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Bands pull out of UK festival following Palestinian flag controversy

Update The Mary Wallopers hold a Palestinian flag as they protest onstage during Day 1 of Victorious Festival on August 22, 2025 in Southsea, England. (Getty Images)
The Mary Wallopers hold a Palestinian flag as they protest onstage during Day 1 of Victorious Festival on August 22, 2025 in Southsea, England. (Getty Images)
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Updated 24 August 2025

Bands pull out of UK festival following Palestinian flag controversy

Bands pull out of UK festival following Palestinian flag controversy
  • Incident sparks wave of boycotts from other performers

LONDON: Several bands withdrew from a British festival on Saturday following claims that Irish folk group The Mary Wallopers had their set cut short for displaying a Palestinian flag.

The incident sparked a wave of boycotts from other performers in solidarity, it was reported on Sunday.

The Last Dinner Party, Cliffords, and The Academic announced that they would no longer perform at the annual Victorious Festival in Portsmouth, citing concerns over political censorship.

Rock band The Last Dinner Party described the incident as “outrageous” and said they could not condone silencing artists.

“As Gazans are deliberately plunged into catastrophic famine after two years of escalating violence, it is urgent and obvious that artists use their platform to draw attention to the cause,” the band said in a statement shared on Instagram.

They urged fans to support Palestinian medical charities and apologized to those hoping to see them perform.

The Mary Wallopers claimed the festival released a “misleading statement” by suggesting their set was cut due to a discriminatory chant, rather than the band’s call to “Free Palestine.”

They released video footage showing a crew member removing the flag from the stage before the sound was cut.

“The same crew member is later heard saying ‘You aren’t playing until the flag is removed’,” the band added.

The Academic said they could not “in good conscience” perform at a festival that silenced free speech, while Cliffords said they “refuse to play if we are to be censored for showing our support to the people of Palestine.”

Festival organizers initially said The Mary Wallopers’ microphones were turned off after displaying the flag, citing a long-standing policy against flags for safety and event management reasons.

They said: “We spoke to the artist before the performance regarding the festival’s long-standing policy of not allowing flags of any kind at the event, but (we said) that we respect their right to express their views during the show.”

They acknowledged, however, that the policy was not communicated sensitively and apologized for the way the situation was handled.

They added: “The Mary Wallopers are a fantastic band, and we were very much looking forward to their performance on Friday.

“We are in the business of putting on great shows, not cutting them off, and this is the last thing we wanted — for the band, their fans and ourselves.”

Organizers also pledged to make a “substantial donation” to humanitarian relief efforts for Palestinians.

The festival’s closing day on Sunday was set to feature Kings of Leon, with Bloc Party, Gabrielle, and The Reytons among the other acts scheduled to perform.


Where We Are Going Today: M DEE Cafe in Riyadh

Where We Are Going Today: M DEE Cafe in Riyadh
Updated 29 August 2025

Where We Are Going Today: M DEE Cafe in Riyadh

Where We Are Going Today: M DEE Cafe in Riyadh

Riyadh’s cafe scene is booming, but M DEE has carved out its own niche with a mix of style, flavor, and a clear eye for detail. Known for its minimalist branding and playful dessert creations, the cafe has become a go-to spot for those who want more than just a caffeine fix.

The standout here is the V60 coffee. Brewed with precision, it is the kind of cup that makes you to slow down and appreciate each sip. Smooth, balanced, and deeply aromatic, it carries the kind of clarity you expect from a specialty coffee house. For enthusiasts who appreciate hand-pour brewing, this is a must-try in Riyadh.

When it comes to desserts, M DEE shows both creativity and craftsmanship. The berry cheesecake is the highlight, creamy yet light, with the right level of sweetness that lets the fruit shine. The portion is generous enough to share, but you might not want to. It pairs beautifully with the iced V60, striking that perfect balance between tart and smooth. 

The cafe also offers a wide range of trendy sweets, from mini bites to boxed assortments. They photograph as well as they taste, which explains their popularity on Instagram feeds. Yet not every option delivers equally. The tiramisu, for example, feels underwhelming. It leans too heavily on cream, lacks the layered depth that defines a true tiramisu, and the portion is noticeably small compared to expectations.

