Iran says 12 journalists killed in Israeli strikes during war
Iran says 12 journalists killed in Israeli strikes during war/node/2607609/media
Iran says 12 journalists killed in Israeli strikes during war
Demonstrators wave Iranian flags as one holds up a poster of Iran's Supreme Leader Ayatollah Ali Khamenei during a protest against Israeli attacks on Iran, after the Friday prayer ceremonies on June 20, 2025 in central Tehran, Iran. (File/Getty images)
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Updated 10 July 2025
AFP
Iran says 12 journalists killed in Israeli strikes during war
The organization accused Israel of deliberately targeting media infrastructure
Updated 10 July 2025
AFP
TEHRAN: Iran said Thursday that at least a dozen journalists and media workers were killed in Israeli strikes during the two countries’ recent war, according to state media.
The media arm of the Basij paramilitary forces — a branch of the Islamic Revolutionary Guard Corps — said the death toll among media workers had risen to 12 following the identification of two additional individuals, the IRNA news agency reported.
The organization accused Israel of deliberately targeting media infrastructure “to silence the voice of truth” and suppress the “media of the Resistance Front” — a reference to Iran and allied groups opposed to Israel.
The announcement comes as casualty figures from the war have continued to rise, even after the end of the 12-day conflict, which began on June 13 with a surprise Israeli attack and saw an unprecedented bombing campaign that hit Iranian military facilities, nuclear sites and residential areas.
During the conflict, Israel also attacked the Iranian state broadcasting service in northern Tehran.
The Israeli campaign killed senior military commanders, nuclear scientists and hundreds of civilians, with the total death toll currently at 1,060, according to Iranian officials.
Retaliatory Iranian drone and missile barrages killed at least 28 people in Israel during the war, according to official figures.
Meet Ali Akbar, the last newspaper hawker in Paris
Akbar left Pakistan for France at the age of 20 and survived in Paris selling newspapers
French President Macron has vowed make Akbar a knight in the national order of merit
Updated 2 min 45 sec ago
AFP
PARIS: Ali Akbar knows everyone and everyone knows him. The last newspaper hawker in Paris zigzags each day from cafe to cafe, shouting humorous headlines in the heart of the French capital.
“France is getting better!” he cries, just one of the headlines he invents to sell his wares round the upmarket streets of Saint-German-des-Pres.
“(Eric) Zemmour has converted to Islam!” he shouts, referring to the far-right candidate at the 2022 presidential elections.
Locals and tourists on the Left Bank, the intellectual and cultural heart of Paris, look on amused.
“Even the walls could talk about Ali,” smiled Amina Qissi, a waitress at a restaurant opposite the Marche Saint-Germain, who has known Akbar for more than 20 years.
Now 73, Akbar, a slim, fine-featured “character” with newspapers tucked under his arm, is a neighborhood legend, she added.
“Even regular tourists ask where he is if they don’t see him,” she told AFP.
Pakistani born 73-year-old newspaper hawker Ali Akbar sells newspaper copies in the street of the Latin Quarter in Paris on September 16, 2025. (AFP)
Hard life
French President Emmanuel Macron has vowed to soon make Akbar a knight in the national order of merit in recognition of his “dedicated service to France.”
“At first I didn’t believe it. Friends must have asked him (Macron) or maybe he decided on his own. We often crossed paths when he was a student,” said Akbar.
“I believe it’s related to my courage, because I’ve worked hard,” he added.
Akbar, who wears round spectacles, a blue work jacket and a Gavroche cap, mainly sells copies of the French daily Le Monde.
When he arrived in France at the age of 20, hoping to escape poverty and send back money to his family in Pakistan, he worked as a sailor then a dishwasher in a restaurant in the northern city of Rouen.
Then in Paris he bumped into Georges Bernier, the humorist also known as Professeur Choron, who gave him the chance to sell his satirical newspapers Hara-Kiri and Charlie Hebdo.
Akbar has been homeless, experienced extreme poverty and had even been attacked — but despite the hardships, he said he has never given up.
“Emmanuel Macron is going to put a bit of antiseptic on my wounds,” he told his son Shahab, who at 30 is the youngest of his five children.
