national legacy.


Art in every letter: Samah Al-Baiti’s calligraphy journey

Art in every letter: Samah Al-Baiti’s calligraphy journey
Updated 24 September 2025

Art in every letter: Samah Al-Baiti’s calligraphy journey

Art in every letter: Samah Al-Baiti’s calligraphy journey
  • Saudi artist channels heritage and modernity through the bold lines of square Kufic calligraphy
  • Samah Al-Baiti: It became ingrained in me that letters are not just written words but an art that can be transformed into beautiful paintings

MAKKAH: A young Ƶ artist has found her voice in the geometry of square Kufic calligraphy, transforming Arabic letters into contemporary designs that reflect both discipline and creativity.

Samah Al-Baiti embraced Arabic calligraphy as a way to convey identity and culture, aligning her own journey with Saudi Vision 2030’s broader goal to highlight heritage and creativity.

In an interview with Arab News, she recounted her beginnings and experiences that shaped her artistic career in the world of Arabic calligraphy and Islamic design.

Her first encounter with calligraphy was marked by passion and curiosity.

“Since childhood, I watched my father write Arabic letters with precision and calm,” she said. “It became ingrained in me that letters are not just written words but an art that can be transformed into beautiful paintings.”

She added that her father’s influence led her to view each line as a design imbued with meaning.

Al-Baiti’s mother also encouraged her talent. “My mother always believed in my abilities and asked me to decorate the rooms with my paintings, which gave me the confidence to know I was on the path of value and purpose.”

That confidence, she said, fueled her determination to embark on a long artistic journey.

Studies in Islamic design and ornamentation at King Abdulaziz University further refined her skills.

“This field opened a new window for me, allowing me to understand how calligraphy and decoration complement each other in aesthetic harmony,” she said.

“Through it, I learned the basics of Kufic calligraphy and color techniques, which gave me a solid foundation for developing my distinctive style.”

Al-Baiti was particularly drawn to square Kufic calligraphy. The style, she explained, captivated her with its geometric beauty and balance.

“Square Kufic reflects my personality in terms of precision and discipline, and for me it is a space of boundless creativity,” she added.

Her first participation in the “Symphony with Letters” exhibition in Jeddah was a turning point.

She expressed pride in displaying her work to the public for the first time, noting that the audience’s interaction left the greatest impression on her. This is because many visitors tried to read one of her circular designs that incorporated the wisdom of Imam Al-Shafi’i.

She also highlighted the support and encouragement of media figures and calligraphers.

Those who supported her include calligrapher Mohammed Al-Harazi who trained her in the Diwani style; artist Saud Khan who encouraged her to participate in his exhibition; and media figure Jamil Al-Harthi who introduced her to the world of art exhibitions.

Driven by a desire to innovate, Al-Baiti began experimenting with new materials including thread, nails and coffee capsules. This stemmed from her desire to break from tradition and create works combining art and sustainability.

Balancing daily work commitments with her passion remains a challenge, but she insists on dedicating time to creativity, which she views as her form of self-expression.

Her mission, she explained, is to invite viewers to experience moments of awareness and beauty through her paintings.

“Each participation in an exhibition is a new step that enriches my journey,” she added.

Al-Baiti concluded by noting that Vision 2030 inspires her to use art as a bridge for cultural expression.

“I believe that it is our responsibility as artists to present our heritage to the world in a way that reflects its depth and authenticity, so that it continues to stand as a testament to the beauty of our culture.”


ٲ𲹳ܳٲ expanding into UAE, Ƶ and Kuwait

ٲ𲹳ܳٲ expanding into UAE, Ƶ and Kuwait
Updated 24 September 2025

ٲ𲹳ܳٲ expanding into UAE, Ƶ and Kuwait

ٲ𲹳ܳٲ expanding into UAE, Ƶ and Kuwait
  • US cosmetics chain to partner with Kuwait’s Alshaya Group
  • Mideast a top market, CEO Kecia Steelman tells Arab News

DUBAI: US cosmetics store chain Ulta Beauty is preparing to expand into the Middle East, with openings planned in Ƶ, the UAE and Kuwait.

“The Middle East is one of the world’s largest and fastest-growing beauty markets, with a consumer who is both passionate about beauty and deeply engaged with global trends,” Ulta Beauty President and CEO Kecia Steelman told Arab News recently.

The partnership will be with Kuwaiti franchise operator Alshaya Group, she added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The first store will open in Kuwait City at The Avenues, followed by branches at Mall of the Emirates and Dubai Mall in the UAE in December, with Saudi openings planned for the first half of 2026.

Kristin Wolf, senior vice president at Ulta Beauty, said the stores will feature a wide portfolio across price points and categories, with 80 making their Middle East debut, including the Ulta BeautyCollection.

Kristin Wolf is the senior vice president at Ulta Beauty. (Supplied)

The company confirmed that store layouts will include makeup, skincare, fragrance, haircare and wellness, with localized sections for regional founders and brands.

Wolf said: “Ulta Beauty stands apart because we bring ‘All Things Beauty, All in One Place’ through a unique business model and varied assortment.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“From everyday essentials to luxury products, Ulta Beauty offers something for every beautyenthusiast all under one roof.”

“This breadth and accessibility has allowed us to disrupt the US beauty market, and we see significant whitespace to introduce this differentiated shopping experience to guests in the Middle East,” she added.

Steelman said skincare was “absolutely a priority for Ulta Beauty and a category where we see tremendous growth and opportunity worldwide.”

