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Salone del Mobile.Milano to stage event in Riyadh

Salone del Mobile.Milano to stage event in Riyadh
Salone del Mobile.Milano will take place at King Abdullah Financial District in the Kingdom’s capital. (Supplied)
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Salone del Mobile.Milano to stage event in Riyadh

Salone del Mobile.Milano to stage event in Riyadh

DUBAI: Design fair Salone del Mobile.Milano is making its way to the Middle East for the first time with an event in Riyadh titled “Red in progress. Salone del Mobile.Milano meets Riyadh,” set to run from Nov. 26-28.

Staged in partnership with the Architecture and Design Commission at Ƶ’s Ministry of Culture, the event will take place at King Abdullah Financial District in the Kingdom’s capital.

More than 35 Made in Italy brands focused on furnishings, lighting, surfaces and accessories will be showcased alongside Saudi designers at the first edition, which acts as preview of a larger Salone del Mobile to be held in Riyadh in 2026.

Maria Porro, president of Salone del Mobile, said: “Riyadh is the place where vision becomes city. With ‘Red in progress. Salone del Mobile.Milano’ … we are bringing the design culture of the Salone and the exhibiting companies to this country to listen and work together with contractors, developers and architects — not a showcase, but a space where collaboration and content meet, and ideas become places.”

According to a released statement, the focus is business-first — with an emphasis placed on facilitating meetings between firms and professionals in the Saudi market and sharing expertise and best practices in the delivery of interiors in large development programs.

A cultural program will also unfold in the form of masterclasses and round tables, organized with the Architecture and Design Commission and led by design figures from Ƶ and Italy.

Salone del Mobile.Milano was launched in 1961. In 2024, the 62nd edition of Salone del Mobile.Milano welcomed almost 2,000 exhibitors from 37 countries and recorded more than 302,000 attendees in total.


Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy
Updated 07 October 2025

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy
  • Blazy took up fashion’s most coveted job in December
  • Bahia brought a polished style to Grand Palais runway

DUBAI: French Algerian model Loli Bahia brought a polished style to the Chanel runway during Paris Fashion Week recently, stepping out in a sharp suited look.

She wore a tailored charcoal-gray pantsuit featuring a structured single-breasted blazer with gold-tone buttons and matching wide-leg trousers. A cream knit top peeked out subtly beneath the blazer.

Bahia wore a tailored charcoal-gray pantsuit featuring a structured single-breasted blazer. (Getty Images)

Her look was styled with a chunky gold-and-red statement chain necklace, a burgundy leather shoulder bag, and matching belt that coordinated with the accessories. She completed the outfit with two-toned beige and white heels.

Bahia shared the runway with Mona Tougaard who has Danish, Turkish, Somali, and Ethiopian roots.

Tougaard wore an ivory satin blouse with voluminous sleeves and a fitted waistband, paired with a black high-low skirt adorned with ivory feather embellishments that cascaded over layered black fabric.

Tougaard wore an ivory satin blouse with voluminous sleeves and a fitted waistband, paired with a black high-low skirt adorned with ivory feather embellishments that cascaded over layered black fabric. (AFP)

These designs marked the debut collection of Chanel’s creative director Matthieu Blazy, who unveiled his vision for the century-old French fashion house with an evening runway show this week.

The presentation featured dropped waists and long, button-up shirts, concluding months of anticipation surrounding his first collection.

Blazy, 41, snagged fashion’s most coveted job in December. He is among several new designers recruited by labels seeking to spark the interest of inflation-weary shoppers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Blazy’s debut at the Grand Palais in Paris drew several guests decked out in the brand’s signature tweed, the famous interlocking C logo visible on heels, jewelry and handbags.

Inside, gigantic, glowing planets hovered in the vast glass-and-steel exposition hall.

Models marched down the slick, black runway, parading low-waisted skirts, silk tops and elongated twin sets with frayed edges. Red carpet looks included full skirts with piles of colorful feathers, dresses with extra flounce and glittering knitwear.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Along with Chanel’s classic-look leather handbags, models also paraded what the brand called “crushed” versions in gold and silver with exposed seams and open flaps.

At the end of the show, the audience of over 2,000 gave Blazy a standing ovation as he ran out for his bow.

Blazy, who joined Chanel from Kering-owned Bottega Veneta, follows long-time Virginie Viard who left in June last year after a long collaboration with Karl Lagerfeld, the creative force behind the modern revival of Chanel until his death in 2019.


Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week
Updated 06 October 2025

Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week

DUBAI: Saudi influencer Nojoud Al-Rumaihi, who is also a fashion consultant, has been spotted at a number of runway shows during Paris Fashion Week.

Al-Rumaihi attended Lebanese couturier Elie Saab’s Spring/Summer 2026 showcase, as well as shows staged by Hermes, Valentino, and Lebanese designer Georges Hobeika.

She has been sharing behind-the-scenes glimpses of her time at fashion week on social media, with insights on her favorite runway looks as well as her own outfits.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Al-Rumaihi shared a series on Instagram Stories about Hermes designer Nadege Vanhee’s latest show in Paris, in which Vanhee sent out a collection of brassiere tops, quilted silk coats and racer-back dresses.

Models marched around the space in tall riding boots, their silky ponytails swishing. They wore sandy-colored shirts, skirts and brassiere ensembles, cinched snugly with leather straps and lacework. Racer backs revealed shoulder blades, while leather bra tops held silk fabric in place, covering the chest, Reuters reported.

The color palette was dominated by muted beige and khaki tones, with a few touches of bright red — a leather trouser set, a handbag and motifs on scarves.

Al-Rumaihi also attended Italian label Valentino’s showcase in Paris, during which creative head Alessandro Michele’s latest collection Fireflies was put on show.

Prim retro silhouettes — bows, ruching, velvet skirts — set a mood at Paris Fashion Week of controlled nostalgia, Associated Press noted.

The high point was a draped gold gown with a feathered white collar, evoking myth and Valentino’s Roman past. A polka-dot shirt, satin skirts split with bright yellow panels, and occasional colorblocking kept the eclectic spirit alive, though without the exuberant force Michele had deployed before.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

That was the story of the show: less spectacle, more editing. Where Michele’s early collections for the house, and his Gucci tenure before that, thrived on sheer overload — tassels, turbans, ruffles, references piled high — here he cut cleaner lines and pared styling back. The result felt more wearable, but also less astonishing.

Valentino’s identity is rooted in beauty and polish. Under founder Valentino Garavani, the house meant jet-set elegance and “Valentino red.” Under designer Pierpaolo Piccioli, it leaned into couture-like refinement. Michele entered with a different tool kit: maximalist nostalgia, gender-fluid styling, and deep archive mining. He has said the job is to “manipulate the past to make it now,” balancing modern maximalism with relevance so the brand does not freeze in time.

For her part, Al-Rumaihi billed it as “a magnificent experiential show” on Instagram, where she shared a video of models traversing a spotlit runway.


Elie Saab unveils new collection at Paris Fashion Week

Elie Saab unveils new collection at Paris Fashion Week
Updated 05 October 2025

Elie Saab unveils new collection at Paris Fashion Week

Elie Saab unveils new collection at Paris Fashion Week

DUBAI: Lebanese couturier Elie Saab revealed his Spring/Summer 2026 collection at Paris Fashion Week on Saturday, with a pragmatic attitude to glamor evident in the line of blouses and pencil skirts.

Deva Cassel, Monica Bellucci’s daughter, opened the show wearing a khaki pencil skirt and a silk blouse.

And the beaded gowns synonymous with Saab were nowhere in sight. Instead, animal-print silk trench coats, blazers and wide-leg organza denim trousers were the order of the day.

The show was staged at Paris’ Palais de Tokyo. (Getty Images)

“I wanted the collection to speak of a courageous woman,” Saab said backstage, according to Vogue. “Women are born courageous, I know that, but now the world needs them to be more fearless than ever.”

The collection was not without evening-ready glamor, but instead of voluminous ballgowns, printed chiffon was artfully draped in shorter dresses, while belted skirts and lighter-than-air blouses offered options for boardroom-to-restaurant outfits.

Lebanese couturier Elie Saab revealed his Spring/Summer 2026 collection at Paris Fashion Week. (AFP)

The show was staged at Paris’ Palais de Tokyo and attended by the likes of supermodel Heidi Klum and Saudi influencer Nojoud Al-Rumaihi.

Elsewhere on Saturday, Nadege Vanhee-Cybulski presented her Spring-Summer 2026 collection for Hermes in the barracks of the horse-backed Republican Guard security forces, staying true to the house's equestrian heritage.

“I wanted to bring a much more bohemian touch to horseback riding —- to show that it can also mean letting go, freedom, and a hint of ecstasy,” explained the French designer, who has designed women's collections for the label since 2014.