Service is efficient, and the atmosphere reflects modern Riyadh cafe culture; bright, polished, and designed for both casual meet-ups and solo coffee breaks. It is clear the team has invested in creating a brand identity that matches its culinary ambition.

For the iced V60 and the cheesecake alone, M DEE is worth the stop. While not every dessert hits the mark, the overall experience makes it one of the more exciting cafes to visit in the capital.
 


Show off your creative skills 

Show off your creative skills 
Updated 28 August 2025

Show off your creative skills 

Show off your creative skills 
  • Riyadh Art opens submissions for Tuwaiq Sculpture 2026 event; selected artworks will be showcased across the capital
  • Since its inception, Tuwaiq Sculpture has welcomed more than 150 artists, whose works now form part of Riyadh Art’s permanent collection

RIYADH: Submissions for the Tuwaiq Sculpture 2026 began on Wednesday and will continue until Sept. 17, the Riyadh Art program has announced. 

Themed “Traces of What Will Be,” the symposium invites sculptors from around the world to submit proposals for the seventh internationally acclaimed event. 

The symposium, held in January next year, will once again turn Riyadh into a dynamic hub for public art, creativity and cross-cultural exchange.

The open call invites submissions from artists interested in participating in a live sculpting experience on-site in Riyadh, culminating in a public exhibition.

Twenty-five artists will be selected to produce original works that will be permanently installed across the capital, enriching the city’s expanding public art collection.

This event also introduces the following sculpting categories in line with Riyadh Art’s evolving vision: Granite, stainless-steel integration and reclaimed metal. 

Sarah Alruwayti, director of the Tuwaiq Sculpture Symposium at the Royal Commission for Riyadh City, said: “Tuwaiq Sculpture invites artists from around the world to leave a lasting mark on Riyadh’s evolving urban landscape. Each edition builds on a growing legacy that connects communities through public art.”

Since its inception, Tuwaiq Sculpture has welcomed more than 150 artists, whose works now form part of Riyadh Art’s permanent collection— including a significant installation of 35 pieces at King Abdulaziz Historical Center. 

The initiative continues to shape Riyadh’s global identity as a capital of creativity, civic engagement and cultural innovation.

Riyadh Art is one of Riyadh’s four original mega projects under Vision 2030 and is led by the Royal Commission for Riyadh City. 

Launched in 2019, it was developed to catalyze the capital’s transformation, enrich lives, and encourage creative expression and cross-cultural dialogue through art.

Art and culture are essential to the identity of a city, and the Riyadh Art initiative was established to reflect the openness and accessibility of the capital’s growing creative landscape; where the exchange of ideas through artistic practice contributes to a deeper and more inclusive cultural identity.

Riyadh Art aims to have a positive impact on people, bringing everyday moments of joy to residents and visitors alike, while instilling a greater sense of civic pride and creating a more beautiful city for everyone to enjoy. It also supports the growth of the creative economy and contributes to attracting investment and talent to Riyadh.

Mohammed Al-Saawy, founder and director of ERRM Art Gallery, said that the art of sculpture in the Kingdom of Ƶ had seen an unprecedented qualitative boom in recent years, commenting on the activities of the Sculpture Forum.

Al-Saawy told Arab News: “Sculpture in Ƶ has witnessed a qualitative and positive shift in recent years, and this forum reflects the vitality of the Kingdom’s creative scene. 

“It attracts the most prominent local, Arab, and international sculptors of diverse ages and experiences, creating a rich artistic dialogue that combines the wisdom of experience with the energy of youth.”

Al-Saawy added: “The forum’s role is not limited to displaying works alone; it also adds a deeper dimension to the sculpture profession. This is part of a larger program and strategic direction undertaken by the High Commission for the Development of Riyadh to beautify the Saudi capital and its cities with sophisticated artistic content, contributing to shaping a sophisticated visual identity for the cities.”

“This type of fine art contributes to documenting community culture and presenting it to intellectuals in the local and global community,” he said. “We are confident that this forum will have positive repercussions and leave a lasting impression, contributing to the advancement of Saudi sculptors, both male and female, and extending their creativity to global horizons.” 