“We are also bringing our focus on K-Beauty, across both skincare and makeup, that is resonating so well with US guests to the Middle East.

“We believe this combination of global innovation and local relevance will strongly connect with beauty lovers in the region,” Steelman added.


Burberry’s London show draws Arab stars

Burberry’s London show draws Arab stars
Updated 24 September 2025

Burberry’s London show draws Arab stars

Burberry’s London show draws Arab stars

DUBAI: From fashion influencers and entrepreneurs such as Karen Wazen of Lebanon to filmmakers including Saudi producer Mohammed Al-Turki and models like British Moroccan Nora Attal, the Burberry show in London proved a hotspot for Arab talent.

The label presented hippie-inspired crochet dresses, fringed jackets and tailored suits in acid green, yellow and pink, drawing on counterculture fashions from the British music scene for its Spring/Summer 2026 collection.

A Black Sabbath soundtrack lent a rock ’n’ roll edge to the catwalk in the huge tent at Kensington Palace Gardens. The models’ boots and sandals crunched on a brown sand floor, evoking the muddy conditions of music festivals — a theme Burberry has revisited throughout the summer.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Dubai-based Wazen, who is the founder of eyewear label By Karen Wazen, arrived in a beige trench coat with a belted waist and double-breasted detailing, styled with knee-high black boots. She completed the look with long black leather gloves, a sleek black shoulder bag and sunglasses from her own brand.

The coat’s interior lining revealed Burberry’s signature check pattern.

Wazen posed for pictures with Al-Turki, former CEO of the Red Sea Film Festival, and Lebanese model Louai Alama, son of Lebanese superstar Ragheb Alama.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, on the runway, Attal appeared in a sleeveless mini dress adorned with metallic gold discs, styled with black lace-up combat boots. She carried a white fringed shoulder bag and wore oversized dark sunglasses, while silver accessories included a chunky ring and an armband.

The Burberry show, which closed London Fashion Week, was the sixth collection by creative director Daniel Lee and took inspiration from the connection between fashion and music. It was his third since Joshua Schulman became CEO and overhauled the British brand’s sales strategy.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Under Schulman, Burberry’s advertising has drawn on Britain’s outsized influence on music, featuring artists from Oasis frontman Liam Gallagher to producer and DJ Goldie and hip-hop musician Loyle Carner.

Burberry’s check pattern featured on chainmail mini dresses in black and silver, and pink and neon green, and on trench coats, which also came in snakeskin and a tarot card print.

“Burberry’s collection felt like a confident embrace of a younger client, rooted firmly in British culture and the energy of music festivals,” said Simon Longland, director of fashion buying at Harrods.


Bahrain’s D Two brings slow fashion to a global audience

Bahrain’s D Two brings slow fashion to a global audience
Updated 24 September 2025

Bahrain’s D Two brings slow fashion to a global audience

Bahrain’s D Two brings slow fashion to a global audience
  • Founder has background in computer science, finance and arts
  • Firm avoids ‘overproduction’ trend, Fatima Dito tells Arab News

DUBAI: D Two, a Bahrain-based slow-fashion label, is building its identity around craftsmanship, natural fabrics and timeless design, according to the firm’s founder Fatima Dito.

Dito, whose background spans computer science, finance and arts, said the brand has already attracted clients in the UK, US, Belgium and beyond, with international growth becoming an important focus.

Dito said the brand has already attracted clients in the UK, US, Belgium and beyond. (Supplied)

The designer explained that her path into fashion was not a shift but an extension of her professional life. “I do not see it as a transition, rather a parallel path that I have chosen for myself,” she told Arab News.

“Fashion design became that outlet of self-expression, an art form that simulates my creative soul much like music, and that’s how my journey with D Two began.”

With a focus on slow fashion, the label avoids overproduction and emphasizes quality and intention.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“From the beginning, I never wanted D Two to contribute to the cycle of overproduction we see in the fashion world today. Every detail matters, and nothing is rushed,” she explained.

Her collections feature a range of pieces including dresses, jumpsuits, tops, jackets and coordinated sets. Designed in shades including blush pink, denim blue, grey, white, beige, olive green and yellow, they reflect her emphasis on timeless versatility.

Among her standout pieces is The Solene Dress, originally created from two shirts through an upcycling project and later developed into a client favorite.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Her debut collection, “Aurum Rebirth,” which she said “will always be close to my heart,” reinterprets the geometric patterns of traditional Bahraini gold jewelry.

The brand’s growth has been supported by international recognition, including a Paris to Manama residency program at the Institut Francais de la Mode in Paris.

And a program by Bahrain Labour Fund Tamkeen in collaboration with +973 Artisanat Creative Entrepreneurs Incubator and delivered by French Fashion Institute ESMOD.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Being awarded the Paris to Manama residency and spending a month at IFM in Paris was an unforgettable experience,” she said.

“Immersed in the capital of fashion, I gained insights from international professionals, explored fashion history, and absorbed the global perspective that shapes how I approach design.”

For the ESMOD program, she was selected from 30 Bahraini designers and later shortlisted among the top 15. “It was a proud milestone in my journey,” she said.

Dito with the IFM instructor in Paris. (Supplied)

“What draws people to D Two globally is the connection they feel to the designs and the stories behind them,” Dito added.

“People today seek fashion that has a deep meaning behind its simple design. It should be authentic, meaningful, and ethical — and I believe this combination is what has built D Two’s international following.”

Looking ahead, Dito is working on a music-inspired collection for June 2026 as a part of the ESMOD Dubai x Tamkeen program, while also expanding the D Two Essentials line.