Shahab, who describes himself as “very proud” of his father, enjoys cataloguing the numerous profiles dedicated to his father in the foreign press.
When he started out as a hawker in the 1970s, Akbar focused on the Left Bank of the river Seine, which was a university area “where you could eat cheaply,” he said.
On the rue Saint-Guillaume in front of the prestigious Sciences Po university, he recalled learning French from interactions with students like former prime minister Edouard Philippe and “many others who became ministers or lawmakers.”
‘A good mood’
Paris used to have about 40 newspaper hawkers — street vendors without a fixed newsstand — who were posted at strategic locations such as the entrances to metro stations.
Pakistani born 73-year-old newspaper hawker Ali Akbar sells newspaper copies in the street of the Latin Quarter in Paris on September 16, 2025.
Akbar stood out by choosing to walk around, selecting the Latin Quarter. In the 1980s, he started inventing sensational headlines.
“I want people to live happily. I do it to create a good mood, that’s all,” he said.
But he admitted that he is finding it increasingly difficult to come up with good jokes.
“Everything is such a mess,” he added.
Akbar, who receives a pension of 1,000 euros ($1,175) a month, still works from 3 p.m. until 10 p.m. each day.
When AFP met him on a recent afternoon, clients were few and far between. On average, he sells about 30 newspapers every day, compared to between 150 and 200 when he started.
“As long as I’ve got the energy, I’ll keep going. I’ll work until I die,” he joked.
On the terrace of one cafe, Amel Ghali, 36, said Akbar was “inspiring.”
“It’s good to see it in the digital age,” he said. “Unfortunately, our children won’t experience the pleasure of reading a newspaper with a coffee.”
Snapchat introduces fees for storing old posts, photos
Snapchat said that it was introducing new “Memories storage plans” for users with more than 5GB of data
Packages are offered for 100GB, 250GB with Snapchat+ or 5TB with Snapchat Platinum
Updated 01 October 2025
Arab News
DUBAI: Snapchat has announced it will start charging users for saved posts and photos that exceed 5GB of storage.
In a blog post, Snapchat said that it was introducing new “Memories storage plans” for users with more than 5GB of data.
“For the vast majority of Snapchatters, who have less than 5GB of Memories, nothing will change,” the company said, adding that users with larger data needs could upgrade their storage to retain content in the feature introduced in 2016.
The packages are offered for 100GB, 250GB with Snapchat+ or 5TB with Snapchat Platinum.
The company acknowledged that “it’s never easy to transition from receiving a service for free to paying for it,” but said that the value provided from the paid service “is worth the cost.”
“These changes will allow us to continue to invest in making Memories better for our entire community,” it added.
Snapchat has not disclosed the full pricing of its new packages, but a company spokesperson told TechCrunch that the initial 100GB storage plan would cost $1.99 per month, while 250GB would be included in the $3.99 Snapchat+ subscription.
It noted that since the “Memories” feature was rolled out, users stored more than 1 trillion worth of posts and pictures.
Users exceeding the 5GB limit will have 12 months of temporary storage and can download their content directly to their devices, the company said.
Jomana Alrashid becomes first Saudi named to Time’s annual TIME100 Next list
Alrashid’s inclusion highlights her pioneering leadership and marks a milestone moment for Saudi women on the global stage
Under her leadership, SRMG has redefined how Arab media engages with audiences, while nurturing new generations of talent
Updated 01 October 2025
Arab News
RIYADH: Jomana R. Alrashid, CEO of Saudi Research and Media Group and chairwoman of the Red Sea Film Foundation, has made history as the first Saudi to be recognized on Time magazine’s TIME100 Next list.
An expansion of the iconic TIME100 list of the most influential people in the world, TIME100 Next highlights 100 emerging leaders who are shaping the future of business, entertainment, sports, politics, health, science, activism and more.
Alrashid’s inclusion highlights her pioneering leadership in business and media and marks a milestone moment for Saudi women on the global stage. Alongside Alrashid, the list includes names such as White House Press Secretary Karoline Leavitt, international football phenom Lamine Yamal, Irfaan Ali, the president of Guyana, and many more influential and emerging leaders in their respective fields.