Saudi cast attend Venice Film Festival photocall after RSIFF execs join star-studded red carpet

Saudi cast attend Venice Film Festival photocall after RSIFF execs join star-studded red carpet
Updated 28 August 2025

Saudi cast attend Venice Film Festival photocall after RSIFF execs join star-studded red carpet

Saudi cast attend Venice Film Festival photocall after RSIFF execs join star-studded red carpet

DUBAI: The cast and crew of Saudi film “Hijra” attended a photocall at the Venice Film Festival on Thursday after Red Sea Film Foundation executives attended the opening red carpet on Wednesday, alongside Hollywood celebrities.

The Red Sea Film Foundation returned to the 82nd edition of the world’s longest running film festival to present a strong lineup of films and industry initiatives that reinforce its commitment to nurturing emerging talent from Ƶ, the Arab world, Africa and Asia.

Among the highlights is the aforementioned “Hijra” from Ƶn director Shahad Ameen, whose poetic storytelling has positioned her as one of the Kingdom’s greatest voices. Supported by the Red Sea Fund, the film screens in Venice Spotlight, marking her return to the festival after her award-winning debut Scales premiered on the Lido in 2019.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Also featured is Lebanese filmmaker Cyril Aris’s “A Sad and Beautiful World,” a drama developed with the support of the Red Sea Labs, Red Sea Fund and Red Sea Souk. Its selection for Giornate degli Autori highlights the foundation’s commitment to backing emerging regional voices from inception to the global stage.

Algerian director Yanis Koussim’s “Roqia” and Sudanese filmmaker Suzannah Mirghani’s “Cotton Queen” both screen in the Venice Critics’ Week section, offering urgent narratives that reflect the complexity of contemporary Arab identity. Completing the line-up is Damien Hauser’s “Memory of Princess Mumbi,” backed by the Red Sea Fund and Red Sea Souk.

Meanwhile, Julia Roberts and George Clooney are some of the biggest names at the festival, with top directors from Kathryn Bigelow to Jim Jarmusch all due on the sandy Lido across the Venice lagoon.

The main event in Wednesday evening's opening ceremony was Francis Ford Coppola awarding a Lifetime Achievement award to German director Werner Herzog ("Grizzly Man", "Fitzcarraldo") for his canon of more than 70 films.

Herzog, who said he always searched for the "sublime" in his films, will showcase his latest documentary, "Ghost Elephants", about a lost herd in Angola, on Thursday.

Italian director Paolo Sorrentino's "La Grazia" -- about an Italian president grappling with doubts over whether to sign a euthanasia bill into law -- was the first main in-competition movie presented on Wednesday.

"Dwelling on doubt and then allowing that doubt to mature into a decision is something that is increasingly rare," Sorrentino told journalists.

"Mother", a film depicting Mother Teresa as a sometimes ruthless figure struggling to reconcile her views on motherhood and abortion, opened the secondary Orizzonti section.

Eyes were set to quickly turn to Hollywood's favourite leading man, Clooney, who stepped off a water taxi in Venice with his wife Amal on Tuesday.

Roberts, meanwhile, will appear at Venice for the first time on Friday in the out-of-competition cancel-culture drama "After the Hunt", from Italy's Luca Guadagnino.

Winners of the festival's prestigious Golden Bear top prize often go on to Oscar glory, such as "Nomadland" or "Joker" in previous years.

 

 


Sotheby’s Abu Dhabi Collectors’ Week to feature cars, timepieces, rare gems

Sotheby’s Abu Dhabi Collectors’ Week to feature cars, timepieces, rare gems
Updated 28 August 2025

Sotheby’s Abu Dhabi Collectors’ Week to feature cars, timepieces, rare gems

Sotheby’s Abu Dhabi Collectors’ Week to feature cars, timepieces, rare gems

DUBAI: Auction house Sotheby’s is set to host a program of auctions, panel discussions and exhibitions in the UAE’s capital during Abu Dhabi Collectors’ Week in December.

Set to run from Dec. 2-5, the series of auctions will include jewelry, rare timepieces, collectors’ cars and real estate from RM Sotheby’s, and Sotheby’s Concierge Auctions, alongside a museum-quality exhibition of international fine art.

Prior to the opening in Abu Dhabi, sale highlights will travel to Sotheby’s international locations to be presented to global collectors.