At Vivienne Westwood, inspiration came from old curtains, explained Austrian designer Andreas Kronthaler as he showed off a colorful new collection at the historic Institut de France that featured fluid, draped dresses and corseted baroque-style silhouettes.

Klum closed the show wearing a white, rhinestone-embellished bustier with a long cape, followed by the designer himself, who appeared with a bouquet of sunflowers so large he could barely carry it.

 


Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders
Updated 04 October 2025

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

DUBAI: Montenegrin Egyptian actress and model Tara Emad has been named among the newest inductees to The Business of Fashion (BoF) 500 Class of 2025, which recognizes individuals shaping the global fashion industry, alongside Saudi designer Ahmed Hassan, co-founder of streetwear label KML.

The BoF 500 is an annual index by the London-based platform The Business of Fashion, founded by Imran Amed, that celebrates designers, creatives, models, executives and entrepreneurs redefining the global fashion landscape. Each year, 100 new members are selected based on their impact, industry nominations and extensive editorial research.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Emad, who serves as a Cartier ambassador, is best known for her roles in the recently released Arabic action-comedy “Darwish,” the Arabic adaptation of “Suits,” Netflix’s family drama “Catalog,” and the film “Siko Niko.”

A fixture on red carpets across the region, she has become one of the Arab world’s most recognizable faces, championing regional designers while maintaining a strong international presence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, Hassan’s inclusion reflects the continued rise of Ƶ’s creative scene and its expanding presence in the global fashion industry.

As co-founder of KML — known for its bold streetwear aesthetic infused with local cultural influences — Hassan, together with his brother and business partner Razan, has helped to bring Saudi design to the international stage.

In 2022, the brand was a semifinalist for the prestigious LVMH Prize — an annual award for young fashion designers run by the eponymous fashion conglomerate.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The Fashion Commission also recognized their potential, providing support that led to KML showcasing its collections at fashion weeks in Paris, Riyadh and Milan.

“Paris was a wonderful experience,” Ahmed previously told Arab News. “People found our clothes rebellious — especially the skirts for men. But it was rebellious to wear pants in Ƶ 200 years ago! Men everywhere here wore skirts — there were different names for them.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This year’s BoF 500 Class of 2025 includes 100 new names from 30 countries, spanning 40 nationalities. Among the inductees are musicians Kendrick Lamar and Tems, designers Giambattista Valli and Michael Rider, and models Hailey Bieber and Mamour Majang.

Past Arab members of the BoF 500 include Saudi couturier Mohammed Ashi, founder of Ashi Studio, who became the first designer from the Kingdom to join the index in 2023.


Bad Bunny celebrates Palestinian listeners embracing his music 

Bad Bunny celebrates Palestinian listeners embracing his music 
Updated 03 October 2025

Bad Bunny celebrates Palestinian listeners embracing his music 

Bad Bunny celebrates Palestinian listeners embracing his music 

DUBAI: Puerto Rican star Bad Bunny this week spoke about the global reach of his songs, highlighting how deeply moved he feels by listeners in Palestine embracing his work.

Speaking in an interview with Billboard Arabia, the Grammy-winning artist reflected on the response to his track “DtMF.”

“It’s really beautiful to see so many people from Latin America connecting with that song, people from Palestine connecting with that song, people from all over the world connecting with that song,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

He explained that the impact extended to his other personal works. “And not only with that one but also with ‘DeVita’ and ‘Dalma Fotos,’ songs where I mention San Juan, songs where I mention places only from here, from Puerto Rico, where I mention my grandfather … Personal songs that people identify with,” he added.

Bad Bunny reflected on what this connection means for him as an artist. “That’s where you see that music is about that, and art in general is about being real, about being honest, and about people being able to identify with what you feel, because through those songs they see that there is no difference between them and me.”

الحمدلله FOR A CEASEFIRE!!! Inshallah I can go again

“DtMF” — short for “Debi Tirar Mas Fotos” (“I should’ve taken more photos”) — went viral in Palestine, with people sharing before-and-after pictures of destruction from the war with Israel.

In the song, Bad Bunny looks back on moments he wishes he had captured, weaving in references to Puerto Rico, his grandfather and local musical styles such as bomba and plena. 

While he dwells on regret, he also emphasizes the importance of cherishing what remains, valuing connections, and honoring one’s roots and memories.