Time magazine described Alrashid as “an architect of the Middle East’s shifting media landscape.” Since her appointment in 2020 as the first female CEO of SRMG, she has spearheaded the company’s comprehensive digital-first transformation, launched innovative media verticals and forged landmark global partnerships. These efforts have been reflected in the rapid growth of SRMG’s stock, signifying extensive trust by investors in her business development and management strategies across the media entertainment and technology sectors. Under her leadership, SRMG has redefined how Arab media engages with audiences, while nurturing new generations of talent.
As chairwoman of the Red Sea Film Foundation, she has championed the growth of the film industry across the Arab world, Africa and Asia, driving initiatives to empower filmmakers and foster international collaboration. This commitment has culminated in an unprecedented achievement, with over 80 supported films premiering and garnering awards and international recognition at the world’s most prestigious festivals, including Cannes, Venice, Berlin, Toronto and Sundance.
These are filmmakers and their stories that once struggled to find a place in the international film industry, now making their mark on the global stage. Today, the Red Sea International Film Festival stands as a premier global destination for cinema, culture and creativity.
Alrashid commented on the recognition: “I am deeply honored to be included in the TIME100 Next list. This recognition reflects the collective efforts of the extraordinary teams I have the privilege to work with at SRMG and the Red Sea Film Foundation. It is also a testament to the vision and leadership that have driven the remarkable transformation taking place across Ƶ and the wider region — a future built on innovation, creativity and storytelling that resonates globally.”
Alrashid’s selection underscores not only her growing global influence but also the pivotal role of Ƶ’s creative and media industries in shaping conversations worldwide. As the Kingdom continues its ambitious cultural and economic transformation, her leadership represents both the spirit of progress and the power of storytelling to inspire and unite communities across the globe.
Anghami partners with Ƶ’s Athar Festival to highlight local talent
Anghami will host Athar’s official podcasts on its platform to expand festival outreach
Updated 01 October 2025
Arab News
RIYADH: Anghami, a leading music and entertainment streaming platform in the Middle East and North Africa, announced on Wednesday its partnership with Athar – Saudi Festival of Creativity 2025 to help promote regional creativity, culture and innovation.
As a general partner to the two-day festival, Anghami will host Athar’s official podcasts on its platform to extend “the conversations, insights, and learnings from the festival to millions of listeners digitally.”
Anghami will also host a live DJ artist booth during the event, set to take place on Oct. 21-22 in Diriyah, and sponsor the ‘Marketing Communications Team of the Year’ Award.
The collaboration aims to underscore Anghami’s “wider mission to empower talent, inspire innovation, and amplify Arab voices on the global stage; continuing to build meaningful connections with audiences while shaping the future of entertainment and creativity across Ƶ and the wider MENA region,” the streaming platform said in an official statement.
Eddy Maroun, co-founder at Anghami, said partnering with Athar extends the company’s objective to empower talent through “bringing together the brightest creative minds and celebrating the power of ideas, music, and innovation.”
Kamille Marchant, Athar Festival Director, said the partnership with Anghami, alongside other major industry players, aims to expand the festival to its “biggest and boldest edition yet.”
“As one of the Middle East’s leading music and entertainment platforms, Anghami’s presence at the festival will amplify our message and support us in delivering an unforgettable experience for the creative marcomms community,” said Marchant.
Spooked by AI, Bollywood stars drag Google into fight for ‘personality rights’
Bollywood couple fight for personality rights in New Delhi court
Actors argue AI videos cause harm, should not be used in training
Cases could impact how YouTube allows video sharing with consent
Updated 01 October 2025
Reuters
NEW DELHI: In India, Bollywood stars are asking judges to protect their voice and persona in the era of artificial intelligence. One famous couple’s biggest target is Google’s video arm YouTube.
Abhishek Bachchan and his wife Aishwarya Rai Bachchan, known for her iconic Cannes Film Festival red carpet appearances, have asked a judge to remove and prohibit creation of AI videos infringing their intellectual property rights. But in a more far-reaching request, they also want Google ordered to have safeguards to ensure such YouTube videos uploaded anyway do not train other AI platforms, legal papers reviewed by Reuters show.