Josh Pullan, the head of Sotheby’s Global Luxury Division, said: “The week will be anchored by a single-owner collection replete with top-quality jewelry and watches, alongside unparalleled automobiles.”

The auction week will take place alongside the Formula One Grand Prix in Abu Dhabi, with RM Sotheby’s marking the occasion by collaborating with McLaren Racing to offer a trio of competition cars representing the team’s racing portfolio.

The “Triple Crown” project gives the opportunity to purchase three competition chassis, including a 2026 McLaren F1 Team car, a 2027 McLaren United AS racer from the World Endurance Championship, and a 2026 Arrow McLaren IndyCar Team Indianapolis 500 race-driven vehicle. The cars will go under the hammer on Dec. 5.

A 2017 Pagani Zonda 760 Riviera (estimate $9.5 million to $10.5 million) and a rare 2010 Aston Martin One-77 ($1.3 million to $1.6 million) are also being sold.

Leading the jewelry auction is The Desert Rose, the largest fancy vivid orangy pink diamond ever graded. Weighing 31.86 carats, the pear-shaped diamond radiates a sunset-like blend of pink and orange and will make its auction debut with an estimate of $5 million to $7 million.

The Desert Rose. (Supplied)

Among the timepieces is a rare Rolex “Oyster Albino” Daytona. Produced in the late 1960s and early 1970s, this variant breaks from the standard Cosmograph Daytona aesthetic, which typically features contrasting sub-dials. Instead, the Albino is defined by its monochromatic silver dial and subsidiary registers. The timepiece carries an estimate of $500,000 to $1 million.


Lost Treasures of Arabia: Explore the Nabataean Kingdom in a new Nat Geo documentary

Lost Treasures of Arabia: Explore the Nabataean Kingdom in a new Nat Geo documentary
Updated 28 August 2025

Lost Treasures of Arabia: Explore the Nabataean Kingdom in a new Nat Geo documentary

Lost Treasures of Arabia: Explore the Nabataean Kingdom in a new Nat Geo documentary

DUBAI: National Geographic’s latest documentary “Lost Treasures of Arabia: The Nabataean Kingdom” — available to stream on Disney+ from Aug. 29 — puts the spotlight on one of the ancient world’s most innovative and mysterious desert civilizations.

From the sandstone facades of Petra, Jordan, and the tombs of Hegra in Ƶ, the documentary investigates how the Nabataeans defied nature and time by mastering desert trade routes, engineering complex water systems, and developing an urban culture so advanced it rivalled the greatest empires of their time.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Saudi archaeologist Dr. Dhaifallah Altalhi, dean emeritus of arts, University of Hail, Ƶ, and former co-director of the Mada’in Salih Archaeological Project, who worked on the project, spoke with Arab News about why the Nabataeans continue to fascinate scholars and the public alike.

“I think the Nabataean is a great story. It’s a kingdom which flourished in the northwest of Arabia from the fourth century BC to the first century AD,” he said. “Besides the magnificent tombs and other archaeological artifacts, I think the Nabataeans also were great in their society. The women in this community had the right to ownership. They owned their own tombs. They had their own money. And the queen was also represented on coins beside the king.”

What most impressed him, however, was their resourcefulness in a harsh environment. “Their ability to control their very limited water resources, this was magnificent. They dug wells, and they brought water from very far distances, some of the water reservoirs and aqueducts … bringing the water from about 12 kilometers far, which is a great distance.”

The Nabataeans were equally influential in trade. “They also transported goods for others. And they started commercial centers. Those commercial centers turned into villages sometimes, and that grows until it reached cities, and they were imposing tax on the imported goods,” he explained.

Their cultural impact extended far beyond Arabia. “It is amazing that we have found some inscriptions, Nabataean inscriptions, in Italy … in Egypt, in Yemen to the south,” Dr. Diafallah said. “Of course, the Nabataeans in turn were influenced by Greek architecture … especially the tombs. They were influenced also by other deities and their religions from the Greek influence.”

Among discoveries at Hegra, one inscription stood out. “It was written around 175 AD, and it talks about the restoration of the old fence which was surrounding Madain Saleh … this inscription has added to our knowledge about Hegra,” he said.