A handful of Bollywood celebrities have begun asserting their “personality rights” in Indian courts over the last few years, as the country has no explicit protection for those like in many US states. But the Bachchans’ lawsuits are the most high-profile to date about the interplay of personality rights and the risk that misleading or deepfake YouTube videos could train other AI models.
The actors argue that YouTube’s content and third-party training policy is concerning as it lets users consent to sharing of a video they created to train rival AI models, risking further proliferation of misleading content online, according to near-identical filings from Abhishek and Aishwarya dated September 6, which are not public.
“Such content being used to train AI models has the potential to multiply the instances of use of any infringing content i.e. first being uploaded on YouTube being viewed by the public, and then also being used to train,” the filings said.
Representatives for the Bachchans and Google spokespersons did not respond to Reuters’ queries. The Delhi High Court last month asked Google’s lawyer in court to submit written responses before the next hearing on January 15.
YouTube’s India managing director, Gunjan Soni, last month described the platform as “the new TV for India.” With around 600 million users, India is YouTube’s biggest market globally, and it is popular for entertainment content like Bollywood videos.
Lawsuit alleges YouTube videos are ‘egregious’
Indian courts have already started to back Bollywood stars upset about generative AI content damaging their reputation. In 2023, a Delhi court restrained the misuse of Anil Kapoor’s image, voice and even a catchphrase he often used.
Reuters is first to report details of the Bachchans’ specific challenge against Google, which was contained in court filings spanning 1,500 pages where they mostly target little-known sellers for unauthorized physical merchandise like posters, coffee mugs and stickers with their photos, and even fake autographed pictures.
They are also seeking $450,000 in damages against Google and others, and a permanent injunction against such exploitation.
The lawsuits contain hundreds of links and screenshots of what they allege are YouTube videos showing “egregious,” “sexually explicit” or “fictitious” AI content.
The judge in early September ordered 518 website links and posts specifically listed by the actors to be taken down, saying they caused financial harm to the couple and harmed their dignity and goodwill.
Reuters, however, found videos similar to the examples of infringing videos cited in Abhishek’s papers on YouTube.
Among them: a clip showing Abhishek posing but then suddenly kissing a film actress using AI manipulation; an AI depiction of Aishwarya and her co-star Salman Khan enjoying a meal together while Abhishek fumes standing behind; and a crocodile chasing Abhishek as Khan tries to save him.
Khan was in a relationship with Aishwarya long before her marriage. His spokesperson did not respond to Reuters’ queries.
AI can generate Bollywood love stories
YouTube’s data-sharing policy states creators can opt in to share their videos for training models of other AI platforms, like OpenAI, Meta and xAI. YouTube adds: “We can’t control what a third-party company does” if users share videos for such training.
The Bachchans argue in their filings that if AI platforms are trained on biased content that portrays them in a negative manner and infringes their intellectual property rights, then AI models “are likely to learn all such untrue” information, leading to its further spread.
Eashan Ghosh, chair professor for intellectual property rights at the National Law University Delhi, said it would be difficult for actors to build a direct case against YouTube since their grievances are mostly with creators and personality rights infringement.
But “it wouldn’t be beyond the pale for the court to nudge YouTube to write something into their user policies or set up a queue jump for celebrity claimants to get quicker responses to legal requests,” he said.
YouTube in May disclosed that it had paid more than $2.4 billion to Indian creators in the last three years. The actors alleged that creators infringing their personality rights can make money when videos become popular.
Reuters found a channel on YouTube titled “AI Bollywood Ishq” that shares “AI-generated Bollywood love stories.” Its 259 videos have garnered 16.5 million views. The most popular video with 4.1 million views shows an AI animation of Khan and Aishwarya in a pool, while another shows them on a swing.
In a tutorial, the channel explains it used simple text prompts to create an image via X’s Grok AI and then turned it into a video using Chinese AI startup MiniMax’s Hailuo AI. A Reuters test generated an AI video showing lookalikes of Bollywood stars Khan and Abhishek in a fistfight within five minutes.
Grok, MiniMax and the owner of YouTube channel @AIbollywoodishq did not respond to Reuters’ queries. It was unclear whether the YouTube channel consented to sharing those videos for AI training.
“Content is made only for entertainment and creative storytelling,” the channel’s page said.